Stalingrad re-imagined as mythical chronotope: Fedor Bondarchuk’s Stalingrad in IMAX 3D.
- Published in:
- Studies in Russian & Soviet Cinema, 2016, v. 10, n. 1, p. 47, doi. 10.1080/17503132.2016.1151140
- By:
- Publication type:
- Article
Works about IMAX films
Results: 9
1
2
Are We Getting 3D Right?
- Published in:
- ITNOW, 2011, v. 53, n. 3, p. 30, doi. 10.1093/itnow/bwr013
- By:
- Publication type:
- Article
3
Comparison of the Characteristics of Three Premium Large-Format Platforms IMAX, Screen X and 360 Degrees Circular Screen.
- Published in:
- Journal of Digital Convergence, 2017, v. 15, n. 8, p. 375, doi. 10.14400/JDC.2017.15.8.375
- By:
- Publication type:
- Article
4
Colin Low and Transitions 3D: Innovating immersive cinema.
- Published in:
- PUBLIC, 2013, v. 24, n. 47, p. 142, doi. 10.1386/public.24.47.142_1
- By:
- Publication type:
- Article
5
SESQUI picks fulldome to immerse people of Canada in wonder and excitement.
- Published in:
- Planetarian, 2017, v. 46, n. 3, p. 20
- By:
- Publication type:
- Article
6
Science Museum of Virginia team discusses how their new 8K system changed the way they use "The Dome".
- Published in:
- 2014
- By:
- Publication type:
- Interview
7
Last Light.
- Published in:
- Planetarian, 2013, v. 42, n. 4, p. 88
- By:
- Publication type:
- Article
8
Show Time in BONAVISTA NORTH.
- Published in:
- Newfoundland Quarterly, 2014, v. 107, n. 1, p. 46
- By:
- Publication type:
- Article
9
Intangible spaces: Three-dimensional technology in Hugo and IMAX in The Dark Knight.
- Published in:
- Convergence: The Journal of Research into New Media Technologies, 2015, v. 21, n. 2, p. 169, doi. 10.1177/1354856513501414
- By:
- Publication type:
- Article