"Preferring to Frequent the Doors of Churches": Iconography, Observance, and Viewer Involvement in a Predella Panel by Fra Angelico.Published in:Southeastern College Art Conference Review, 2009, v. 15, n. 4, p. 408By:Nygren, BarnabyPublication type:Article
Ancient Prototypes Reinstantiated: Zuccari's Encounter of Christ and Veronica of 1594.Published in:Art Bulletin, 2011, v. 93, n. 4, p. 423, doi. 10.1080/00043079.2011.10786017By:Stoenescu, LiviaPublication type:Article
Rahmenbilder: Konfigurationen der Verehrung im frühneuzeitlichen Italien.Published in:2021By:de Bosio, StefanoPublication type:Book Review
Altarpieces and Their Viewers in the Churches of Rome from Caravaggio to Guido Reni.Published in:2009By:GASTON, ROBERT W.Publication type:Book Review
Why Does That Wolf Have Red On His Lips?Published in:Oxford Art Journal, 2022, v. 45, n. 3, p. 341, doi. 10.1093/oxartj/kcac021By:Holly, Michael AnnPublication type:Article
Printmaker as Painter: Looking Closely at Ugo da Carpi's Saint Veronica Altarpiece.Published in:Oxford Art Journal, 2013, v. 36, n. 2, p. 167, doi. 10.1093/oxartj/kct015By:Blackwood, NicolePublication type:Article
Redefining the Altarpiece in Renaissance Italy: Giotto's Stigmatization of Saint Francis and its Pisan Context.Published in:Art History, 2013, v. 36, n. 4, p. 686, doi. 10.1111/1467-8365.12030By:Cooper, DonalPublication type:Article