The Bigger Picture: A Reconsideration of Giulia Niccolai's Il grande angolo.
- Published in:
- Italica, 2010, v. 87, n. 2, p. 209
- By:
- Publication type:
- Article
Works matching DE "LITERATURE %26 photography"
Results: 113
1
2
Not losing her memory: Stories in photographs, words and collage.
- Published in:
- Modern Fiction Studies, 1994, v. 40, n. 3, p. 657, doi. 10.1353/mfs.1994.0004
- By:
- Publication type:
- Article
3
`The things that are seen in the flashes': Timothy Findley's `Inside Memory' as photographic ...
- Published in:
- Modern Fiction Studies, 1994, v. 40, n. 3, p. 643, doi. 10.1353/mfs.1994.0005
- By:
- Publication type:
- Article
4
Auteurs as autobiographers: Images by Jo Spence and Cindy Sherman.
- Published in:
- Modern Fiction Studies, 1994, v. 40, n. 3, p. 573, doi. 10.1353/mfs.1994.0003
- By:
- Publication type:
- Article
5
Re-citing, re-siting, and re-sighting likeness: Reading the family archive in Drucilla Modjeska's...
- Published in:
- Modern Fiction Studies, 1994, v. 40, n. 3, p. 509, doi. 10.1353/mfs.1994.0008
- By:
- Publication type:
- Article
6
Introduction: Life writing and light writing; autobiography and photography.
- Published in:
- Modern Fiction Studies, 1994, v. 40, n. 3, p. 459, doi. 10.1353/mfs.1994.0011
- By:
- Publication type:
- Article
7
Photo & Word.
- Published in:
- 1999
- By:
- Publication type:
- Book Review
8
'Mirror with a memory': Theories of light and preternatural negatives in Herman Melville's Moby-Dick.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
9
The Limited Editions Club's Leaves of Grass (1942) and the American imagetext.
- Published in:
- 2013
- By:
- Publication type:
- Case Study
10
Robert Giard’s Road Trip and the Older Women He Met: “I Believe We’ve Both Had a Good Time”.
- Published in:
- 2014
- By:
- Publication type:
- Essay
11
THOUGHTS ON THE BOOK FAILURE: A WRITER'S LIFE.
- Published in:
- 2013
- By:
- Publication type:
- Essay
12
SHADES OF LOVE: PHOTOGRAPHS INSPIRED BY THE POEMS OF C.P. CAVAFY.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
13
Flash! 'A Flash in the Pan': Flash, Performance, and Event.
- Published in:
- Journal of Victorian Culture, 2018, v. 23, n. 4, p. 497, doi. 10.1093/jvcult/vcy043
- By:
- Publication type:
- Article
14
Flash! Natural Darkness and Artificial Light.
- Published in:
- Journal of Victorian Culture, 2018, v. 23, n. 4, p. 490, doi. 10.1093/jvcult/vcy042
- By:
- Publication type:
- Article
15
'Expanding the limits of what can be imagined': Multiple Photographies as Catalysts of Literary Perception.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
16
Estándar y poéticas industriales en la literatura digital argentina.
- Published in:
- Contracorriente: Una Revista de Estudios Latinoamericanos, 2018, v. 16, n. 1, p. 100
- By:
- Publication type:
- Article
17
El tiempo de la máquina. Retratos, paisajes, y otras imágenes de la nación.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
18
Literature and Photography in Transition.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
19
Personal effects: Rilke, Barthes, and the matter of photography.
- Published in:
- MLN, 1998, v. 113, n. 3, p. 612, doi. 10.1353/mln.1998.0040
- By:
- Publication type:
- Article
20
The Fate of the Pariah: Arendt and Kafka's "Nature Theatre of Oklahama."
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
21
Creating narratives from the Victorian photographic archive: re-imaginings of Julia Margaret Cameron’s work in Ulverton (1992) and The True and Splendid History of the Harristown Sisters (2014).
- Published in:
- Word & Image, 2017, v. 33, n. 2, p. 170, doi. 10.1080/02666286.2017.1298021
- By:
- Publication type:
- Article
22
Ted Hughes’s and Fay Godwin’s Elmet : the remains of photography.
- Published in:
- Word & Image, 2016, v. 32, n. 3, p. 264, doi. 10.1080/02666286.2016.1188345
- By:
- Publication type:
- Article
23
Secrets of paper.
- Published in:
- 2014
- By:
- Publication type:
- Literary Criticism
24
'Horrors Here Smile': the poem, the photograph and the punctum.
- Published in:
- 2013
- By:
- Publication type:
- Poetry Review
25
What to do with "Southern Negro types" in Dunbar's Hampton volumes.
- Published in:
- 2012
- By:
- Publication type:
- Essay
26
Chapter 8: Possible Worlds.
- Published in:
- Critical Photography Series, 2014, p. 143
- Publication type:
- Article
27
Chapter 7: Scripts and Schemata.
- Published in:
- Critical Photography Series, 2014, p. 129
- Publication type:
- Article
28
Chapter 6: A Cognitive Turn.
- Published in:
- Critical Photography Series, 2014, p. 111
- Publication type:
- Article
29
Chapter 5: The Eternity of a Moment: Evidence.
- Published in:
- Critical Photography Series, 2014, p. 89
- Publication type:
- Article
30
Chapter 3: Made for Each Other: People and Photography.
- Published in:
- Critical Photography Series, 2014, p. 51
- Publication type:
- Article
31
Chapter 2: What Narrative Is.
- Published in:
- Critical Photography Series, 2014, p. 33
- Publication type:
- Article
32
Chapter 1: A Different Kind of Look: Picturing Narrative.
- Published in:
- Critical Photography Series, 2014, p. 13
- Publication type:
- Article
33
INTERSECCIONES.
- Published in:
- 2013
- By:
- Publication type:
- Short Story
34
"The Way It Is": Second Sight in William Stafford's Poetry.
- Published in:
- 2012
- By:
- Publication type:
- Poetry Review
35
Die bezaubernde Anmut eines chemischen Prozesses--Photography in the Works of Gerhard Roth and W. G. Sebald.
- Published in:
- Modern Austrian Literature, 2007, v. 40, n. 4, p. 42
- By:
- Publication type:
- Article
36
Karl Kraus as Naturalist: The Emergence of his Aesthetic Perspective.
- Published in:
- 1995
- By:
- Publication type:
- Literary Criticism
37
The Author as Photographer: Tret'iakov's, Erenburg's, and II'f's Images of the West.
- Published in:
- 2010
- By:
- Publication type:
- Essay
38
Rane Arroyo's Astronomical Optics in "Solar Constant".
- Published in:
- 2018
- By:
- Publication type:
- Poetry Review
39
Premises of Visuality: Max Blecher and Marcel Proust.
- Published in:
- 2015
- By:
- Publication type:
- Literary Criticism
40
De algunos usos de la fotografía en la literatura hispanoamericana contemporánea.
- Published in:
- 2016
- By:
- Publication type:
- Literary Criticism
41
"La imagen en ruinas": muerte, memoria y representación en El desbarrancadero, de Fernando Vallejo.
- Published in:
- 2015
- By:
- Publication type:
- Literary Criticism
42
Literature and Photography in Transition, 1850–1915.
- Published in:
- Victorian Studies, 2016, v. 58, n. 4, p. 763
- Publication type:
- Article
43
Framing photographs, denying archives: the difficulty of focusing on archival photographs.
- Published in:
- Archival Science, 2008, v. 8, n. 2, p. 85, doi. 10.1007/s10502-009-9081-6
- By:
- Publication type:
- Article
44
The Language of Vision: Photography and Southern Literature in the 1930s and After.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
45
Cavafy strikes a pose: Duane Michals's Cavafy photobooks.
- Published in:
- Interactions: Studies in Communication & Culture, 2012, v. 3, n. 2, p. 209, doi. 10.1386/iscc.3.2.209_1
- By:
- Publication type:
- Article
46
"The Moment Made Eternal": Photography's Frozen Moment in Literature.
- Published in:
- Exposure (00988863), 2003, v. 36, n. 2, p. 21
- By:
- Publication type:
- Article
47
Editor's Note.
- Published in:
- Exposure (00988863), 2003, v. 36, n. 2, p. 1
- By:
- Publication type:
- Article
48
Pliegues visuales: narrativa y fotografía en la novela latinoamericana contemporánea.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
49
Paul Valery and the Limits of Photography.
- Published in:
- Contemporary French & Francophone Studies, 2009, v. 13, n. 5, p. 539, doi. 10.1080/17409290903333258
- By:
- Publication type:
- Article
50
Minute Particulars of the Counter- Culture: Time, Life, and the Photo-poetics of Allen Ginsberg.
- Published in:
- Comparative American Studies, 2012, v. 10, n. 1, p. 3, doi. 10.1179/1477570011Z.0000000002
- By:
- Publication type:
- Article