Non-affirmative time-images in Nuri Bilge Ceylan's Three Monkeys (2008) and the political aesthetics of New Turkish Cinema.Published in:2015By:Katsanis, Vuslat D.Publication type:Film/TV Criticism and Review
The Migration of Forms: Bullet Time as Microgenre.Published in:Film Criticism, 2007, v. 32, n. 1, p. 26By:Rehak, BobPublication type:Article
Moving in stealth: On the tracking shot as a technique for imperceptibility.Published in:Critical Studies in Television, 2019, v. 14, n. 1, p. 40, doi. 10.1177/1749602018816876By:Pape, ToniPublication type:Article
Childhood fears: The importance of horror elements in It Can Pass Through the Wall.Published in:Short Film Studies, 2017, v. 7, n. 2, p. 187, doi. 10.1386/sfs.7.2.187_1By:Madsen, DavidPublication type:Article
The long take and the time image in recent 'Chinese' cinemas: Realism reconsidered.Published in:Asian Cinema, 2013, v. 24, n. 1, p. 7, doi. 10.1386/ac.24.1.7_1By:CHESNEY, DUNCANPublication type:Article