UNPUBLISHED DRY-POINT ANNOTATIONS IN A MANUSCRIPT OF THE OLD ENGLISH BEDE: OXFORD, CORPUS CHRISTI COLLEGE 279B.Published in:Medium Aevum, 2016, v. 85, n. 1, p. 15, doi. 10.2307/26396468By:WALLIS, CHRISTINEPublication type:Article
TWO DRYPOINT ETCHINGS IN THE EXETER BOOK.Published in:Notes & Queries, 2006, v. 53, n. 2, p. 153, doi. 10.1093/notesj/gjl008By:Alger, AbdullahPublication type:Article
Identity variability and the printed portrait: Forty Fridas and the combination of woodcut and drypoint.Published in:Journal of Visual Art Practice, 2015, v. 14, n. 3, p. 203, doi. 10.1080/14702029.2015.1094234By:Heck, EllenPublication type:Article
JMW Whistler (1834-1903) and Sir Garnet Wolseley (1833-1913).Published in:British Art Journal, 2017, v. 18, n. 1, p. 43By:Hopkinson, MartinPublication type:Article