'Unnatural Colours': An introduction to colouring techniques in silent era movies.
- Published in:
- Film History, 2009, v. 21, n. 1, p. 9, doi. 10.2979/FIL.2009.21.1.9
- By:
- Publication type:
- Article
Works matching DE "COLOR cinematography"
Results: 22
1
2
Demonstrating three-colour Technicolor: Early three-colour aesthetics and design.
- Published in:
- Film History, 2000, v. 12, n. 4, p. 358, doi. 10.2979/FIL.2000.12.3.358
- By:
- Publication type:
- Article
3
Technicolor revival.
- Published in:
- Film History, 2000, v. 12, n. 4, p. 410, doi. 10.2979/FIL.2000.12.3.410
- By:
- Publication type:
- Article
4
Introduction: Colour Film.
- Published in:
- Film History, 2000, v. 12, n. 4, p. 339
- By:
- Publication type:
- Article
5
Cinecolor.
- Published in:
- Film History, 2000, v. 12, n. 4, p. 344, doi. 10.2979/FIL.2000.12.3.344
- By:
- Publication type:
- Article
6
High-speed color cinematography of chain self-ignition in the hydrogen, methane, and isobutylene oxidation reactions.
- Published in:
- Kinetics & Catalysis, 2010, v. 51, n. 4, p. 475, doi. 10.1134/S0023158410040038
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- Publication type:
- Article
7
Did Madame Mao dream in Technicolor? Rethinking Cold War colour cinema through Technicolor's 'Chinese copy'.
- Published in:
- Screen, 2020, v. 61, n. 3, p. 343, doi. 10.1093/screen/hjaa048
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- Publication type:
- Article
8
Don't Look Now: transience and text.
- Published in:
- Screen, 2015, v. 56, n. 4, p. 436, doi. 10.1093/screen/hjv049
- By:
- Publication type:
- Article
9
Effect of inert and reactive admixtures on the initiation and propagation of laminar spherical flames.
- Published in:
- Theoretical Foundations of Chemical Engineering, 2012, v. 46, n. 1, p. 80, doi. 10.1134/S004057951106011X
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- Publication type:
- Article
10
Looking at Shirley, the Ultimate Norm: Colour Balance, Image Technologies, and Cognitive Equity.
- Published in:
- Canadian Journal of Communication, 2009, v. 34, n. 1, p. 111, doi. 10.22230/cjc.2009v34n1a2196
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- Publication type:
- Article
11
TRANSMISSIBLE EVIDENCE.
- Published in:
- PAJ: A Journal of Performance & Art, 2002, v. 24, n. 70, p. 44
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- Publication type:
- Article
12
Introduction.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 1, doi. 10.3366/E1743452109001290
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- Publication type:
- Article
13
Green Apples and Red Prawns: The Colour of Time in Peter Greenaway's A Zed & Two Noughts ( Z.0.0.).
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 82, doi. 10.3366/E1743452109001356
- By:
- Publication type:
- Article
14
Chromatic Borders, Cosmetic Bodies: Colour in the Films of Nicolas Roeg.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 69, doi. 10.3366/E1743452109001344
- By:
- Publication type:
- Article
15
Costuming and the Color System of Leave Her to Heaven.
- Published in:
- Film Criticism, 1987, v. 11, n. 3, p. 11
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- Publication type:
- Article
16
THE ENCHANTED GLASSES.
- Published in:
- Image, 1957, v. 6, n. 5, p. 122
- Publication type:
- Article
17
Super-resolution via adaptive combination of color channels.
- Published in:
- Multimedia Tools & Applications, 2017, v. 76, n. 1, p. 1553, doi. 10.1007/s11042-015-3124-1
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- Publication type:
- Article
18
DUFAYCOLOR.
- Published in:
- History of Photography, 1988, v. 12, n. 1, p. 31, doi. 10.1080/03087298.1988.10442093
- By:
- Publication type:
- Article
19
Film Stills from My Work: Looking at Women and Men.
- Published in:
- Framework: The Journal of Cinema & Media, 2018, v. 59, n. 2, p. 152, doi. 10.13110/framework.59.2.0152
- By:
- Publication type:
- Article
20
Kodachrome and the Rise of 16mm Professional Film Production in America, 1938-1950.
- Published in:
- 2016
- Publication type:
- Essay
21
Chromatic expressionism in contemporary Chinese-language cinema.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 3, p. 211, doi. 10.1386/jcc.6.3.211_1
- By:
- Publication type:
- Article
22
TECHNICOLOUR NOIR: DIAO YINAN’S BLACK COAL, THIN ICE.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review