'A perfect-full harmonie': Pitch, tuning and instruments in the Elizabethan and Jacobean mixed consort.
- Published in:
- Early Music, 2019, v. 47, n. 2, p. 199, doi. 10.1093/em/caz026
- By:
- Publication type:
- Article
Works matching DE "ENGLISH music"
Results: 148
1
2
Data for the history of Georgian music.
- Published in:
- 2017
- By:
- Publication type:
- Proceeding
3
MedRen 2016 in Sheffield.
- Published in:
- 2016
- By:
- Publication type:
- Proceeding
4
Death songs and elegies: singing about death in Elizabethan England.
- Published in:
- Early Music, 2015, v. 43, n. 2, p. 269, doi. 10.1093/em/cav002
- By:
- Publication type:
- Article
5
Sightlines and tramlines: The Orlando Consort at 25.
- Published in:
- Early Music, 2015, v. 43, n. 1, p. 129, doi. 10.1093/em/cau141
- By:
- Publication type:
- Article
6
Constructing Croft.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
7
‘Their last foile and polishment’: aspects of compositional refinement in the consort dances of Dowland and Holborne.
- Published in:
- Early Music, 2013, v. 41, n. 2, p. 219, doi. 10.1093/em/cat032
- By:
- Publication type:
- Article
8
1612—John Dowland and the emblem tradition.
- Published in:
- Early Music, 2013, v. 41, n. 2, p. 273, doi. 10.1093/em/cat028
- By:
- Publication type:
- Article
9
John Dowland on the keyboard.
- Published in:
- 2013
- By:
- Publication type:
- Essay
10
‘Whose heavenly touch doth ravish human sense…’.
- Published in:
- Early Music, 2013, v. 41, n. 2, p. 295, doi. 10.1093/em/cat026
- By:
- Publication type:
- Article
11
Baroque Conference.
- Published in:
- 2012
- By:
- Publication type:
- Proceeding
12
Venus, Adonis and Orpheus in England: sacred and secular music from the fairest isle.
- Published in:
- 2012
- By:
- Publication type:
- Music Review
13
Byrd at home.
- Published in:
- 2012
- By:
- Publication type:
- Proceeding
14
Love in the music room: Thomas Whythorne and the private affairs of Tudor music tutors.
- Published in:
- Early Music, 2012, v. 40, n. 1, p. 15, doi. 10.1093/em/cas017
- By:
- Publication type:
- Article
15
Languishing for provenance: Zelo tui langueo and the search for women's polyphony in England.
- Published in:
- Early Music, 2011, v. 39, n. 3, p. 315, doi. 10.1093/em/car042
- By:
- Publication type:
- Article
16
Alehouse ditties and godly psalms.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
17
‘The pride of noise’: drums and their repercussions in early modern England.
- Published in:
- Early Music, 2011, v. 39, n. 2, p. 203, doi. 10.1093/em/car025
- By:
- Publication type:
- Article
18
London stage music in transition.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
19
The composer and the subscriber: a case study from the 18th century.
- Published in:
- Early Music, 2011, v. 39, n. 1, p. 65, doi. 10.1093/em/caq111
- By:
- Publication type:
- Article
20
An English connection.
- Published in:
- 2010
- By:
- Publication type:
- Music Review
21
Polyphony at Peterhouse.
- Published in:
- 2011
- By:
- Publication type:
- Proceeding
22
The English flageolet, 1800–1900.
- Published in:
- Early Music, 2010, v. 38, n. 4, p. 559, doi. 10.1093/em/caq081
- By:
- Publication type:
- Article
23
Music for the multitude: accounts of brass bands entering Enderby Jackson's Crystal Palace contests in the 1860s.
- Published in:
- Early Music, 2010, v. 38, n. 4, p. 571, doi. 10.1093/em/caq073
- By:
- Publication type:
- Article
24
National treasures.
- Published in:
- 2010
- By:
- Publication type:
- Music Review
25
A music club for freemasons: Philo-musicae et -architecturae societas Apollini, London, 1725–1727.
- Published in:
- Early Music, 2010, v. 38, n. 4, p. 523, doi. 10.1093/em/caq077
- By:
- Publication type:
- Article
26
An encounter with Chinese music in mid-18th-century London.
- Published in:
- Early Music, 2010, v. 38, n. 4, p. 543, doi. 10.1093/em/caq076
- By:
- Publication type:
- Article
27
A new portrait of Nicholas Lanier.
- Published in:
- Early Music, 2010, v. 38, n. 4, p. 509, doi. 10.1093/em/caq080
- By:
- Publication type:
- Article
28
Editorial.
- Published in:
- Early Music, 2010, v. 38, n. 4, p. 495
- By:
- Publication type:
- Article
29
Early British song.
- Published in:
- 2010
- By:
- Publication type:
- Arts/Entertainment Review
30
New perspectives on Thomas Myriell's Tristitiae remedium and Add. Ms.29427.
- Published in:
- Early Music, 2010, v. 38, n. 1, p. 101, doi. 10.1093/em/cap076
- By:
- Publication type:
- Article
31
The international face of Tudor music.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
32
Fuga in early Byrd.
- Published in:
- Early Music, 2009, v. 37, n. 2, p. 251, doi. 10.1093/em/cap017
- By:
- Publication type:
- Article
33
The uses of lute song: texts, contexts and pretexts for 'historically informed' performance.
- Published in:
- Early Music, 2008, v. 36, n. 2, p. 285, doi. 10.1093/em/can045
- By:
- Publication type:
- Article
34
'Bonnie Sweet Recorder': some issues arising from Arnold Dolmetsch's early English recorder performances.
- Published in:
- Early Music, 2007, v. 35, n. 1, p. 67, doi. 10.1093/em/cal126
- By:
- Publication type:
- Article
35
Musical Distinctions in England – Understanding Cultural Homology and Omnivourism through a Methods Comparison.
- Published in:
- BMS: Bulletin de Methodologie Sociologique (Sage Publications Ltd.), 2015, v. 126, n. 1, p. 28, doi. 10.1177/0759106315572563
- By:
- Publication type:
- Article
36
Editorial.
- Published in:
- BMS: Bulletin de Methodologie Sociologique (Sage Publications Ltd.), 2015, v. 126, n. 1, p. 3, doi. 10.1177/0759106315572551
- Publication type:
- Article
37
Unwritten Poetry: Song, Performance, and Media in Early Modern England by Scott A. Trudell (review).
- Published in:
- 2021
- By:
- Publication type:
- Book Review
38
Medieval English Lyrics and Carols.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
39
The Recorder and its Music at the Jacobite Courts in England and France, 1685-1712.
- Published in:
- American Recorder, 2014, v. 55, n. 3, p. 15
- By:
- Publication type:
- Article
40
Reader, Viewer, Spectator, Beholder: Response.
- Published in:
- Victorian Studies, 2017, v. 59, n. 3, p. 457, doi. 10.2979/victorianstudies.59.3.09
- Publication type:
- Article
41
Ballads and Balloon Ascents: Reconnecting the Popular and the Didactic in 1851.
- Published in:
- Victorian Studies, 2013, v. 55, n. 2, p. 253, doi. 10.2979/victorianstudies.55.2.253
- By:
- Publication type:
- Article
42
Musical Taste and the Creation of Place-Dependent Capital: Manchester and the Indie Music Field.
- Published in:
- Sociology, 2020, v. 54, n. 1, p. 124, doi. 10.1177/0038038519860399
- By:
- Publication type:
- Article
43
English Organ Compositions Based on Sacred Melodies.
- Published in:
- International Congregational Journal, 2007, v. 7, n. 1, p. 57
- By:
- Publication type:
- Article
44
Rhetorik und Musik in England (16. bis 18. Jahrhundert).
- Published in:
- Rhetorik, 2016, v. 35, n. 1, p. 85, doi. 10.1515/rhet.2016.007
- By:
- Publication type:
- Article
45
Pint Pot & Plough: English Traditional Songs.
- Published in:
- 1992
- By:
- Publication type:
- Arts/Entertainment Review
46
MUSIC AND MUSICIANS IN CHESTER : a Summary Account.
- Published in:
- 1995
- By:
- Publication type:
- Essay
47
Trying to Find an Identity: Eric Clapton's Changing Conception of “Blackness”.
- Published in:
- 2008
- By:
- Publication type:
- Essay
48
The Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia.
- Published in:
- Popular Music & Society, 2008, v. 31, n. 4, p. 469, doi. 10.1080/03007760802053104
- By:
- Publication type:
- Article
49
"It's Not Lambkins Frisking At All": English Pastoral Music and the Great War.
- Published in:
- Musical Quarterly, 2008, v. 91, n. 1/2, p. 39, doi. 10.1093/musqtl/gdn030
- By:
- Publication type:
- Article
50
King-Commoner Encounters in the Popular Ballad, Elizabethan Drama, and Shakespeare.
- Published in:
- SEL: Studies in English Literature (Johns Hopkins), 2010, v. 50, n. 2, p. 301, doi. 10.1353/sel.0.0097
- By:
- Publication type:
- Article