Watching A Raisin in the Sun and Seeing Red.Published in:Modern Drama, 2015, v. 58, n. 4, p. 461, doi. 10.3138/md.0723By:THOMAS, AARON C.Publication type:Article
Dancing on the X-rays: On the Theatre of Memory, counter-memory, and Postmemory in the Post-1989 East-European Context.Published in:2011By:Meerzon, YanaPublication type:Literary Criticism
Sergei Tret'iakov's Roar, China! between Moscow and China.Published in:Itinerario, 2012, v. 36, n. 2, p. 91, doi. 10.1017/S0165115312000587By:Gamsa, MarkPublication type:Article
Passionate Amateurs: Theatre, Communism, and Love.Published in:2014By:Boyle, Michael ShanePublication type:Book Review
Passionate Amateurs: Theatre, Communism, and Love.Published in:2016By:Martin, RandyPublication type:Book Review
Acht Ungleich Eins by Rainer Werner Fassbinder (review).Published in:2022By:Rizzo, JessicaPublication type:Performance Review
"An Advance to New": Interstitial Modernism and Toronto's Theatre of Action, 1936-40.Published in:2013By:Filewod, AlanPublication type:Essay
Censoring Translation: Censorship, Theatre, and the Politics of Translation.Published in:2013By:Steiner, PeterPublication type:Book Review
Passionate Amateurs: Theatre, Communism and Love by Nicholas Ridout Nadine Holdsworth.Published in:2015By:Holdsworth, NadinePublication type:Book Review
Opening Borders, Closing Nations: How ‘Generation Nothing’ Stages Polish Migration.Published in:Contemporary Theatre Review, 2014, v. 24, n. 1, p. 6, doi. 10.1080/10486801.2013.858329By:Lease, BrycePublication type:Article