FR. GEMINIANI - SONATA OP. 1 NO. 5 IN B FLAT MAJOR FOR VIOLIN AND CONTINUO.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2013, v. 6, n. 2, p. 91
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- Publication type:
- Article
Works matching DE "CONTINUO"
Results: 22
1
2
THE GENESIS OF THE PIANO TRIO.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2012, v. 57, n. 1, p. 123
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- Article
3
Dissolving Monotonality: Expressive Modulation in Two Works by C.P.E. Bach.
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- Integral, 2013, n. 27, p. 53
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- Publication type:
- Article
4
Revisiting a Buxtehude Curiosity Once Again.
- Published in:
- Early Music Performer, 2009, n. 24, p. 16
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- Publication type:
- Article
5
Armoni Kitaplarındaki Bas Şifrelerinin Karşılaştırmalı Analizi.
- Published in:
- Gazi University Journal of Gazi Educational Faculty (GUJGEF), 2011, v. 31, n. 1, p. 89
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- Publication type:
- Article
6
Challenging Some Misconceptions about the Règle de l'octave.
- Published in:
- Music Theory Online, 2019, v. 25, n. 4, p. 1, doi. 10.30535/mto.25.4.5
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- Publication type:
- Article
7
Parsimonious Voice Leading and the Stimmführungsmodelle.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 60, doi. 10.30535/mto.24.4.12
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- Publication type:
- Article
8
Fundamental Bass and Real Bass in Dialogue: Tonal Aspects of the Structural Modes.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 47, doi. 10.30535/mto.24.4.10
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- Publication type:
- Article
9
RICHARD DERING'S FEW-VOICE 'CONCERTATO' MOTETS.
- Published in:
- Music & Letters, 2008, v. 89, n. 2, p. 165, doi. 10.1093/ml/gcm131
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- Publication type:
- Article
10
HLEDÁNÍ SKRYTÉHO BOHA V DÍLE RAINERA MARIA RILKA.
- Published in:
- AUC Theologica / Acta Universitatis Carolinae Theologica, 2013, v. 3, n. 1, p. 105, doi. 10.14712/23363398.2015.35
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- Publication type:
- Article
11
Rameau's Theory of Supposition and French Baroque Harmonic Practice.
- Published in:
- Music Theory Spectrum, 2016, v. 38, n. 2, p. 155, doi. 10.1093/mts/mtw011
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- Publication type:
- Article
12
Using Baroque Techniques to Teach Improvisation in Your Classroom.
- Published in:
- Music Educators Journal, 2015, v. 102, n. 1, p. 91, doi. 10.1177/0027432115590859
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- Publication type:
- Article
13
The Performance of Italian Basso Continuo. Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries.
- Published in:
- 2009
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- Publication type:
- Book Review
14
Instrumentation of the Basso Continuo in Early Seventeenth-Century Vocal Music.
- Published in:
- Choral Journal, 2008, v. 48, n. 8, p. 6
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- Publication type:
- Article
15
From the Editor.
- Published in:
- Choral Journal, 2008, v. 48, n. 8, p. 5
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- Article
16
'In Quires an[d] Places where they sing...'.
- Published in:
- 2019
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- Publication type:
- Music Review
17
Lost in transcription: the 'basse continuée of Striggio's Mass in 40 and 60 parts as evidence for continuo practice in early 17th-century France.
- Published in:
- Early Music, 2017, v. 45, n. 2, p. 249, doi. 10.1093/em/cax019
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- Publication type:
- Article
18
3. CREATIVITY OF CONTINUO PLAYERS AND INVESTMENT LAWYERS: A COMPARATIVE SKETCH.
- Published in:
- Review of Artistic Education, 2018, v. 16, n. 1, p. 231, doi. 10.2478/RAE-2018-0025
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- Publication type:
- Article
19
Polyphonic keyboard accompaniment in the early Baroque: An alternative to basso continuo.
- Published in:
- Early Music, 1998, v. 26, n. 1, p. 51, doi. 10.1093/earlyj/XXVI.1.51
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- Publication type:
- Article
20
`Unerringly tasteful'?: Harpsichord continuo in Corelli's op. 5 sonatas.
- Published in:
- Early Music, 1996, v. 24, n. 4, p. 665, doi. 10.1093/earlyj/XXIV.4.665
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- Publication type:
- Article
21
L'armonia sonora: Continuo orchestration in Monteverdi's Orfeo.
- Published in:
- Early Music, 1994, v. 22, n. 1, p. 86, doi. 10.1093/earlyj/XXII.1.86
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- Publication type:
- Article
22
J. S. Bach's Chorales: Reconstructing Eighteenth-Century German Figured-Bass Pedagogy in Light of a New Source.
- Published in:
- Theory & Practice, 2017, v. 42, p. 29
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- Publication type:
- Article