RASTOS MEDŽIA GOS KINO IMPLIKACIJOS PRAEITIES PASAKOJIMŲ VERTINIMUI . SERGEJAUS LOZNICOS FILMO PASIRODYMAS ATVEJIS.
- Published in:
- 2012
- By:
- Publication type:
- Case Study
Works matching DE "FOUND footage"
Results: 43
1
2
On The Clock and Christian Marclay's Instrumental Logic of Appropriation.
- Published in:
- 2013
- By:
- Publication type:
- Essay
3
Fluvial Migrations: The Ethics of Comparison in Péter Forgács's The Danube Exodus.
- Published in:
- Image & Narrative, 2021, v. 22, n. 1, p. 45
- By:
- Publication type:
- Article
4
Time Traveling in Joseph Cornell's Bookstalls.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
5
'Always Watching': The Interface of Horror and Digital Cinema in Marble Hornets.
- Published in:
- Global Media Journal: Australian Edition, 2016, v. 10, n. 1, p. 40
- By:
- Publication type:
- Article
6
Analyzing Mass Media through Video Art Education: Popular Pedagogy and Social Critique in the Work of Candice Breitz.
- Published in:
- Studies in Art Education, 2010, v. 51, n. 4, p. 295, doi. 10.1080/00393541.2010.11518810
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- Publication type:
- Article
7
Mimesis of Media: Found Footage Cinema and the Horror of the Real.
- Published in:
- Gothic Studies, 2015, v. 17, n. 2, p. 137, doi. 10.7227/GS.17.2.9
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- Publication type:
- Article
8
Reel Evil: A Critical Reassessment of Found Footage Horror.
- Published in:
- Gothic Studies, 2015, v. 17, n. 2, p. 122, doi. 10.7227/GS.17.2.8
- By:
- Publication type:
- Article
9
UNRAVELING THE MADISON NEWS REEL.
- Published in:
- Moving Image (15323978), 2008, v. 8, n. 2, p. 61
- Publication type:
- Article
10
The Cedar Bar (2001).
- Published in:
- 2003
- By:
- Publication type:
- Film/TV Criticism and Review
11
Chris Marker's A Grin without a Cat (1993, France).
- Published in:
- 2003
- By:
- Publication type:
- Film/TV Criticism and Review
12
Recycled cinema as material ecology: Raphael Montañez Ortiz's found-footage films and Computer-Laser-Videos.
- Published in:
- 2012
- By:
- Publication type:
- Essay
13
Don't miss a bloody thing: [REC] and the Spanish adaptation of found footage horror.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2013, v. 10, n. 2, p. 213, doi. 10.1386/slac.10.2.213_1
- By:
- Publication type:
- Article
14
Interpretation and Affect in Found Footage Remakes: Martin Arnold's pièce touchée (1989).
- Published in:
- Pursuit: The Journal of Undergraduate Research at the University of Tennessee, 2016, v. 7, n. 1, p. 209, doi. 10.7290/pur7qnrd
- By:
- Publication type:
- Article
15
Seeing Blackness: Found Footage and the Archive as Modes of Investigation in the Hanging of Marie-Josèphe Angélique.
- Published in:
- Art + Media: Journal of Art & Media Studies, 2018, n. 15, p. 147, doi. 10.25038/am.v0i15.238
- By:
- Publication type:
- Article
16
The Archive Effect: Archival Footage as an Experience of Reception.
- Published in:
- Projections: The Journal for Movies & Mind, 2012, v. 6, n. 2, p. 102, doi. 10.3167/proj.2012.060207
- By:
- Publication type:
- Article
17
'What happened to her eyes?': Self-sacrifice in [REC].
- Published in:
- Horror Studies, 2019, v. 10, n. 2, p. 209, doi. 10.1386/host_00005_1
- By:
- Publication type:
- Article
18
The Archive Effect: Found Footage and the Audiovisual Experience of History.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
19
"Per me il documentario è relazione": The Eloquence of Found Footage and Garment Workers' Rights in Costanza Quatriglio's Triangle.
- Published in:
- Gender/Sexuality/Italy, 2020, n. 7, p. 134
- By:
- Publication type:
- Article
20
Thematic Fields, Transgressive Religion: Disembodiment and the Will to Nothingness in "Safe Haven".
- Published in:
- Iowa Journal of Cultural Studies, 2018, v. 18, n. 1, p. 35
- By:
- Publication type:
- Article
21
BLOOD ON THE LENS: TRAUMA AND ANXIETY IN AMERICAN FOUND FOOTAGE HORROR CINEMA. By Shellie McMurdo. Edinburgh: Edinburgh University Press, 2022. 256 pp. $110.00 hardcover and ebook.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
22
Modern Icons: Aura and Memory in Super 8 Still Frames.
- Published in:
- Visual Resources: An International Journal of Documentation, 2016, v. 32, n. 1/2, p. 169, doi. 10.1080/01973762.2016.1130930
- By:
- Publication type:
- Article
23
Finders Keepers.
- Published in:
- Metro, 2013, n. 176, p. 66
- By:
- Publication type:
- Article
24
The archive effect: found footage and the audiovisual experience of history.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
25
'Half of it is just the fun of finding the right music': Music and the films of Adam Curtis.
- Published in:
- Studies in Documentary Film, 2013, v. 7, n. 2, p. 161, doi. 10.1386/sdf.7.2.161_1
- By:
- Publication type:
- Article
26
Found Footage, False Archives, and Historiography in Oliver Stone's JFK.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
27
INTO THE UNKNOWN KNOWN: IMAGES OF DEPERSONALIZED PEOPLE IN POST-SOCIALIST FOUND FOOTAGE FILMS.
- Published in:
- Found Footage Magazine, 2022, n. 8, p. 76
- By:
- Publication type:
- Article
28
THE UNCANNY COLLAGES OF STACEY STEERS.
- Published in:
- 2020
- By:
- Publication type:
- Interview
29
FINDING ONE'S FEET: A PAIR OF ERNIE GEHR'S FOUND FOOTAGE VIDEOS.
- Published in:
- Found Footage Magazine, 2020, n. 6, p. 92
- By:
- Publication type:
- Article
30
THE REJECTION OF CAMERA SHOOTING AND ITS IMPLICATIONS FOR FOUND FOOTAGE FILMMAKING IN THE WORK OF JAY ROSENBLATT.
- Published in:
- Found Footage Magazine, 2020, n. 6, p. 84
- By:
- Publication type:
- Article
31
FOUND FOOTAGE: A (LITTLE) POLEMIC.
- Published in:
- Found Footage Magazine, 2019, n. 5, p. 138
- By:
- Publication type:
- Article
32
Joseph Cornell Versus Cinema.
- Published in:
- Found Footage Magazine, 2018, n. 4, p. 126
- By:
- Publication type:
- Article
33
FOUND FOOTAGE: SOME THOUGHTS.
- Published in:
- Found Footage Magazine, 2018, n. 4, p. 113
- By:
- Publication type:
- Article
34
FOR IT TO BE FOUND IT NEED NOT HAVE BEEN LOST IN THE FIRST PLACE: THOUGHTS AND NOTES ON THE FORM.
- Published in:
- Found Footage Magazine, 2018, n. 4, p. 104
- By:
- Publication type:
- Article
35
LOST OBJECTS: A PERSONAL JOURNEY THROUGH FOUND FOOTAGE.
- Published in:
- Found Footage Magazine, 2018, n. 4, p. 68
- By:
- Publication type:
- Article
36
REMIXING FOUND FOOTAGE: IN THE AGE OF MASS-ORIENTED NETWORKS.
- Published in:
- Found Footage Magazine, 2018, n. 4, p. 60
- By:
- Publication type:
- Article
37
LOST MATERIAL AND FOUND FOOTAGE: PETER TSCHERKASSKY'S DARK ROOM--AND OURS.
- Published in:
- Found Footage Magazine, 2018, n. 4, p. 36
- By:
- Publication type:
- Article
38
THE TRACE OF A WALK THAT HAS TAKEN PLACE - A CONVERSATION WITH PETER TSCHERKASSKY.
- Published in:
- 2018
- By:
- Publication type:
- Interview
39
Cinema as 'found' footage in experimental Argentine video.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2015, v. 13, n. 1, p. 65, doi. 10.1386/ncin.13.1.65_1
- By:
- Publication type:
- Article
40
Colombian found footage: The tradition of rupture.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2015, v. 13, n. 1, p. 51, doi. 10.1386/ncin.13.1.51_1
- By:
- Publication type:
- Article
41
From the roof top into the mine.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
42
Ayisha Abraham's Straight 8.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
43
'Something genuinely Norwegian': cultural identity under the influence of American cinema in the found footage aesthetic of Trolljegeren/Trollhunter (2010).
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review