Bergsonian Vitalism and the Landscape Paintings of Monet and Cézanne: Indivisible Consciousness and Endlessly Divisible Matter.Published in:European Legacy, 2011, v. 16, n. 7, p. 883, doi. 10.1080/10848770.2011.626191By:Milz, ManfredPublication type:Article
Improvisation in Cezanne's late landscapes.Published in:Journal of Aesthetics & Art Criticism, 2000, v. 58, n. 2, p. 191, doi. 10.2307/432098By:Gilmour, John C.Publication type:Article
Legacies of ‘Sublime Poussin’: Louis Marin’s Plea for Poussin as a Painter.Published in:Early Modern French Studies, 2016, v. 38, n. 1, p. 59, doi. 10.1080/20563035.2016.1181427By:Saint, NigelPublication type:Article
'The fault of being purely French': The Practice and Theory of Landscape Painting in Post-Revolutionary France.Published in:2013By:Adams, StevenPublication type:Essay
REFORMING PAYSAGE HISTORIQUE: COROT AND THE GENERATION OF 1830.Published in:Art History, 2004, v. 27, n. 3, p. 412, doi. 10.1111/j.0141-6790.2004.00430.xBy:Greenberg, SusanPublication type:Article
Reforming paysage historique: Corot and the generation of 1830.Published in:2004By:Greenberg, SusanPublication type:Abstract
From Vue to Souvenir: Time, Memory, and Place in Corot's Late Landscapes.Published in:2012By:Yanoviak, EileenPublication type:Essay
Two 'Allegrain' landscapes at Temple Newsam.Published in:British Art Journal, 2011, v. 12, n. 1, p. 60By:Eidelberg, MartinPublication type:Article