Narratives of national belonging: the domestic, the wild, and the mutant in Australian film.Published in:Social Identities, 2016, v. 22, n. 5, p. 521, doi. 10.1080/13504630.2016.1145586By:Elder, CatrionaPublication type:Article
Nous revenons à nos moutons: Regarding Animals in Charles Burnetts Killer of Sheep.Published in:2015By:O'BRIEN, SARAHPublication type:Film/TV Criticism and Review
Becoming-Animate: On the Performed Limits of "Human."Published in:Theatre Journal, 2006, v. 58, n. 4, p. 649, doi. 10.1353/tj.2007.0033By:Parker-Starbuck, JenniferPublication type:Article
From Nihilism to Nostalgia: Blackfish (2013) and the Contradictions of the Nature Documentary.Published in:2016By:Sperb, JasonPublication type:Film/TV Criticism and Review
THE SOVEREIGN'S MULTIPLE BODY.Published in:2017By:Abiragi, AnthonyPublication type:Film/TV Criticism and Review
Documentary Film and Animal Modernity in Raw Herring and Sweetgrass.Published in:2014By:Smaill, BelindaPublication type:Film/TV Criticism and Review