TAPESTRIES ONCE AT CHASTLETON HOUSE AND THEIR INFLUENCE ON THE IMAGE OF THE TAPESTRIES CALLED SHELDON: A REASSESSMENT.Published in:Antiquaries Journal, 2008, v. 88, p. 313, doi. 10.1017/S0003581500001451By:Turner, Hilary L.Publication type:Article
Claiming Commerce, Quality and Credit: <italic>Raisons d’être</italic> of the Antwerp and Brussels tapissierspanden (Sixteenth-Eighteenth Centuries).Published in:Textile History, 2018, v. 49, n. 1, p. 5, doi. 10.1080/00404969.2018.1440709By:Brosens, Koenraad;Alen, Klara;Slegten, AstridPublication type:Article
Text and Image: Some Notes on the Tituli of Flemish 'Triumphs of Petrarch' Tapestries.Published in:Textile History, 1989, v. 20, n. 2, p. 321, doi. 10.1179/tex.1989.20.2.321By:DELMARCEL, GUYPublication type:Article
VISUALIZING AND ANALYZING COMPLEX AND DYNAMIC NETWORKS OF FLEMISH TAPESTRY ENTREPRENEURS (1640-1720).Published in:Leonardo, 2017, v. 50, n. 5, p. 503, doi. 10.1162/LEON_a_01276By:Brosens, Koenraad;Aerts, Jan;Alen, Klara;Slegten, Astrid;Truyen, FredPublication type:Article