The Voice Doesn’t Lie. A Revisit to Suzhou River Through Listening.
- Published in:
- Ekphrasis (2067-631X), 2024, v. 31, n. 1, p. 38, doi. 10.24193/ekphrasis.31.3
- By:
- Publication type:
- Article
Works matching DE "LOU Ye"
Results: 8
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Drifting Between Paris and Beijing: Transnational Cityscapes in Lou Ye's Sino-French Film Love and Bruises (2011).
- Published in:
- Critical Arts: A South-North Journal of Cultural & Media Studies, 2023, v. 37, n. 2, p. 31, doi. 10.1080/02560046.2023.2218451
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- Publication type:
- Article
3
FATAL BETRAYAL AND PERSISTENT MEMORY IN LOU YE'S SUMMER PALACE.
- Published in:
- Canadian Review of Comparative Literature, 2021, v. 48, n. 2, p. 276
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- Publication type:
- Article
4
Love in a Changing Society of the Past Half a Century: Suzhou River as a Historical Allegory.
- Published in:
- Frontiers of Literary Studies in China, 2013, v. 7, n. 4, p. 690, doi. 10.3868/s010-002-013-0042-3
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- Publication type:
- Article
5
Dull sex in a messy Square: traumatic boredom in Lou Ye's Summer Palace.
- Published in:
- Women & Performance, 2019, v. 29, n. 2, p. 103, doi. 10.1080/0740770X.2019.1621606
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- Publication type:
- Article
6
In the name of love: Female impasses within capitalist logic in Lou Ye's The Shadow Play.
- Published in:
- Journal of Chinese Cinemas, 2022, v. 16, n. 3, p. 298, doi. 10.1080/17508061.2022.2114732
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- Publication type:
- Article
7
The creative evolution and crystallisation of the ‘bastard line’: drifting from the Rive Gauche into Suzhou River.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
8
A still life of the wildest things: Magic(al) realism in contemporary Chinese cinema and the reconfiguration of the jishizhuyi style.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review