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The Brazilian Eisenstein (1961–1981).
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- Nathaniel Hawthorne Review, 2024, v. 61, n. 2, p. 335, doi. 10.5325/complitstudies.61.2.0335
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- Article
Eisenstein's Capital Diaries: An Introduction.
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- October, 2024, n. 188, p. 3, doi. 10.1162/octo_a_00514
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- Article
The Skull of the Syntax: On Translating Eisenstein's Capital Diaries.
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- October, 2024, n. 188, p. 21, doi. 10.1162/octo_a_00515
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- Article
The Capital Diaries: A New Selection.
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- October, 2024, n. 188, p. 25, doi. 10.1162/octo_a_00516
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- Article
Eisenstein's Paris Diary: An Introduction.
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- October, 2024, n. 188, p. 105, doi. 10.1162/octo_a_00517
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- Article
Paris Diary.
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- October, 2024, n. 188, p. 111, doi. 10.1162/octo_a_00518
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- Article
Visceral Economies, Queer Dialectics: Eisenstein Meets Bataille.
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- October, 2024, n. 188, p. 117, doi. 10.1162/octo_a_00520
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- Article
The Reflex Republic: Physiologies of Art in the Early Soviet Union.
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- October, 2024, n. 188, p. 149, doi. 10.1162/octo_a_00519
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- Article
Le Cinéma des Lumières: Diderot, Deleuze, Eisenstein.
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- 2023
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- Book Review
“Reanimating the spirit of the avant-garde”, but with Ideology Critique: Montage in Solomon and Jude’s films.
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- Revista Transilvania, 2023, n. 8, p. 67, doi. 10.51391/trva.2023.08.09
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- Article
Cultivating History: Sergei Eisenstein's The General Line and the Cinema of Agrarian Transition.
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- Discourse: Journal for Theoretical Studies in Media & Culture, 2023, v. 45, n. 1/2, p. 138, doi. 10.1353/dis.2023.a907670
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- Article
Sergei Eisenstein's "The Form of the Script": A New Translation.
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- Film History, 2022, v. 34, n. 4, p. 109, doi. 10.2979/fih.2022.a900044
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- Article
Visions of Disrupted Chronologies: Sergei Eisenstein and Hedwig Fechheimer's Cubist Egypt.
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- Arts (2076-0752), 2022, v. 11, n. 5, p. N.PAG, doi. 10.3390/arts11050092
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- Article
RADU JUDE’S MONTAGE EXPERIMENTS WITH DOCUMENTS OF OPPRESSION AND MASS MURDER.
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- Revista Transilvania, 2022, n. 9, p. 1, doi. 10.51391/trva.2022.09.01
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- Article
MIZUKO (WATER CHILD) AND EGG: FROM THE POLITICS TO THE POETICS OF CORPORAL TRAUMA THROUGH EISENSTEIN'S PLASMACITY.
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- Concept (2248-3756), 2022, v. 25, n. 2, p. 81
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- Article
Transmission of Knowledge: Eisenstein, Le Corbusier, and Montage as Image Practice in Film and Architecture.
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- Dimensions. Journal of Architectural Knowledge, 2022, v. 2, n. 4, p. 27, doi. 10.14361/dak-2022-0404
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- Article
Montaged Gardens – On Paper: The Red Books by Landscape Designer Humphry Repton.
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- Dimensions. Journal of Architectural Knowledge, 2022, v. 2, n. 4, p. 67, doi. 10.14361/dak-2022-0406
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- Article
Os fundamentos de Eisenstein na montagem hollywoodiana de conflitos.
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- Comunicação & Sociedade, 2022, v. 44, n. 2, p. 163, doi. 10.15603/2175-7755/cs.v44n2p163-191
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- Article
Noche de Fuego y The Power of the Dog: Semejanzas disímiles en Jane Campion y Tatiana Huezo .
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- Contracorriente: Una Revista de Estudios Latinoamericanos, 2022, v. 19, n. 3, p. 312
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- Article
The Virtual Theremin: Designing an Interactive Digital Music Instrument for Film Scene Scoring.
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- I-com, 2022, v. 21, n. 1, p. 109, doi. 10.1515/icom-2022-0007
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- Article
The primary sources of "the magic of art"': Eisenstein and East Asia.
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- JOSAH: Journal of the Society for Asian Humanities, 2022, v. 53, p. 198
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- Article
Sergei Eisenstein, Neurocinematics, and Embodied Cognition: A Reassessment.
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- Discourse: Journal for Theoretical Studies in Media & Culture, 2021, v. 43, n. 3, p. 351, doi. 10.13110/discourse.43.3.0351
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- Article
El Greco.
- Published in:
- 2021
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- Publication type:
- Book Review
Joan Neuberger. This Thing of Darkness: Eisenstein's Ivan the Terrible in Stalin's Russia.
- Published in:
- 2021
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- Publication type:
- Book Review
IMMERSION THROUGH CULTURE: REPRESENTATIONS OF THE “DAY OF THE DEAD” IN FILM.
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- Revista Canaria de Estudios Ingleses, 2020, n. 81, p. 61, doi. 10.25145/j.recaesin.2020.81.05
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- Article
Towards a natural history of animated backgrounds.
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- Screen, 2020, v. 61, n. 2, p. 296, doi. 10.1093/screen/hjaa028
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- Article
Integrated Soundtracks, Sergei Eisenstein, and Man-Eating Mermaids that Sing: Meaning and Method in The Lure.
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- Music, Sound & the Moving Image, 2020, v. 14, n. 1, p. 3, doi. 10.3828/msmi.2020.2
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- Article
The Idea and the Image. On Sergei Eisenstein's Battleship Potemkin.
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- Hermeneia: Journal of Hermeneutics, Art Theory & Criticism, 2020, n. 24, p. 77
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- Article
Three Aral Sea Films and the Soviet Ecology.
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- October, 2020, n. 171, p. 27, doi. 10.1162/octo_a_00377
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- Article
Montage and Experience Architecture.
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- Online Journal of Art & Design, 2019, v. 7, n. 4, p. 113
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- Article
Plasmatic mimesis: Notes on Eisenstein's (inter)faces.
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- World Literature Studies, 2019, v. 11, n. 4, p. 26
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- Article
Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis.
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- 2019
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- Book Review
The Eisenstein-Vygotsky Luria Collaboration: Triangulation and Third Culture Debates.
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- Projections: The Journal for Movies & Mind, 2019, v. 13, n. 1, p. 23, doi. 10.3167/proj.2019.130103
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- Article
The Anthropocene's Nonindifferent Nature.
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- 2019
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- Literary Criticism
C. 1927: St. Petersburg: LIGHTS OUT.
- Published in:
- 2019
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- Excerpt
CINEMATISMOS / BABILAQUES / LEITURAS.
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- Revista Alea: Estudos Neolatinos, 2019, v. 21, n. 1, p. 93, doi. 10.1590/1517-106X/21193110
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- Article
Dance of Values: Reading Eisenstein's Capital.
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- Grey Room, 2018, v. 72, p. 94, doi. 10.1162/grey_a_00251
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- Article
Writing-for-the-cut: What can screenwriters learn from film editors about storytelling?
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- Journal of Screenwriting, 2018, v. 9, n. 1, p. 85, doi. 10.1386/josc.9.1.85_1
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- Article
'Music Made Visible': Sergei Eisenstein's Die Walküre and the Birth of Vertical Montage.
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- Wagner Journal, 2018, v. 12, n. 1, p. 40
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- Article
The Architectural Postcard: Photography, Cinema, and Modernist Mass Media.
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- Grey Room, 2018, v. 70, p. 80, doi. 10.1162/GREY_a_00232
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- Article
Not a Film but a Nightmare: Revisiting Stalin's Response to Eisenstein's Ivan the Terrible, Part II.
- Published in:
- 2018
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- Publication type:
- Film/Television Criticism
Montage October: Dialectic of the Shot.
- Published in:
- 2017
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- Publication type:
- Film Review
The Civil War and Revolution in Stalinist Films. Cult Films, Evasiveness and Clichés.
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- Ekphrasis (2067-631X), 2017, v. 18, n. 2, p. 120, doi. 10.24193/ekphrasis.18.9
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- Article
The Shifting Protocols of the Visible: The Becoming of Sergei Eisenstein's The Battleship Potemkin.
- Published in:
- 2017
- Publication type:
- Film/Television Criticism
Cinema's poetics of history.
- Published in:
- 2017
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- Publication type:
- Film/Television Criticism
Sentir el sentido del filme: la dimensión corporal de la composición visual en la teoría de Serguéi M. Eisenstein.
- Published in:
- 2017
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- Publication type:
- Film/Television Criticism
Issue information - TOC.
- Published in:
- Critical Quarterly, 2017, v. 59, n. 1, p. 1, doi. 10.1111/criq.12279
- Publication type:
- Article
Editorial.
- Published in:
- 2017
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- Publication type:
- Editorial
Eisenstein as modernist: an introduction.
- Published in:
- Critical Quarterly, 2017, v. 59, n. 1, p. 4, doi. 10.1111/criq.12318
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- Article
Vent d'est.
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- Critical Quarterly, 2017, v. 59, n. 1, p. 7, doi. 10.1111/criq.12319
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- Publication type:
- Article