Works matching DE "COPYRIGHT of sound recordings"
Results: 59
COPYRIGHT CORNER: TERMINATION OF TRANSFERS.
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- Kentucky Libraries, 2011, v. 75, n. 4, p. 6
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COPYRIGHT CORNER: MORE ABOUT PUBLIC PERFORMANCE OF MUSIC.
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- Kentucky Libraries, 2010, v. 74, n. 3, p. 26
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DVD compilations of Hindi film songs: (Re)shuffling sound, stardom, and cinephilia.
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- South Asian Popular Culture, 2012, v. 10, n. 3, p. 237, doi. 10.1080/14746689.2012.706014
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Copyright protection of ringtones in South Africa.
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- Muziki: Journal of Music Research in Africa, 2008, v. 5, n. 2, p. 323, doi. 10.1080/18125980902796965
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PSEUDO-INTERACTIVITY: AN APPROPRIATE RATE SCHEME FOR CUSTOMIZABLE INTERNET RADIO SERVICES.
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- Cardozo Law Review, 2011, v. 32, n. 4, p. 1515
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FOR PROMOTIONAL USE ONLY: IS THE RESALE OF A PROMOTIONAL CD PROTECTED BY THE FIRST SALE DOCTRINE?
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- Cardozo Law Review, 2009, v. 30, n. 4, p. 1745
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THE WINDING STREAM: ENTITLEMENT THEORIES AND INTELLECTUAL PROPERTY RIGHTS IN EMERGING MEDIA TECHNOLOGIES.
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- Berkeley Technology Law Journal, 2010, v. 25, n. 1, p. 247
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Pitfalls in Measuring the Impact of File-sharing on the Sound Recording Market.
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- CESifo Economic Studies, 2005, v. 51, n. 2/3, p. 435, doi. 10.1093/cesifo/51.2-3.435
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Austria.
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- Fontes Artis Musicae, 2009, v. 56, n. 4, p. 383
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Termination of Sound Recording Copyrights & The Potential Unconscionahility of Work for Hire Clauses.
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- Review of Litigation, 2010, v. 30, n. 1, p. 101
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The Grey Note.
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- Review of Litigation, 2005, v. 24, n. 3, p. 581
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WE CAN WORK IT OUT: WHY FULL FEDERALIZATION OF PRE-1972 SOUND RECORDINGS IS NECESSARY TO CLARIFY AMBIGUOUS AND INCONSISTENT STATE COPYRIGHT LAWS.
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- George Mason Law Review, 2016, v. 23, n. 3, p. 737
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Dollars, Downloads and Digital Distribution: Is "Making Available" a Copyrighted Work a Violation of the Author's Distribution Right?
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- UCLA Entertainment Law Review, 2008, v. 15, n. 1, p. 117, doi. 10.5070/lr8151027109
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Before You Record Your Spring Recital: Mechanical Licensing Basics.
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- American Music Teacher, 2007, v. 56, n. 5, p. 96
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WEBCASTING AND INTERACTIVITY: PROBLEMS AND SOLUTIONS.
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- Journal of Science & Technology Law, 2011, v. 17, n. 2, p. 290
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The De Minimis Defense in Sound Recordings: How a Trivial Claim Leads to a Big Question.
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- Touro Law Review, 2018, v. 34, n. 4, p. 1061
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AN INTERNATIONAL PERSPECTIVE: WHY THE UNITED STATES SHOULD PROVIDE A PUBLIC PERFORMANCE RIGHT FOR NON-DIGITAL AUDIO TRANSMISSIONS.
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- Temple International & Comparative Law Journal, 2016, v. 30, n. 2, p. 225
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IN DEFENSE OF COPYRIGHT: RECORD LABELS, CREATIVITY, AND THE FUTURE OF MUSIC.
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- Seton Hall Journal of Sports & Entertainment Law, 2011, v. 21, n. 1, p. 61
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MIDI files: Copyright protection for computer-generated works.
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- William & Mary Law Review, 1994, v. 35, n. 3, p. 1135
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Who Owns Our Ancestors' Voices?
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- Columbia Journal of Law & the Arts, 2016, v. 40, n. 2, p. 275
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Confusion in the Digital Age: Why the De Minimis Use Test Should Be Applied to Digital Samples of Copyrighted Sound Recordings.
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- Texas Intellectual Property Law Journal, 2006, v. 14, n. 2, p. 93
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Rights, ROMs and rock 'n' roll.
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- CD-ROM Professional, 1995, v. 8, n. 10, p. 45
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(DON'T) GIVE IT UP OR TURNIT A LOOSE: STATE LAW COPYRIGHT PROTECTION OF PRE-1972 SOUND RECORDINGS IN BLANK-SLATE JURISDICTIONS LIKE GEORGIA.
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- Georgia Law Review, 2015, v. 49, n. 3, p. 819
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MUSIC DOWNLOADING: COMPETING AGAINST ONLINE PIRACY.
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- International Journal of Business & Public Administration, 2010, v. 7, n. 1, p. 14
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Mashups, Sampling, and Authorship: A Mashupsampliography.
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- Music Reference Services Quarterly, 2008, v. 11, n. 3/4, p. 229, doi. 10.1080/10588160802570375
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THE DAY THE MUSIC DIED: HOW OVERLY EXTENDED COPYRIGHT TERMS THREATEN THE VERY EXISTENCE OF OUR NATION'S EARLIEST MUSICAL WORKS.
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- Emory Law Journal, 2007, v. 57, n. 1, p. 279
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Morality in Vogue: Balancing Moral Rights in Sound Recording Copyrights.
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- University of San Francisco Law Review, 2019, v. 53, n. 2, p. 313
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Legal.
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- Cinema Journal, 2007, v. 46, n. 4, p. 134
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The impacts of the differences between UK and US copyright laws for sound recordings on musicians.
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- Journal of Intellectual Property Rights, 2011, v. 16, n. 1, p. 45
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Confessions of an intellectual (property): Danger mouse, mickey mouse, sonny bono, and my long and winding path as a copyright activist-academic 1.
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- Journal of Intellectual Property Rights, 2005, v. 10, n. 3, p. 247
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Remix and Copyright Law.
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- Journal of Intellectual Property Rights, 2005, v. 10, n. 2, p. 106
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Copyright term for sound recordings extended to 70 years.
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- Communications Law: Journal of Computer, Media & Telecommunications Law, 2013, v. 18, n. 4, p. 110
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HOW TO BEST ENSURE REMUNERATION FOR CREATORS IN THE MARKET FOR MUSIC? COPYRIGHT AND ITS ALTERNATIVES.
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- Journal of Economic Surveys, 2006, v. 20, n. 4, p. 513, doi. 10.1111/j.1467-6419.2006.00259.x
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Unfair? The Unique Status of Sound Recordings under U.S. Copyright Law and its Impact on the Progress of Sample-Based Music.
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- MEIEA Journal, 2012, v. 12, n. 1, p. 13, doi. 10.25101/12.1
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The Emperor Has No Clothes: How Digital Sampling Infringement Cases Are Exposing Weaknesses in Traditional Copyright Law and the Need for Statutory Reform.
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- American Business Law Journal, 2006, v. 43, n. 3, p. 515, doi. 10.1111/j.1744-1714.2006.00024.x
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GOING VIRAL: HOW POPULAR MUSICIANS HAVE ADAPTED TO THE DELAYED BENEFITS OF COPYRIGHT PROTECTION.
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- Houston Law Review, 2018, v. 55, n. 3, p. 821
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A MUSICAL WORK IS A SET OF INSTRUCTIONS.
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- Houston Law Review, 2014, v. 52, n. 2, p. 467
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THE CURRENT STATE OF PRE-1972 SOUND RECORDINGS: RECENT FEDERAL COURT DECISIONS IN CALIFORNIA AND NEW YORK AGAINST SIRIUS XM HAVE BROADER IMPLICATIONS THAN JUST WHETHER SATELLITE AND INTERNET RADIO STATIONS MUST PAY FOR PRE-1972 SOUND RECORDINGS.
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- Journal of Intellectual Property & Entertainment Law, 2015, v. 4, n. 2, p. 336
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Extended protection for recordings, performances and co-written songs.
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- Journal of Intellectual Property Law & Practice, 2013, v. 8, n. 12, p. 907, doi. 10.1093/jiplp/jpt204
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Where do beliefs about Music Piracy come from and how are they shared? An Ethnographic Study.
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- International Journal of Cyber Criminology, 2016, v. 10, n. 1, p. 21, doi. 10.5281/zenodo.58518
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Hitting the Right Notes: The Need for a General Public Performance Right in Sound Recordings to Create Harmony in American Copyright Law.
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- Washington University Journal of Law & Policy, 2011, v. 35, p. 445
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Performance Royalties for Sound Recordings on Terrestrial Radio: A Private Solution to a Public Problem.
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- Vanderbilt Journal of Entertainment & Technology Law, 2013, v. 16, n. 1, p. 197
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Guerrilla Radio: Has the Time Come for a Full Performance Right in Sound Recordings?
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- Vanderbilt Journal of Entertainment & Technology Law, 2010, v. 12, n. 3, p. 549
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Sirius XM Radio, Inc., Defendant: The Case for a Unified Federal Copyright System for Sound Recordings.
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- Pace Law Review, 2015, v. 35, n. 3, p. 1016, doi. 10.58948/2331-3528.1900
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You Belong with Me: Retaining Authorship and Ownership of Sound Recordings.
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- Arizona State Law Journal, 2021, v. 53, n. 1, p. 333
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Copyright & Fair Use.
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- ARSC Journal, 2014, v. 45, n. 2, p. 200
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Copyright & Fair Use.
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- ARSC Journal, 2014, v. 45, n. 1, p. 48
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Stand-Up State of the Nation.
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- ARSC Journal, 2014, v. 45, n. 1, p. 9
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Copyright & Fair Use.
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- ARSC Journal, 2011, v. 42, n. 2, p. 231
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Copyright & Fair Use.
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- ARSC Journal, 2005, v. 36, n. 2, p. 224
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