‘In grembo a Citherea’: the representation of ingenium and ars in Claudio Monteverdi’s Tempro la cetra.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 503, doi. 10.1093/em/car103
- By:
- Publication type:
- Article
Works matching DE "MADRIGALS -- History %26 criticism"
Results: 9
1
2
Articulating Arcadelt's Swan.
- Published in:
- American Recorder, 2020, v. 61, n. 3, p. 23
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- Publication type:
- Article
3
Sing we and play it: An Overview of the Madrigal for Recorder Players.
- Published in:
- American Recorder, 2018, v. 59, n. 3, p. 24
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- Publication type:
- Article
4
Giulio Caccini „Le nuove musiche“ pratarmė: šaltinis ir jo komentarai.
- Published in:
- Musicology of Lithuania / Lietuvos muzikologija, 2013, n. 14, p. 160
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- Publication type:
- Article
5
Mobile Texts and Local Options: Geography and Editing.
- Published in:
- 2013
- By:
- Publication type:
- Essay
6
WAS THERE AN ARS CONTRATENORIS IN THE MUSIC OF THE LATE TRECENTO?
- Published in:
- Studi Musicali, 2008, v. 37, n. 2, p. 339
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- Publication type:
- Article
7
‘Se vedesti qui dentro’: Monteverdi’s ‘O Mirtillo, Mirtillo anima mia’ and Artusi’s Offence.
- Published in:
- 2013
- By:
- Publication type:
- Essay
8
The Contribution of French Musicians to the Genesis of the Italian Madrigal.
- Published in:
- Renaissance & Reformation / Renaissance et Réforme, 2003, v. 27, n. 2, p. 101, doi. 10.33137/rr.v39i2.8872
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- Publication type:
- Article
9
Adrian Willaert and the Theory of Interval Affect: The Musica nova Madrigals and the Novel Theories of Zarlino and Vicentino.
- Published in:
- 2011
- By:
- Publication type:
- Book Review