A STUDY ON LATE MEDIEVAL TRANSPARENT-GLAZED POTTERY AND ARCHAIC MAJOLICA FROM ORVIETO (CENTRAL ITALY)*.
- Published in:
- Archaeometry, 2005, v. 47, n. 3, p. 557, doi. 10.1111/j.1475-4754.2005.00219.x
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- Article
Works matching DE "ITALIAN majolica"
Results: 13
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Luminescence properties of lustre decorated majolica.
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- Applied Physics A: Materials Science & Processing, 2004, v. 79, n. 2, p. 293, doi. 10.1007/s00339-004-2517-1
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- Article
3
Technological study of ancient ceramics produced in Casteldurante (central Italy) during the Renaissance.
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- Applied Physics A: Materials Science & Processing, 2004, v. 79, n. 2, p. 335, doi. 10.1007/s00339-004-2521-5
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- Article
4
NEOCLASSICAL INLLUENCES IN THE DEPICTIONS OF LANDSCAPES ON CASTELLI MAIOLICHE: THE ETHICAL QUALITY OF MUSIC AMONG MYTHS AND ANCIENT RUINS.
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- Music in Art: International Journal for Music Iconography, 2015, v. 40, n. 1/2, p. 173
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- Article
5
'Il papà delle antiche maioliche'.
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- Journal of the History of Collections, 1999, v. 11, n. 2, p. 203, doi. 10.1093/jhc/11.2.203
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- Article
6
L'«INFANZIA DEL GUSTO».
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- Nuova Rivista Storica, 2012, v. 96, n. 2, p. 581
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- Article
7
A maiolica jar with grotesque decoration from New Street, Plymouth.
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- Archeologia Postmedievale, 2015, v. 19, p. 231
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- Article
8
A cargo of grotesque maiolica from a shipwreck of the north-west coast of Scotland.
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- Archeologia Postmedievale, 2015, v. 19, p. 185
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- Article
9
Isabella d'Este and the Gender Neutrality of Renaissance Ceramics.
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- Women's Studies, 2011, v. 40, n. 1, p. 23, doi. 10.1080/00497878.2011.527801
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- Article
10
Maiolica before Raphael: Italian Ceramics before 1500.
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- 2018
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- Book Review
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Maiolica: Italian Renaissance Ceramics in the Metropolitan Museum of Art.
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- 2017
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- Publication type:
- Book Review
12
Divine drawings and godly mothers: Raphael's study of a Seated Woman with Child and verses on maiolica plates from Deruta.
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- Word & Image, 2019, v. 35, n. 1, p. 66, doi. 10.1080/02666286.2018.1533352
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- Article
13
Inscriptions and the dynamic reception of Italian Renaissance maiolica.
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- Word & Image, 2014, v. 30, n. 2, p. 168, doi. 10.1080/02666286.2014.912907
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- Article