After Thought: Archiving Absence through a Practice-as-Research Production of Xiong Shiyi's Lady Precious Stream.Published in:TDR: The Drama Review (MIT Press), 2019, v. 63, n. 1, p. 83, doi. 10.1162/dram_a_00818By:Thorpe, AshleyPublication type:Article
Andrish Saint-Clare and the Trepang Project: the 'Creative Intermediary' in an Indigenous-Asian theatrical production.Published in:Journal of Australian Studies, 2008, v. 32, n. 2, p. 163, doi. 10.1080/14443050802056706By:Stephenson, PetaPublication type:Article
World drama and intercultural performance: Western plays on the contemporary Chinese stage.Published in:Neohelicon, 2011, v. 38, n. 2, p. 397, doi. 10.1007/s11059-011-0104-yBy:He, ChengzhouPublication type:Article
Interruption, Intervention, Interculturalism: Robert Wilson's HIT Productions in Taiwan.Published in:2011By:Lei, Daphne P.Publication type:Essay
The Location of Shakespeare in Korea: Lee Yountaek's Hamlet and the Mirage of Interculturality.Published in:2008By:Yeeyon ImPublication type:Essay
Recovering Elfriede Jelinek -- But for Whom? -- Creative Homesickness as a Motor for Cultural Transfer.Published in:Australasian Drama Studies, 2011, n. 59, p. 156By:Bastian, AndréPublication type:Article
History of a Cultural Conquest: The Piano in Japan.Published in:2014By:GASPAR, VERONICAPublication type:Essay