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CHINESE ANIMATION AND ITS EVOLUTION AND CULTURAL BACKGROUND.
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- Trans/Form/Ação, 2024, v. 47, n. 4, p. 1, doi. 10.1590/0101-3173.2024.v47.n4.e0240051
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- Article
TSAI MING-LIANG.
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- ArtAsiaPacific, 2024, n. 139, p. 96
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- Article
Jez Stewart, The Story of British Animation.
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- Journal of British Cinema & Television, 2024, v. 21, n. 3, p. 407, doi. 10.3366/jbctv.2024.0730
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Josephine Botting, Adrian Brunel and British Cinema of the 1920s: The Artist versus the Moneybags.
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- Journal of British Cinema & Television, 2024, v. 21, n. 3, p. 411, doi. 10.3366/jbctv.2024.0732
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- Article
Dance film from Maya Deren to Anne Teresa De Keersmaeker.
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- Theatrical Colloquia, 2024, v. 14, n. 2, p. 119, doi. 10.35218/tco.2024.14.1.09
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- Article
Production of Polymeric Films from Orange and Ginger Waste for Packaging Application and Investigation of Mechanical and Thermal Characteristics of Biofilms.
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- Applied Sciences (2076-3417), 2024, v. 14, n. 11, p. 4670, doi. 10.3390/app14114670
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Shaheed-e-Azam Bhagat Singh (1954): A Curious Case of the First Biopic on the Indian Revolutionary Martyr.
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- Bioscope: South Asian Screen Studies, 2024, v. 15, n. 1, p. 31, doi. 10.1177/09749276241252938
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The Generic Mapping Tools and Animations for the Masses.
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- Geochemistry, Geophysics, Geosystems: G3, 2024, v. 25, n. 6, p. 1, doi. 10.1029/2024GC011545
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- Article
Introduction.
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- International Review of Scottish Studies, 2024, v. 49, n. 1, p. 1, doi. 10.3366/irss.2024.0025
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- Article
Adapting Sunset Song: Authorial, Industrial, and National Discourses in the 2015 Film Adaptation of Sunset Song.
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- International Review of Scottish Studies, 2024, v. 49, n. 1, p. 18, doi. 10.3366/irss.2024.0027
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- Article
Contemplating Law, Film and Mennonites.
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- Law, Culture & the Humanities, 2024, v. 20, n. 2, p. 421, doi. 10.1177/17438721211026560
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- Article
How Did the Concept of Animation Come About? A Focus on the Reception of Norman McLaren.
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- Mechademia: Second Arc, 2024, v. 16, n. 2, p. 11
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Animation Platforms.
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- Mechademia: Second Arc, 2024, v. 16, n. 2, p. 121
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The Production of Coating Film with Sweet Potato Starch and Carboxymethylcellulose from Water Hyacinth on Storage Life Extension of Mango (Mangifera indica L.).
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- Trends in Sciences, 2024, v. 21, n. 6, p. 1, doi. 10.48048/tis.2024.7686
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- Article
Characterization of biodegradable bi‐layer films from thermoplastic starch and poly‐l‐lactic acid.
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- Journal of Applied Polymer Science, 2024, v. 141, n. 20, p. 1, doi. 10.1002/app.55378
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- Article
Film-Induced Tourism as a Key Factor for Promoting Tourism Destination Image: The James Bond Saga Case.
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- Administrative Sciences (2076-3387), 2024, v. 14, n. 5, p. 94, doi. 10.3390/admsci14050094
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PARANOIA, (PARA)CINEMA, AND THE RIGHT-WING MINDSET: Making Sense of My Son Hunter.
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- American Studies in Scandinavia, 2024, v. 56, n. 1, p. 7, doi. 10.22439/asca.v56i1.7171
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- Article
Optimizing Edible Film Production from Red Pitaya Peel Powder, Konjac Glucomannan and Kappa Carrageenan.
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- Journal of Polymers & the Environment, 2024, v. 32, n. 5, p. 2394, doi. 10.1007/s10924-023-03115-2
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- Article
THE DREAMSCAPE OF INGMAR BERGMAN: EXPLORING FANTASY, REALITY, AND THE HUMAN PSYCHE IN CINEMA.
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- Knowledge: International Journal, 2024, v. 63, n. 5, p. 633
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- Article
Tres formas de atender y entender la violencia política en Irlanda del Norte: Agenda oculta (1990), En el nombre del Padre (1993) y En el nombre del hijo (1996).
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- Araucaria, 2024, v. 26, n. 56, p. 387, doi. 10.12795/araucaria.2024.i56.17
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La evolución de la figura materna en las películas sobre el conflicto irlandés.
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- Araucaria, 2024, v. 26, n. 56, p. 407, doi. 10.12795/araucaria.2024.i56.18
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- Article
Cabrini.
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- Catholic Historical Review, 2024, v. 110, n. 2, p. 443
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Not Your Model Minority: The Art and Activism of Renee Tajima-Peña.
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- Feminist Media Histories, 2024, v. 10, n. 2/3, p. 126, doi. 10.1525/fmh.2024.10.2-3.126
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Curating Disruption: Reflections from Peru on Feminist Film Archiving.
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- Feminist Media Histories, 2024, v. 10, n. 2/3, p. 258, doi. 10.1525/fmh.2024.10.2-3.258
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Dreamers of the Day and the Living Archive of 1990s Lesbian Cinema in Canada.
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- Feminist Media Histories, 2024, v. 10, n. 2/3, p. 283, doi. 10.1525/fmh.2024.10.2-3.283
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The Work of Care: Purplay's Curation of Women's Cinema in South Korea.
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- Feminist Media Histories, 2024, v. 10, n. 2/3, p. 295, doi. 10.1525/fmh.2024.10.2-3.295
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The Cinema of Powell and Pressburger.
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- History, 2024, v. 109, n. 384/385, p. 187, doi. 10.1111/1468-229X.13386
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- Article
'Bridal Outfits from the Heart of Filmland': Clothes Rationing, Wartime Film Production and Gainsborough Pictures' Studio Hire Service.
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- Journal of British Cinema & Television, 2024, v. 21, n. 2, p. 215, doi. 10.3366/jbctv.2024.0714
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- Article
Laura Mulvey (author), Peter Wollen (author), Oliver Fuke (editor), The Films of Laura Mulvey and Peter Wollen: Scripts, Working Documents, Interpretation.
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- Journal of British Cinema & Television, 2024, v. 21, n. 2, p. 270, doi. 10.3366/jbctv.2024.0717
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- Article
OntoCin: A Multimedia Ontology for the Semantic Indexation of Cinematographic Resources on the Web of Data.
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- Revue d'Intelligence Artificielle, 2024, v. 38, n. 2, p. 559, doi. 10.18280/ria.380219
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- Article
'All brilliant gloss': the liminal visual in Softley's The Wings of the Dove.
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- Adaptation, 2024, v. 17, n. 1, p. 76, doi. 10.1093/adaptation/apae004
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- Article
'The forme to the fynisment foldes ful selden' (l.499): A Comparison of David Lowery's Screenplay and His 2021 Film Adaptation The Green Knight.
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- Arthuriana, 2024, v. 34, n. 1, p. 21, doi. 10.1353/art.2024.a924597
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- Article
Sambizanga (1972): Aesthetics and politics in the film of Sarah Maldoror—Black, African, anti-colonialist, feminist.
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- Black Camera: The New Series, 2024, v. 15, n. 2, p. 10, doi. 10.2979/blc.00004
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- Article
Dossier 2: Getting Out the News: Historical Documents.
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- Black Camera: The New Series, 2024, v. 15, n. 2, p. 158, doi. 10.2979/blc.00013
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The Fantastic Creative Possibilities Offered by Documentaries According to Moroccan Filmmaker Izza Genini<sup> 1 </sup>.
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- Black Camera: The New Series, 2024, v. 15, n. 2, p. 240
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Introduction.
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- Black Camera: The New Series, 2024, v. 15, n. 2, p. 283
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Journeying and Researching Ghanaian/Diaspora Women's Filmmaking Practices.
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- Black Camera: The New Series, 2024, v. 15, n. 2, p. 301
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Visions for Empowerment and Development of the 7th Art in Africa.
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- Black Camera: The New Series, 2024, v. 15, n. 2, p. 308
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Submission Guidelines.
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- Black Camera: The New Series, 2024, v. 15, n. 2, p. 481, doi. 10.2979/blc.00025
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- Article
Widening the Frame.
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- Cambridge Journal of Anthropology, 2024, v. 42, n. 1, p. 127, doi. 10.3167/cja.2024.420109
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- Article
The Invention of Legacy: Strategic Uses of a "Good Soviet Union" in Elite Policy Preferences and Filmmaking in Russia.
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- Communist & Post-Communist Studies, 2024, v. 57, n. 1, p. 130, doi. 10.1525/cpcs.2023.1984663
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- Article
LG München: Verlust für TikTok im Urheberrechtsstreit um Lizenzen.
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- Computer und Recht, 2024, v. 40, n. 3, p. r32, doi. 10.9785/cr-2024-400327
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- Article
Architecture of Cities: Walking Alone in Milan.
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- CounterPunch, 2024, p. 1
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- Article
Visualizing a 'missing people' in Sousa Dias' Still Life : The filmmaker as metallurgist.
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- International Journal of Iberian Studies, 2024, v. 37, n. 1, p. 27, doi. 10.1386/ijis_00120_1
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- Article
Why do they speak French? About Lebanese cinema and French diplomacy.
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- Journal of Contemporary Iraq & the Arab World, 2024, v. 18, n. 1, p. 7, doi. 10.1386/jciaw_00117_1
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- Article
Felipe Guerrero: An encounter between the CSC and Cali's cinematic cultures.
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- Journal of Italian Cinema & Media Studies, 2024, v. 12, n. 2, p. 145, doi. 10.1386/jicms_00215_1
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An interview with Felipe Guerrero (Colombian Centro Sperimentale di Cinema alumni) and the privilege of studying at the CSC from 1996 to 1999.
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- Journal of Italian Cinema & Media Studies, 2024, v. 12, n. 2, p. 247, doi. 10.1386/jicms_00221_7
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China is in Italy – Zheng (2020): Interview with director Giacomo Sebastiani and producer Alejandro de la Fuente.
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- Journal of Italian Cinema & Media Studies, 2024, v. 12, n. 2, p. 253, doi. 10.1386/jicms_00222_7
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"The Danger Anyone Can Encounter": Security Education Films, Overseas Travelers, and the Location of Global Mobility in South Korea in the 1980s.
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- Korea Journal, 2024, v. 64, n. 1, p. 123, doi. 10.25024/kj.2024.64.1.123
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Cutting their cloth, counting their coupons: clothes rationing and British film production in the 1940s.
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- Screen, 2024, v. 65, n. 1, p. 1, doi. 10.1093/screen/hjae007
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- Article