On the Relationship between Documentary Films and Magic Lanterns in 1950s Japan.
- Published in:
- Arts (2076-0752), 2019, v. 8, n. 2, p. 64, doi. 10.3390/arts8020064
- By:
- Publication type:
- Article
Works matching DE "COLOR motion pictures"
Results: 68
1
2
A Screenplay in the Form of a Comic Strip: Pier Paolo Pasolini’s Drawings for La terra vista dalla luna.
- Published in:
- Italian Studies, 2017, v. 72, n. 3, p. 292, doi. 10.1080/00751634.2017.1341678
- By:
- Publication type:
- Article
3
EDITORIAL.
- Published in:
- 1966
- By:
- Publication type:
- Editorial
4
Becky Sharp , Technicolor, and the Historiography of Film Style.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
5
Cobra Woman.
- Published in:
- Quarterly Review of Film & Video, 2010, v. 27, n. 5, p. 379, doi. 10.1080/10509208.2010.494559
- By:
- Publication type:
- Article
6
Minor Hazards: Disney and the Color Adventure.
- Published in:
- Quarterly Review of Film & Video, 2004, v. 21, n. 4, p. 273, doi. 10.1080/10509200490446150
- By:
- Publication type:
- Article
7
Color and Meaning in Film: An Argument from Irony.
- Published in:
- Journal of Comparative Literature & Aesthetics, 2021, v. 44, n. 3, p. 107
- By:
- Publication type:
- Article
8
Sarah Street, Colour Films in Britain: The Negotiation of Innovation 1900-1955 (London: BFI/Palgrave Macmillan, 2012), pp. iv + 316, ISBN 9781844573127 (pb), £19.99.
- Published in:
- Journal of British Cinema & Television, 2014, v. 11, n. 4, p. 554, doi. 10.3366/jbctv.2014.0234
- By:
- Publication type:
- Article
9
Introduction.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 1, doi. 10.3366/E1743452109001290
- By:
- Publication type:
- Article
10
Ealing's Colour Aesthetic: Saraband for Dead Lovers.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 21, doi. 10.3366/E1743452109001319
- By:
- Publication type:
- Article
11
Reviving the Lost Experience of Kinemacolor: David Cleveland and Brian Pritchard.
- Published in:
- 2010
- By:
- Publication type:
- Interview
12
Korda, Technicolor and the Zeitgeist.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 5, doi. 10.3366/E1743452109001307
- By:
- Publication type:
- Article
13
Green Apples and Red Prawns: The Colour of Time in Peter Greenaway's A Zed & Two Noughts ( Z.0.0.).
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 82, doi. 10.3366/E1743452109001356
- By:
- Publication type:
- Article
14
Chromatic Borders, Cosmetic Bodies: Colour in the Films of Nicolas Roeg.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 69, doi. 10.3366/E1743452109001344
- By:
- Publication type:
- Article
15
‘In Blushing Technicolor’: Colour in Blithe Spirit.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 34, doi. 10.3366/E1743452109001320
- By:
- Publication type:
- Article
16
Colour Consciousness and Design in Blanche Fury as Technicolor Melodrama.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 53, doi. 10.3366/E1743452109001332
- By:
- Publication type:
- Article
17
Technicolor Confections.
- Published in:
- Journal of Visual Culture, 2007, v. 6, n. 2, p. 274, doi. 10.1177/1470412907078569
- By:
- Publication type:
- Article
18
Cinema, Colour and the Festival of Britain, 1951.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
19
White Merlin: A Modern Misconception about the Legendary Merlin.
- Published in:
- Arthuriana, 2023, v. 33, n. 3, p. 10, doi. 10.1353/art.2023.a910869
- By:
- Publication type:
- Article
20
WE'VE GOT BIGGER PROBLEMS.
- Published in:
- Moving Image (15323978), 2015, v. 15, n. 1, p. 44, doi. 10.5749/movingimage.15.1.0044
- By:
- Publication type:
- Article
21
NEGOTIATING THE ARCHIVES.
- Published in:
- 2011
- By:
- Publication type:
- Case Study
22
Did Madame Mao dream in Technicolor? Rethinking Cold War colour cinema through Technicolor's 'Chinese copy'.
- Published in:
- Screen, 2020, v. 61, n. 3, p. 343, doi. 10.1093/screen/hjaa048
- By:
- Publication type:
- Article
23
'The cloak of technicolor': intermedial colour in Antônio das Mortes.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
24
Don't Look Now: transience and text.
- Published in:
- Screen, 2015, v. 56, n. 4, p. 436, doi. 10.1093/screen/hjv049
- By:
- Publication type:
- Article
25
The arrival of colour: responding to the restored Jour de fête.
- Published in:
- Screen, 2010, v. 51, n. 4, p. 390, doi. 10.1093/screen/hjq043
- By:
- Publication type:
- Article
26
'Colour consciousness': Natalie Kalmus and Technicolor in Britain.
- Published in:
- 2009
- By:
- Publication type:
- Essay
27
DISCOVERING COLOR.
- Published in:
- 1961
- By:
- Publication type:
- Film/TV Criticism and Review
28
DIJETS PRODUCTION IN NONMINIMAL TECHNICOLOR AND LIMITS ON THE COLOR-OCTET TECHNIRHO MASS.
- Published in:
- International Journal of Modern Physics A: Particles & Fields; Gravitation; Cosmology; Nuclear Physics, 2004, v. 19, n. 26, p. 4387, doi. 10.1142/S0217751X04019883
- By:
- Publication type:
- Article
29
Colour, embodiment and dread in High Tension and A Tale of Two Sisters.
- Published in:
- Horror Studies, 2012, v. 3, n. 1, p. 87, doi. 10.1386/host.3.1.87_1
- By:
- Publication type:
- Article
30
The assessment of excellence in a world of illusion.
- Published in:
- Moving Image Review & Art Journal, 2013, v. 2, n. 2, p. 145, doi. 10.1386/miraj.2.2.145_2
- By:
- Publication type:
- Article
31
The Political Imperative of Color: Stalin, Disney, and the Soviet Pursuit of Color Film, 1931–45.
- Published in:
- Russian Review, 2019, v. 78, n. 4, p. 569, doi. 10.1111/russ.12245
- By:
- Publication type:
- Article
32
THE MARGRAVE'S DAUGHTER.
- Published in:
- 1957
- Publication type:
- Film/TV Criticism and Review
33
THE FIGHTING LADY.
- Published in:
- Image, 1955, v. 4, n. 2, p. 16
- Publication type:
- Article
34
Moving color: early film, mass culture, modernism.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
35
The temporalities of intermediality: Colour in cinema and the arts of the 1920s.
- Published in:
- Early Popular Visual Culture, 2013, v. 11, n. 2, p. 140, doi. 10.1080/17460654.2013.783149
- By:
- Publication type:
- Article
36
Concussion, Cagney, Captains of the Clouds.
- Published in:
- Canadian Journal of Neurological Sciences, 2018, v. 45, n. 6, p. 682, doi. 10.1017/cjn.2018.332
- By:
- Publication type:
- Article
37
Coming Attraction: The Event of Color, Techniques of Screening and Filtering in Early "Natural" Color Film and Photography.
- Published in:
- Grey Room, 2024, n. 96, p. 6, doi. 10.1162/grey_a_00404
- By:
- Publication type:
- Article
38
IN DEFENCE OF COLOURIZATION.
- Published in:
- British Journal of Aesthetics, 1988, v. 28, n. 4, p. 368, doi. 10.1093/bjaesthetics/28.4.368
- By:
- Publication type:
- Article
39
Harnessing the Technicolor Rainbow: Color Design in the 1930s.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
40
'Superior to Disney': colour animation at Lenfilm, 1936-41.
- Published in:
- Studies in Russian & Soviet Cinema, 2021, v. 15, n. 1, p. 39, doi. 10.1080/17503132.2020.1865614
- By:
- Publication type:
- Article
41
Soviet colours.
- Published in:
- Studies in Russian & Soviet Cinema, 2012, v. 6, n. 2, p. 241, doi. 10.1386/srsc.6.2.241_1
- By:
- Publication type:
- Article
42
Qualitative Longitudinal Research: From Monochrome to Technicolour – ERRATUM.
- Published in:
- 2021
- By:
- Publication type:
- Correction Notice
43
Kodachrome and the Rise of 16mm Professional Film Production in America, 1938-1950.
- Published in:
- 2016
- Publication type:
- Essay
44
Lenticular Spectacles: Kodacolor's Fit in the Amateur Arsenal.
- Published in:
- 2013
- By:
- Publication type:
- Essay
45
Colour Plates.
- Published in:
- Film History, 2009, v. 21, n. 1, p. P1
- Publication type:
- Article
46
The Technicolor Notebooks at the George Eastman House.
- Published in:
- Film History, 2009, v. 21, n. 1, p. 47, doi. 10.2979/FIL.2009.21.1.47
- By:
- Publication type:
- Article
47
Analysis of Technicolor stock.
- Published in:
- Film History, 2000, v. 12, n. 4, p. 384
- Publication type:
- Article
48
Demonstrating three-colour Technicolor: Early three-colour aesthetics and design.
- Published in:
- Film History, 2000, v. 12, n. 4, p. 358, doi. 10.2979/FIL.2000.12.3.358
- By:
- Publication type:
- Article
49
Technicolor revival.
- Published in:
- Film History, 2000, v. 12, n. 4, p. 410, doi. 10.2979/FIL.2000.12.3.410
- By:
- Publication type:
- Article
50
Getting It Right: Robert Harris on Colour Restoration.
- Published in:
- 2000
- By:
- Publication type:
- Interview