'Writing is expensive, and it takes a long time': publishing as picaresque in Emma Healey's Best Young Woman Job Book.Published in:2025By:Brouillette, SarahPublication type:Literary Criticism
DETECTING KUNSTLERROMAN IN CONRAD'S THE SECRET AGENT: A SELF-REFLEXIVE TYPE.Published in:Yearbook of Conrad studies, 2016, v. 11, p. 93, doi. 10.4467/20843941YC.16.007.6853By:Holland, MaggiePublication type:Article
Arte y nostalgia en la última novela de Gertrudis Gómez de Avellaneda.Published in:2016By:CANCINO ALFARO, JOSE ANTONIO;PÉREZ, GABRIELA FLORESPublication type:Literary Criticism
Lo “literario" como problema en la obra y la crítica sobre Roberto Bolaño: notas para un debate.Published in:2014By:del Pozo Martínez, AlbertoPublication type:Literary Criticism
"Hello, abattoir!": Becoming Through Slaughter in Miriam Toews's A Complicated Kindness.Published in:2011By:SOPER, ELLAPublication type:Literary Criticism
Ravines and the Conscious Electrified Life of Houses: Margaret Atwood's Suburban Künstlerromane.Published in:2011By:COWDY, CHERYLPublication type:Literary Criticism
Conditions for Creativity: Lessons for Lesbians in the Lives of Romaine Brooks and Terry Wolverton.Published in:Journal of Lesbian Studies, 2010, v. 14, n. 4, p. 319, doi. 10.1080/10894161003677257By:Walker, DianePublication type:Article
"A Bird Alive in a Snake's Body": The New Woman of Evelyn Scott's "The Narrow House."Published in:2005By:Tyrer, PatPublication type:Literary Criticism
Künstler poetic Travel Narrative: Self-Narration and the Writing Process in George Bilgere's Cordell.Published in:2008By:SCHULTZ, MATTHEWPublication type:Poetry Review