Animating the Cinéfils: Alain Resnais and the Cinema of Discovery.
- Published in:
- Cinema Journal, 2015, v. 54, n. 4, p. 1, doi. 10.1353/cj.2015.0043
- By:
- Publication type:
- Article
Works matching DE "FRENCH films -- History %26 criticism"
Results: 29
1
2
The Play's the Thing: The Legend of Lovers in Alain Resnais's Vous n'avez encore rien vu.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
3
Brutal Intimacy: Analyzing Contemporary French Cinema by Tim Palmer. Middletown, CT: Wesleyan UP, 2011.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
4
'My Body was Aflame with His Memory': War, Gender and Colonial Ghosts in Hiroshima mon amour (1959).
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
5
The Last Hope of Intuition: Francis Picabia, Erik Satie and René Clair's Intermedial Project Relâche.
- Published in:
- 2011
- Publication type:
- Film/TV Criticism and Review
6
Jean Vigo’s Zéro de conduite and the spaces of revolt.
- Published in:
- Paedagogica Historica, 2014, v. 50, n. 4, p. 443, doi. 10.1080/00309230.2014.904388
- By:
- Publication type:
- Article
7
Agnès Varda.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
8
Studying French Cinema.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
9
‘Come you spirits unsex me!’ Representations of the Female Executive in Recent French Film and Fiction.
- Published in:
- Modern & Contemporary France, 2015, v. 23, n. 4, p. 511, doi. 10.1080/09639489.2015.1054372
- By:
- Publication type:
- Article
10
MAZDON, Lucy and WHEATLEY, Catherine French Film in Britain Sex, Art and Cinephilia Oxford: Berghan Books, 2013 248 pp., £55, ISBN: 978-0-85745-379-2.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
11
Eric Rohmer at Arts: A Cinema Writer.
- Published in:
- Film Criticism, 2014, v. 39, n. 1, p. 67
- By:
- Publication type:
- Article
12
"This is our land!": Owning the Nation in Luc Belvaux's Chez Nous (2017).
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
13
Place de la République 1974–2004: The Sociological Time-Machine of Cinéma Direct.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
14
Looking at Muslims: the visibility of Islam in contemporary French cinema.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
15
Studying French Cinema.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
16
SEX RATIO, SOCIO-SEXUALITY, AND THE EMERGENCE OF THE FEMME FATALE IN CLASSIC FRENCH AND AMERICAN FILM NOIR.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
17
Post-Beur Cinema: North African Émigré and Maghrebi-French Filmmakers in France since 2000.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
18
L’image de l’ « Arabe » dans le cinéma français de 1970 à nos jours.
- Published in:
- Archiv orientální (ArOr), 2012, v. 80, n. 2, p. 207
- By:
- Publication type:
- Article
19
Memories of the Unlived Body: Jean-Louis Schefer, Georges Bataille and Gilles Deleuze.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
20
EFFACING THE EFFACED Chris Marker's collectivist period.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
21
THE FILMS OF JACQUES DEMY: INTRODUCTION.
- Published in:
- Post Script, 2016, v. 35, n. 2, p. 3
- By:
- Publication type:
- Article
22
CUBISM AND THE CARNIVALESQUE IN JACQUES DEMY'S DEMOISELLES DE ROCHEFORT.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
23
JACQUES DEMY'S BAY OF ANGELS: A NEW WAVE MODE OF PRODUCTION.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
24
The spatial-affective economy of (post)colonial Paris: reading Haneke's Caché (2005) through Octobre à Paris (1962).
- Published in:
- Studies in European Cinema, 2017, v. 14, n. 1, p. 48, doi. 10.1080/17411548.2016.1246309
- By:
- Publication type:
- Article
25
Onscreen and off-screen flesh and blood: performance, affect and ethics in Catherine Breillat’s films.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
26
Toi, c’est moi (1936) and Prends la route (1937): mobilising desire in the operetta films of Jacques Pills and André Tabet.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
27
French film in Britain: sex, art and cinephilia.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
28
The Catholic Spectator: Cinema and the Church in France in the 1920s.
- Published in:
- Historical Journal of Film, Radio & Television, 2012, v. 32, n. 4, p. 501, doi. 10.1080/01439685.2012.727338
- By:
- Publication type:
- Article
29
Loin du Vietnam.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review