Allegory of Becoming: Ethnicities and Nation in Baz Luhrmann's Australia.
- Published in:
- Concentric: Literacy & Cultural Studies, 2025, v. 51, n. 1, p. 157, doi. 10.6240/concentric.lit.202503_51(1).0007
- By:
- Publication type:
- Article
Works matching DE "ETHNICITY in motion pictures"
Results: 27
1
2
Immigrants, Family, and "Ellis Island Whiteness".
- Published in:
- 2011
- By:
- Publication type:
- Essay
3
Documentary along the Outskirts of Society: An Interview with the Filmmaker Aysun Bademsoy.
- Published in:
- Women in German Yearbook, 2015, v. 31, p. 174, doi. 10.5250/womgeryearbook.31.2015.0174
- By:
- Publication type:
- Article
4
The "Aliens" in Post-Yugoslav Cinema.
- Published in:
- Nationalities Papers, 2024, v. 52, n. 1, p. 22, doi. 10.1017/nps.2022.63
- By:
- Publication type:
- Article
5
Speaking Back with Similar Voices: The Dialogic Cinema of Zacharias Kunuk and Pierre Perrault.
- Published in:
- Quarterly Review of Film & Video, 2010, v. 27, n. 2, p. 108, doi. 10.1080/10509200802241456
- By:
- Publication type:
- Article
6
Películas en lenguas indígenas producidas en países hispanohablantes: Ixcanul y El abrazo de la serpiente.
- Published in:
- Diálogo, 2020, v. 23, n. 1, p. 7, doi. 10.1353/dlg.2020.0002
- By:
- Publication type:
- Article
7
The Use of Languages as Linguistic Militancy in Ousmane Sembène's Films: Between Film Aesthetics and Cinematographic Reception.
- Published in:
- African Renaissance (1744-2532), 2017, v. 14, n. 3/4, p. 51, doi. 10.31920/2516-5305/2017/v14n3_4a4
- By:
- Publication type:
- Article
8
Sol Worth, Film Theory, and the Politics of the Bio-Documentary.
- Published in:
- Grey Room, 2022, n. 89, p. 42, doi. 10.1162/grey_a_00354
- By:
- Publication type:
- Article
9
Global Cinema, For Western Eyes.
- Published in:
- Film Matters, 2018, v. 9, n. 1, p. 89, doi. 10.1386/fm.9.1.89_1
- By:
- Publication type:
- Article
10
Rethinking Racialized Cinema: A Critical Examination of Representations of Afro-Brazilians in City of God.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
11
The Hunger Games : Performing Not-performing to Authenticate Femininity and Whiteness.
- Published in:
- Critical Studies in Media Communication, 2014, v. 31, n. 5, p. 395, doi. 10.1080/15295036.2013.874038
- By:
- Publication type:
- Article
12
'Who are the Britons?' Questions of Ethnic and National Identity in Arthurian Films.
- Published in:
- Arthuriana, 2019, v. 29, n. 2, p. 6, doi. 10.1353/art.2019.0017
- By:
- Publication type:
- Article
13
Representing race: the race spectrum subjectivity of diversity in film.
- Published in:
- Ethnic & Racial Studies, 2021, v. 44, n. 2, p. 334, doi. 10.1080/01419870.2020.1740290
- By:
- Publication type:
- Article
14
Desi Films: Articulating Images of South Asian Identity in a Global Communication Environment.
- Published in:
- Global Media Journal: Canadian Edition, 2011, v. 4, n. 1, p. 127
- By:
- Publication type:
- Article
15
La exhumación de lo premoderno: la imagen de los pueblos originarios en el cine de ficción y documental chileno.
- Published in:
- Estudios Sobre las Culturas Contemporáneas, 2011, v. 17, n. 34, p. 65
- By:
- Publication type:
- Article
16
French Cinema and the Integration of Young Women Actors of Maghrebi Heritage.
- Published in:
- Nottingham French Studies, 2015, v. 54, n. 3, p. 297, doi. 10.3366/nfs.2015.0128
- By:
- Publication type:
- Article
17
Indelible experience: An exploration of religion and ethnicity in the films of Woody Allen and the Coen Brothers.
- Published in:
- Journal of Screenwriting, 2014, v. 5, n. 3, p. 355, doi. 10.1386/josc.5.3.355_1
- By:
- Publication type:
- Article
18
Adapting National Identity: Ethical Borders Made Suspect in the Hollywood Version of Susanne Bier's Brothers.
- Published in:
- Film International (16516826), 2011, v. 9, n. 2, p. 8, doi. 10.1386/fiin.9.2.8
- By:
- Publication type:
- Article
19
MAGICAL REALISM AND THE FUNCTION OF SPACE IN CONTEMPORARY CHICANO CINEMA: BEDHEAD AND SPY KIDS.
- Published in:
- Post Script, 2014, v. 33, n. 3, p. 85
- By:
- Publication type:
- Article
20
ETHNICALLY MARKED "HEROES": FROM RIKIDāZAN TO SHUNPEI IN BLOOD AND BONES.
- Published in:
- 2009
- By:
- Publication type:
- Essay
21
Turkish-German Cinema Reconsidered.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
22
MAKING MASCULINITY AND UNMAKING JEWISHNESS: NORMAN MAILER'S VOICE IN WILD 90 AND BEYOND THE LAW.
- Published in:
- Mailer Review, 2011, v. 5, n. 1, p. 183
- By:
- Publication type:
- Article
23
Slowly by Slowly: Ethnocinema, Media and Young Women of the Sudanese Diaspora.
- Published in:
- Visual Anthropology, 2011, v. 24, n. 4, p. 329, doi. 10.1080/08949468.2011.583567
- By:
- Publication type:
- Article
24
Food as a Metaphor for Love, Sex and Life in Woody Allen's Movies.
- Published in:
- Ostrava Journal of English Philology, 2013, v. 5, n. 2, p. 31
- By:
- Publication type:
- Article
25
Exploring the communicative function of light, sound and colour in Hotel Rwanda.
- Published in:
- Journal of African Cinemas, 2011, v. 3, n. 1, p. 43, doi. 10.1386/jac.3.1.43_1
- By:
- Publication type:
- Article
26
In permanent crisis: ethnicity in contemporary European media and cinema.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
27
Are You as Colored as That Negro? The Politics of Being Seen in Julie Dash's Illusions.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review