Venerating Vēṭṭaykkorumakan (Son of Śiva and Pārvatī) through Ritual Arts.Published in:Cracow Indological Studies, 2018, v. 20, n. 1, p. 223, doi. 10.12797/CIS.20.2018.01.09By:Sarma, S. A. S.Publication type:Article
CREATIVE PERFORMANCE IN SOUTH INDIAN SCULPTURE: AN ETHNOGRAPHIC APPROACH.Published in:Art History, 1982, v. 5, n. 4, p. 472, doi. 10.1111/j.1467-8365.1982.tb00784.xBy:Gardner, Peter M.Publication type:Article
Mahishasuramardini at Mamallapuram: A Symbol of the Integrative Oikos.Published in:IUP Journal of English Studies, 2019, v. 14, n. 2, p. 83By:Allen, J. FrederickPublication type:Article
Shiva Nataraja: King of Dancers.Published in:Art Education, 1987, v. 40, n. 5, p. 40By:Prabhu, VasPublication type:Article