Becky Sharp , Technicolor, and the Historiography of Film Style.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching DE "COLORS in motion pictures"
Results: 35
1
2
Playing with Shapes and Colors: Synesthesia's Transition into Mainstream Cinema.
- Published in:
- Film Matters, 2017, v. 8, n. 3, p. 86, doi. 10.1386/fm.8.3.86_1
- By:
- Publication type:
- Article
3
Examining Genre Conventions in the Promotion of Marvel Avengers Assemble.
- Published in:
- Film Matters, 2017, v. 8, n. 3, p. 73, doi. 10.1386/fm.8.3.73_1
- By:
- Publication type:
- Article
4
"Rainbow Reality, Man" Color and Reality at the Heart of Darkness in Apocalypse Now and Waltz with Bashir.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
5
Wes Anderson's Fabulous Fancy.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
6
Don't Look Now: transience and text.
- Published in:
- Screen, 2015, v. 56, n. 4, p. 436, doi. 10.1093/screen/hjv049
- By:
- Publication type:
- Article
7
Hero, Kurosawa and a cinema of the senses.
- Published in:
- Screen, 2013, v. 54, n. 2, p. 127, doi. 10.1093/screen/hjt005
- By:
- Publication type:
- Article
8
Three Colours: Blue: Kieślowski, colour and the postmodern subject.
- Published in:
- 1998
- By:
- Publication type:
- Essay
9
Interfacial Affects: Exploring the "Signaletic Material" in Contemporary Film and Media Art.
- Published in:
- IMAGO Studi di Cinema e Media, 2021, v. 12, n. 23, p. 75
- By:
- Publication type:
- Article
10
Chromatic Cinema.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
11
Cinema and Colour: The Saturated Image.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
12
Thinking about color and the 'Reality Effect' in the cinema.
- Published in:
- Revista Fronteiras, 2014, v. 16, n. 3, p. 215, doi. 10.4013/fem.2014.163.07
- By:
- Publication type:
- Article
13
“Could We Not Dye It Red at Least?”: Color and Race in West Side Story.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
14
On the Dialectics of Filmic Colors (in general) and Red (in particular): Three Colors: Red, Red Desert, Cries and Whispers, and The Double Life of Véronique.
- Published in:
- Film Criticism, 2008, v. 32, n. 3, p. 2
- By:
- Publication type:
- Article
15
Color and Myth in Cries and Whispers.
- Published in:
- Film Criticism, 1989, v. 13, n. 3, p. 37
- By:
- Publication type:
- Article
16
Cinema & Colour: The Saturated Image.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
17
REINVENTING REALITY: DEMY AND HIS SETS.
- Published in:
- 2016
- By:
- Publication type:
- Essay
18
The China Girl on the Margins of Film.
- Published in:
- 2015
- By:
- Publication type:
- Essay
19
Side by Side: Depicting Semblance and Difference in Fatih Akın's Auf der anderen Seite [ The Edge of Heaven].
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
20
Building a Crowdsourcing Platform for the Analysis of Film Colors.
- Published in:
- Moving Image (15323978), 2018, v. 18, n. 1, p. 80, doi. 10.5749/movingimage.18.1.0080
- By:
- Publication type:
- Article
21
A DIGITAL HUMANITIES APPROACH TO FILM COLORS.
- Published in:
- Moving Image (15323978), 2017, v. 17, n. 2, p. 71, doi. 10.5749/movingimage.17.2.0071
- By:
- Publication type:
- Article
22
Moving Color: Early Film, Mass Culture, Modernism.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
23
Generalized Stauffer-Grimson background subtraction for dynamic scenes.
- Published in:
- Machine Vision & Applications, 2011, v. 22, n. 5, p. 751, doi. 10.1007/s00138-010-0262-3
- By:
- Publication type:
- Article
24
Colour magic: Illusion and abstraction in silent and experimental cinemas.
- Published in:
- Moving Image Review & Art Journal, 2013, v. 2, n. 2, p. 228, doi. 10.1386/miraj.2.2.228_7
- By:
- Publication type:
- Article
25
MINNELLI'S YELLOWS: ILLUSION, DELUSION AND IMPRESSIONISM ON FILM.
- Published in:
- Wide Screen, 2011, v. 3, n. 1, p. 1
- By:
- Publication type:
- Article
26
Functional Colors: The Varied Applications of Complementary Hues.
- Published in:
- Film History, 2017, v. 29, n. 2, p. 91, doi. 10.2979/filmhistory.29.2.04
- Publication type:
- Article
27
The Early Film Colorists Speak.
- Published in:
- Film History, 2016, v. 28, n. 4, p. 159, doi. 10.2979/filmhistory.28.4.06
- Publication type:
- Article
28
Ang Lee's America, in living colour.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 3, p. 283, doi. 10.1386/jcc.6.3.283_1
- By:
- Publication type:
- Article
29
Colour and utopia: The filmic portrayal of harvest in late Cultural Revolution narrative films.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 3, p. 263, doi. 10.1386/jcc.6.3.263_1
- By:
- Publication type:
- Article
30
Every colour red? Colour in the films of the Cultural Revolution model stage works.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 3, p. 233, doi. 10.1386/jcc.6.3.233_1
- By:
- Publication type:
- Article
31
Chromatic expressionism in contemporary Chinese-language cinema.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 3, p. 211, doi. 10.1386/jcc.6.3.211_1
- By:
- Publication type:
- Article
32
Discoloured vestiges of history: Black and white in the age of colour cinema.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 3, p. 247, doi. 10.1386/jcc.6.3.247_1
- By:
- Publication type:
- Article
33
Special issue on the colour of Chinese cinemas: Guest editor's introduction.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 3, p. 207, doi. 10.1386/jcc.6.3.207_7
- By:
- Publication type:
- Article
34
Where flowers bloom but have no scent: the cinematic space of the Zone in Andrei Tarkovsky's Stalker.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
35
THE TROJAN WOMEN: READINGS OF SPACE AND AESTHETICS IN THE FILM ADAPTATION OF EURIPIDES BY MICHAEL CACOYANNIS.
- Published in:
- Logeion: Periodiko gia to Archaio Theatro, 2023, n. 13, p. 262, doi. 10.26225/EAWQ-VV62
- By:
- Publication type:
- Article