Works matching DE "LIBRETTISTS"
Results: 53
Who Can Write An Opera? F.C. Bressand and the Baroque Opera Libretto.
- Published in:
- Monatshefte, 2007, v. 99, n. 4, p. 441, doi. 10.1353/mon.2008.0014
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- Article
He was an Englishman.
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- History Today, 2011, v. 61, n. 5, p. 43
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- Publication type:
- Article
Interview with Gerald Barry.
- Published in:
- 2010
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- Publication type:
- Interview
Outstaring the Sun: Contemporary Opera and the Literary Librettist.
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 2, p. 121, doi. 10.1080/07494467.2010.534917
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- Article
His bloody materials: Reasons for adapting Yasuzo Masumura's Red Angel into a tragic opera set in 1990s Sudan.
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- Journal of Japanese & Korean Cinema, 2012, v. 3, n. 1, p. 55, doi. 10.1386/jjkc.3.1.55_1
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- Article
⪡SCRIVERE A GUSTI DEL POPOLO⪢.
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- Il Saggiatore Musicale, 2006, v. 13, n. 2, p. 221
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- Article
Baletų lietuviškumo ir modernumo klausimu: tapatumo formų sąveika ir virsmas Lietuvos balete.
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- Menotyra, 2011, v. 18, n. 2, p. 165
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- Publication type:
- Article
RETOUR SUR LA GENÈSE DU LIVRET DE L'ANNONCE FAITE À MARIE POUR PHILIPPE LEROUX.
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- Bulletin de la Société Paul Claudel, 2023, v. 2, n. 240, p. 33
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- Article
Opera Addict: The Rake's Progress and W.H. Auden's Operatic Theory.
- Published in:
- 2016
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- Publication type:
- Essay
Offred Reframed: The Adaptation from Novel to Opera.
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- University of Toronto Quarterly, 2006, v. 75, n. 3, p. 835, doi. 10.1353/utq.2006.0261
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- Article
E. M. FORSTER'S BILLY BUDD AND THE COLLABORATIVE WORK OF OPERA.
- Published in:
- 2010
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- Publication type:
- Essay
THE MASK OF ASTYANAX AND THE PANTOMIME LIBRETTIST.
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- Logeion: Periodiko gia to Archaio Theatro, 2012, n. 2, p. 186
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- Article
Intrusive Narrators: The Representation of Narration and Narrators in the Operatic Adaptations of The Great Gatsby and Sophie's Choice.
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- Forum for Modern Language Studies, 2012, v. 48, n. 2, p. 222, doi. 10.1093/fmls/cqs007
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- Article
“A Time to Dance”: Music, the Bible and the Book of Ecclesiastes.
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- Expository Times, 2014, v. 126, n. 3, p. 114, doi. 10.1177/0014524614525311
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- Article
W. H. Auden's Public Art: From Poetic Reticence to Operatic Performance.
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- Text & Performance Quarterly, 2009, v. 29, n. 4, p. 367, doi. 10.1080/10462930903242863
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- Publication type:
- Article
Much Ado about The Tempest: London Opera Politics, Intercultural Incomprehension, and Felix Mendelssohn.
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- Journal of Musicological Research, 2010, v. 29, n. 2-3, p. 86, doi. 10.1080/01411896.2010.482511
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- Publication type:
- Article
Dvořák, his Librettists, and the Working Libretto for ‘Armida’.
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- Music & Letters, 2010, v. 91, n. 4, p. 555, doi. 10.1093/ml/gcq101
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- Article
THE ROMAN TRIUMPH IN PURCELL'S ODES.
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- Music & Letters, 2002, v. 83, n. 3, p. 371, doi. 10.1093/ml/83.3.371
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- Article
"Intonazioni degli Ebrei" from Benedetto Marcello's Estro poetico-armonico in Prague in 1729.
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- Musicology / Hudební Věda, 2015, v. 52, n. 1, p. 5
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- Article
Arms and the girls: The powerful weapon that is women writing women for the musical stage.
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- Studies in Musical Theatre, 2012, v. 6, n. 3, p. 335, doi. 10.1386/smt.6.3.335_1
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- Article
The letters of Casa Ricordi.
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- Bibliothek Forschung und Praxis, 2018, v. 42, n. 2, p. 255, doi. 10.1515/bfp-2018-0034
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- Publication type:
- Article
Pelléas and Mélisande - Maurice Maeterlinck and the Opera Performance. 2018 Retrospective.
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- Theatrical Colloquia, 2019, n. 27, p. 163, doi. 10.2478/tco-2019-0003
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- Article
Lorenzo Da Ponte: Mozart's Librettist.
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- History Today, 1978, v. 28, n. 3, p. 161
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- Article
Comment construire un livret d'opéra selon W. H. Auden.
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- Caietele Echinox, 2009, v. 16, p. 338
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- Article
Images of the friendship with Bartók: From Béla Balázs's recollections.
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- Hungarian Studies (02366568), 2014, v. 28, n. 2, p. 211, doi. 10.1556/HStud.28.2014.2.2
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- Article
FRIEDRICH WILHELM GOTTER (1746-1797).
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- Aufklärung, 2022, v. 34, p. 269
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- Publication type:
- Article
Deianira nel teatro musicale: memorie poetiche antiche dal libretto del musical drama Hercules di G.F. Handel (1745).
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- Dioniso, 2015, n. 5, p. 147
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- Publication type:
- Article
SHAKESPEARE'S UNTRANSLATABLE ENGLISHNESS TRANSLATED INTO OPERA.
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- Metacritic Journal for Comparative Studies & Theory, 2016, v. 2, n. 1, p. 193
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- Article
Poetry and Opera.
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- 2013
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- Publication type:
- Essay
Opera, The Writer & The Composer.
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- 2013
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- Publication type:
- Essay
Words for Music.
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- 2013
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- Publication type:
- Essay
Counting the Syllables: Paul Muldoon as Librettist.
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- 2013
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- Publication type:
- Essay
Opera as Experience.
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- Journal of Aesthetic Education, 2009, v. 43, n. 4, p. 74, doi. 10.1353/jae.0.0063
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- Publication type:
- Article
Franz Lehár's The Merry Widow: Revisiting Pontevedro.
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- Serbian Studies, 2011, v. 25, n. 2, p. 259
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- Publication type:
- Article
Old and new covenants: Historical and theological contexts in Scribe's and Haléévy's La Juive.
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- Semiotica, 2011, v. 2011, n. 184, p. 139, doi. 10.1515/semi.2011.026
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- Publication type:
- Article
PULCINELLA'S MOUTHFULS: THE PULCINELLATE OF CARLO SIGISMONDO CAPECE AND THE LANGUAGE OF OTHERNESS.
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- Quaderni d'italianistica, 2021, v. 42, n. 2, p. 71, doi. 10.33137/q.i..v42i2.39692
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- Publication type:
- Article
Elements of Bile: Placing Daniel Ottolengui (1836-1918) in the Heritage of Hate.
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- Journal of Hate Studies, 2015, v. 13, n. 1, p. 115
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- Publication type:
- Article
Bouffonnerie Musicale: The Story of H. B. Farnie, Author, Journalist, Golfer, Librettist, Adapter, and Song Writer (1836-1889).
- Published in:
- 2011
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- Publication type:
- Book Review
Recitative in the Savoy Operas.
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- Musical Quarterly, 2012, v. 95, n. 4, p. 549, doi. 10.1093/musqtl/gds028
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- Publication type:
- Article
Schoenberg's Vienna, Freud's Vienna: Re-Examining the Connections between the Monodrama Erwartung and the Early History of Psychoanalysis.
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- Musical Quarterly, 2010, v. 93, n. 1, p. 144, doi. 10.1093/musqtl/gdq003
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- Publication type:
- Article
Handel’s Israelite Oratorio Libretti: Sacred Drama and Biblical Exegesis. By Deborah W. Rooke.
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- 2014
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- Publication type:
- Book Review
FRENCH WOMEN OPERA COMPOSERS AND THE AESTHETICS OF ROUSSEAU.
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- Feminist Studies, 2000, v. 26, n. 1, p. 69, doi. 10.2307/3178593
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- Publication type:
- Article
Music in Arcadia: Batoni's portrait of Giacinta Orsini and Aurisicchio's cantata on the departure of her father.
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- Early Music, 2018, v. 46, n. 4, p. 615, doi. 10.1093/em/cay048
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- Publication type:
- Article
Preliminary observations on the Ballo primo of Europa riconosciuta by Antonio Salieri: Milan, La Scala Theatre, 1778.
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- Recercare, 2004, v. 16, p. 263
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- Publication type:
- Article
Benedetto Pamphilj as librettist: Mary Magdalene and the harmony of the spheres in Handel's Il trionfo del Tempo e del Disinganno.
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- Recercare, 2004, v. 16, p. 133
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- Publication type:
- Article
The Operatic Brecht.
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- American Scholar, 1975, v. 44, n. 2, p. 283
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- Publication type:
- Article
OF OPERA IN THE ENLIGHTENMENT: ENLIGHTENED GENDER AND GENRE.
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- Classical Russia / Imperskaia Rossiia 1700-1825, 2010, v. 3-5, p. 51
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- Publication type:
- Article
Giuseppe Millico and La pietà d'amore: from Naples to Lisbon to Rio de Janeiro.
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- Revista Música Hodie, 2016, v. 16, n. 1, p. 45, doi. 10.5216/mh.v16i1.43048
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- Publication type:
- Article
GOING TO CHURCH WITH J.S. BACH.
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- One in Christ, 2016, v. 50, n. 2, p. 270
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- Publication type:
- Article
IL TEATRO MUSICALE DI PRIMO OTTOCENTO NELLE CONSIDERAZIONI CRITICHE DEL NOBILE DILETTANTE DI MUSICA CESARE DI CASTELBARCO<sup>1</sup>.
- Published in:
- Rivista Italiana di Musicologia, 2007, v. 42, n. 1, p. 105
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- Publication type:
- Article