Shades of Difference: Mythologies of Skin Color in Early Modern England.Published in:2007By:Blinde, LorenPublication type:Book Review
The Problem of Being Black in Zora Neale Hurston’s Color Struck.Published in:Rupkatha Journal on Interdisciplinary Studies in Humanities, 2017, v. 9, n. 1, p. 121, doi. 10.21659/rupkatha.v9n1.13By:Ghani, Hana Khalief;Joody, Istbriq TalibPublication type:Article
Race and the Global South in Early Modern Studies.Published in:2016By:YOUNG, SANDRAPublication type:Essay
"Not a Moor exactly": Shakespeare, Serial, and Modern Constructions of Race.Published in:2016By:CORREDERA, VANESSAPublication type:Essay
Colorism in Dael Orlandersmith's Yellowman: The Effect of Intraracial Racism on Black Identity and the Concept of Black Community.Published in:2013By:TURNER, BETHPublication type:Literary Criticism
Othello as "Faire" and Aaron's Child as "base": Analogous Problems in Consulting the "Oxford English Dictionary."Published in:2003By:Fleissner, R. F.Publication type:Essay
Dermographia written on the skin or, how the Irish became white in India.Published in:2005By:Mohanram, RadhikaPublication type:Literary Criticism
MAUD MARTHA AND THE TRADITION OF THE ETHNIC FEMALE BILDUNGSROMAN.Published in:2011By:Bubíková, ŠárkaPublication type:Literary Criticism