Między tekstem a nagraniem. Formy niesystemowej dźwiękowości w poezji Mirona Białoszewskiego.
- Published in:
- Teksty Drugie, 2017, n. 4, p. 416, doi. 10.18318/td.2017.4.24
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- Article
Works matching DE "IMITATION in music"
Results: 17
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Canon and Its Effect on Tight-Knit Organization within Classical Themes.
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- Integral, 2012, n. 26, p. 1
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- Article
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Disjunctive Pronouns: On Multimodal Analysis of Digital Poetry.
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- Journal of Comparative Literature & Aesthetics, 2024, v. 47, n. 2, p. 43
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- Article
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Hip-hop Realness and the White Performer.
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- Critical Studies in Media Communication, 2005, v. 22, n. 5, p. 372, doi. 10.1080/07393180500342878
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5
Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 2).
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- Journal of Aesthetic Education, 2022, v. 56, n. 1, p. 1, doi. 10.5406/15437809.56.1.06
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- Article
6
Vocal Imitations and the Identification of Sound Events.
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- Ecological Psychology, 2011, v. 23, n. 4, p. 267, doi. 10.1080/10407413.2011.617225
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7
Autographic and Allographic Imitation: Revisiting Counterfeit in Linguistic and Musical Arts.
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- Contemporary Aesthetics, 2018, v. 16, p. 6
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8
Feeling in Counterpoint: A Playlist.
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- Theatre Journal, 2018, v. 70, n. 3, p. E-7, doi. 10.1353/tj.2018.0085
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- Article
9
Mutual Adaptive Timing in Interpersonal Action Coordination.
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- Psychomusicology: Music, Mind & Brain, 2013, v. 23, n. 1, p. 6, doi. 10.1037/a0032039
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10
Teacher Modeling as an Effective Teaching Strategy.
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- Music Educators Journal, 2007, v. 93, n. 4, p. 26, doi. 10.2307/4127130
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11
Similarities between the Isopolyphony of the Toskes and Aromania Farserots and the polyphony of East Georgia.
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- Bulletin of the International Research Center for Traditional Polyphony, 2015, n. 18, p. 13
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- Article
12
Improvisation Based on Relaxation of Imitation Parameters by a Robotic Acoustic Musical Device.
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- Engineering Letters, 2012, v. 20, n. 1, p. 28
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13
Model and Emulation: Beethoven's Grande Sonate pour Pianoforte et Violoncelle and E.T.A. Hoffmann's Grand Trio.
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- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 116, doi. 10.1080/01411896.2013.792036
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14
Text and motif c.1500: a new approach to text underlay.
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- Early Music, 2012, v. 40, n. 1, p. 3, doi. 10.1093/em/cas019
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15
Esto es una sonata: la intermedialidad musical en la novela y en sus paratextos fuertes.
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- RILCE. Revista de Filología Hispánica, 2021, v. 37, n. 1, p. 277, doi. 10.15581/008.37.1.277-96
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16
Fuga in early Byrd.
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- Early Music, 2009, v. 37, n. 2, p. 251, doi. 10.1093/em/cap017
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17
Imitations of Bells: Correspondence between Bell Acoustics and Onomatopoeic Texts.
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- Journal of Interdisciplinary Music Studies, 2010, v. 4, n. 2, p. 1, doi. 10.4407/jims.2010.11.001a
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