Found: 25
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Elio and Oliver's romantic (Grand) Tour: Gender, genre, and media‐induced tourism in Call Me By Your Name.
- Published in:
- Journal of American Culture, 2023, v. 46, n. 4, p. 302, doi. 10.1111/jacc.13498
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- Publication type:
- Article
Volk horror and the revival of history in Suspiria.
- Published in:
- Horror Studies, 2023, v. 14, n. 2, p. 219, doi. 10.1386/host_00071_1
- By:
- Publication type:
- Article
Luca Guadagnino's Bones and All (2022).
- Published in:
- Brooklyn Rail, 2022, p. N.PAG
- By:
- Publication type:
- Article
A Transcending Social Space: Luca Guadagnino's We Are Who We Are (HBO, 2020).
- Published in:
- 2022
- By:
- Publication type:
- Interview
Transferring Suspiria: Historicism and Philosophies of Psychoanalytic Transference.
- Published in:
- Film-Philosophy, 2022, v. 26, n. 1, p. 63, doi. 10.3366/film.2022.0190
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- Publication type:
- Article
We Are Who We Are.
- Published in:
- 2022
- By:
- Publication type:
- Television Review
La sindrome dell'autore. Il cinema italiano contemporaneo negli Stati Uniti.
- Published in:
- IMAGO Studi di Cinema e Media, 2022, v. 13, n. 25, p. 165
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- Publication type:
- Article
Workin' It.
- Published in:
- 2021
- By:
- Publication type:
- Television Review
A Use as Well as a Delight: A Materialist Critique of Representations of Underage Sex in Film.
- Published in:
- Mise-en-Scène, 2021, v. 6, n. 1, p. 40
- By:
- Publication type:
- Article
Nostalgia, Adaptation, and (Textual) Identity: Luca Guadagnino's 'Desire Trilogy'.
- Published in:
- Adaptation, 2020, v. 13, n. 3, p. 378, doi. 10.1093/adaptation/apaa003
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- Publication type:
- Article
How Suspira (2018) Pales in Comparison to the 1977 Original, Figuratively and Literally.
- Published in:
- 2020
- By:
- Publication type:
- Film Review
Call Me by Your Name.
- Published in:
- 2020
- By:
- Publication type:
- Film Review
Call Me by Your Name : From Guadagnino's Film to the "Call Me by Monet" Instagram Account.
- Published in:
- Film Matters, 2020, v. 11, n. 1, p. 165, doi. 10.1386/fm_00059_7
- By:
- Publication type:
- Article
Call Me by Your Name : From Guadagnino's Film to the "Call Me by Monet" Instagram Account.
- Published in:
- Film Matters, 2020, v. 11, n. 1, p. 165, doi. 10.1386/fm_00059_7
- By:
- Publication type:
- Article
An Experimental Amour On- and Offscreen: Call Me by Your Name (2017).
- Published in:
- 2020
- By:
- Publication type:
- Film Review
An Experimental Amour On- and Offscreen: Call Me by Your Name (2017).
- Published in:
- 2020
- By:
- Publication type:
- Film Review
SACRIFICING ONE’S BODY: DAUGHTERS, MOTHERS, AND GRIEF IN LUCA GUADAGINO’S SUSPIRIA.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
La danza, una narrativa corpórea del horror, en Suspiria de Luca Guadagnino.
- Published in:
- Revista Fotocinema, 2019, n. 19, p. 351, doi. 10.24310/fotocinema.2019.v2i19.6661
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- Publication type:
- Article
Suspiria. Film. Directed by Luca Guadagnino. Frenesy Film Company, 2018.
- Published in:
- 2019
- By:
- Publication type:
- Film Review
A Review of Call Me by Your Name, Courtesy of Philology IoI.
- Published in:
- 2018
- By:
- Publication type:
- Film Review
MAKING SENSES of Appetite, Love and Lust in Io Sono L'Amore (2009).
- Published in:
- 2017
- By:
- Publication type:
- Film/Television Criticism
THE PASSIONS.
- Published in:
- 2016
- By:
- Publication type:
- Film Review
FOOD CONSUMPTION IN FERZAN OZPETEK'S HAMAM AND LUCA GUADAGNINO'S IO SONO L'AMORE: A GENDER ISSUE.
- Published in:
- Quaderni d'italianistica, 2016, v. 37, n. 2, p. 173
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- Publication type:
- Article
Reviews DVDs.
- Published in:
- Film Matters, 2011, v. 2, n. 4, p. 36, doi. 10.1386/fm.2.4.36_7
- By:
- Publication type:
- Article
The Rebel.
- Published in:
- 2010
- By:
- Publication type:
- Film Review