Paul Dermée and the Poster in France in the 1920s: Jean d'Ylen as 'Maître de l'Affiche Moderne'.Published in:Journal of Design History, 1992, v. 5, n. 1, p. 39, doi. 10.1093/jdh/5.1.39By:Halter, AlbertPublication type:Article
The Janus-Faced Modernity of Toulouse-Lautrec and Jules Chéret.Published in:Visual Resources: An International Journal of Documentation, 2013, v. 29, n. 4, p. 276, doi. 10.1080/01973762.2013.846780By:Iskin, Ruth E.Publication type:Article
Unfit for public display: female sexuality and the censorship of fin-de-siecle publicity posters.Published in:Early Popular Visual Culture, 2010, v. 8, n. 2, p. 107, doi. 10.1080/17460651003688055By:Carter, KarenL.Publication type:Article
The pan-european flâneuse in fin-de-siècle posters: Advertising modern women in the city.Published in:2003By:Iskin, Ruth E.Publication type:Essay