The Evocation of Sringāra Rasa Through the Interplay of Karuna Rasa and Vipralambhasringāra Rasa in Dinnaga's Kundamāla.Published in:IUP Journal of English Studies, 2016, v. 11, n. 2, p. 72By:Murty, G. R. K.Publication type:Article
The dancer of the future: Michael Chekhov in cross-training practice.Published in:Theatre, Dance & Performance Training, 2013, v. 4, n. 2, p. 162, doi. 10.1080/19443927.2013.794159By:Bennett, SuzanneM.Publication type:Article
Limits of innovation in dance and mime.Published in:Semiotica, 1987, v. 65, n. 3/4, p. 269, doi. 10.1515/semi.1987.65.3-4.269By:Royce, Anya PetersonPublication type:Article
Teaching fundamentals of modern dance in Mali, an on-going learning exchange.Published in:Journal of Dance & Somatic Practices, 2014, v. 6, n. 1, p. 75, doi. 10.1386/jdsp.6.1.75_1By:Greene, LilaPublication type:Article
Emotion in Motion: The Nāṭyashāstra, Darwin, and Affect Theory.Published in:2015By:DHARWADKER, VINAYPublication type:Essay