Toward the Development of a Modern "Impressionist" Cinema: Germaine Dulac's La Belle Dame sans merci (1921) and the Deconstruction of the Femme Fatale Archetype.
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- Framework: The Journal of Cinema & Media, 2010, v. 51, n. 2, p. 404, doi. 10.1353/frm.2010.a402500
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- Article