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A SELECTED BIBLIOGRAPHY OF SECONDARY SOURCES ON THE FILMS OF JOEL AND ETHAN COEN.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 154
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- Publication type:
- Article
"SECRET SHIT": THE UNCERTAINTY PRINCIPLE, LYING, DEVIATIONS, AND THE MOVIE CREATIVITY OF THE COEN BROTHERS.
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- Post Script, 2008, v. 27, n. 2, p. 141
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- Publication type:
- Article
ON LADIES, KILLING, AND THE ETHICS OF THE REMAKE: THE COEN BROTHERS DO THE LADYKILLERS.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 127
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- Publication type:
- Article
THE PURLOINED LETTER AND THE MASSEY PRENUP: OF ETHICS, THE LACANIAN REAL, AND NUPTIAL BLISS IN INTOLERABLE CRUELTY.
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- Post Script, 2008, v. 27, n. 2, p. 117
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- Publication type:
- Article
"A REAL IMAGINARY PLACE": REALITY AND FANTASY FROM BLOOD SIMPLE TO THE MAN WHO WASN'T THERE.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 107
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- Publication type:
- Article
O BROTHER, WHAT ART THOU?: POSTMODERN PRANKSTERISM, OR PARODY WITH A PURPOSE?
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 97
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- Publication type:
- Article
"TRAPPED BY THEIR PASTS": NOIR AND NOSTALGIA IN THE BIG LEBOWSKI.
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- Post Script, 2008, v. 27, n. 2, p. 84
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- Publication type:
- Article
FROM THE HUDSUCKER PROXY TO FARGO: "A DIFFERENT CONCEPT, A DIFFERENT KIND OF FILM".
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 73
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- Publication type:
- Article
"YOU'RE VERY BEAUTIFUL…ARE YOU IN PICTURES?": BARTON FINK, O BROTHER, WHERE ART THOU? AND THE PURPOSES OF ART.
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- Post Script, 2008, v. 27, n. 2, p. 62
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- Publication type:
- Article
MILLER'S CROSSING'S TOM REAGAN: "STRAIGHT AS A CORKSCREW, MR. INSIDE-OUTSKY".
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- Post Script, 2008, v. 27, n. 2, p. 48
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- Publication type:
- Article
THE UNBEARABLE BLANDNESS OF BEING: THE EVERYDAY AND MUZAK IN BARTON FINK AND FARGO.
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- Post Script, 2008, v. 27, n. 2, p. 38
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- Publication type:
- Article
SCHIZOPHRENIA AND POSTMODERNISM: RAISING ARIZONA, BARTON FINK, AND "THE COEN BROTHERS".
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- Post Script, 2008, v. 27, n. 2, p. 23
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- Publication type:
- Article
RAZING CAIN: EXCESS SIGNIFICATION IN BLOOD SIMPLE AND THE MAN WHO WASN'T THERE.
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- Post Script, 2008, v. 27, n. 2, p. 8
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- Publication type:
- Article
INTRODUCTION: "IF YOU THINK WE'RE ALIVE, YOU OUGHT TO SPEAK".
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- Post Script, 2008, v. 27, n. 2, p. 3
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- Publication type:
- Article
THE MAN WHO WASN'T THERE: AN INTERTEXTUAL INVESTIGATION OF MODERN IDENTITY.
- Published in:
- 2011
- By:
- Publication type:
- Film/Television Criticism
The Ballad of Buster Scruggs.
- Published in:
- 2019
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- Publication type:
- Film Review
True Grit.
- Published in:
- 2012
- By:
- Publication type:
- Entertainment Review
"WHAT MAKES A MAN, MR. LEBOWSKI?": MASCULINITY UNDER (FRIENDLY) FIRE IN ETHAN AND JOEL COEN'S THE BIG LEBOWSKI.
- Published in:
- Atenea, 2008, v. 28, n. 1, p. 147
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- Publication type:
- Article
LOSER.
- Published in:
- 2014
- By:
- Publication type:
- Film/Television Criticism
The Jewish Question.
- Published in:
- 2010
- By:
- Publication type:
- Film Review
Badlands.
- Published in:
- 2008
- By:
- Publication type:
- Film Review
"Just call it": Identifying Competing Narratives in the Coens' "No Country for Old Men."
- Published in:
- Literature Film Quarterly, 2013, v. 41, n. 1, p. 6
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- Publication type:
- Article
Soft-Boiled Cinema: Joel and Ethan Coens' Neo-Classical Neo-Noirs.
- Published in:
- Literature Film Quarterly, 2009, v. 37, n. 3, p. 212
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- Publication type:
- Article
Barton Fink, Intertextuality, and the (Almost) Unbearable Richness of Viewing.
- Published in:
- Literature Film Quarterly, 2000, v. 28, n. 4, p. 303
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- Publication type:
- Article
How do You Like Your Room? Thoughts on the Use of Sound in Barton Fink.
- Published in:
- 2008
- By:
- Publication type:
- Entertainment Review
The man who was indeed there (Carter Burwell and the Coen brothers' films).
- Published in:
- 2008
- By:
- Publication type:
- Film Review
The Catabasis of Mattie Ross in the Coens' True Grit.
- Published in:
- 2014
- By:
- Publication type:
- Film/Television Criticism
Rethinking Hollywood History.
- Published in:
- 2018
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- Publication type:
- Film Review
The Dismal Tide: Shoring Up the Fragments in Joel and Ethan Coen's No Country for Old Men.
- Published in:
- IUP Journal of American Literature, 2009, p. 73
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- Publication type:
- Article
Screenplays.
- Published in:
- 2006
- Publication type:
- Book Review
"Light thickens; and the crow/Makes wing to the rooky wood": Birds and the blurring of boundaries between real and metaphorical nature in Joel Coen's Macbeth.
- Published in:
- Shakespeare in Southern Africa, 2022, v. 35, p. 19, doi. 10.4314/sisa.v35i1.3
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- Publication type:
- Article
Colliding Worlds: The Disintegration of America in the Cinema of the Coen Brothers.
- Published in:
- Journal of American Studies, 2019, v. 53, n. 2, p. 333, doi. 10.1017/S0021875817001797
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- Publication type:
- Article
'This is a [...] Story;'' the Refusal of a Master Text in Noah Hawley's Fargo.
- Published in:
- Linguaculture, 2016, v. 2016, n. 1, p. 16, doi. 10.1515/lincu-2016-0003
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- Publication type:
- Article
Love Is Never Simple: The Influence of Film Noir and Screwball Comedy on the Coen Brothers Through Analysis of Love Triangles in Blood Simple.
- Published in:
- 2014
- By:
- Publication type:
- Film Review
Homer Meets the Coen Brothers: Memory as Artistic Pastiche in O Brother, Where Art Thou?
- Published in:
- Film & History (03603695), 2009, v. 39, n. 2, p. 49, doi. 10.1353/flm.0.0125
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- Publication type:
- Article
O Brother, Where Art Thou?
- Published in:
- 2001
- By:
- Publication type:
- Film Review
'Songs of Salvation to Salve the Soul': Kleos in O Brother Where Art Thou.
- Published in:
- 2021
- By:
- Publication type:
- Film Review
Zurück in die Zukunft via Ithaca, Mississippi: Technik und Funktion der Homer-Rezeption in O Brother, Where Art Thou?
- Published in:
- International Journal of the Classical Tradition, 2005, v. 11, n. 4, p. 571, doi. 10.1007/s12138-005-0019-y
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- Publication type:
- Article
'Horrible Imaginings': Playing with Form in The Tragedy of Macbeth.
- Published in:
- 2022
- By:
- Publication type:
- Film/Television Criticism
Movies Making Myths: Kumiko, the Treasure Hunter.
- Published in:
- 2015
- By:
- Publication type:
- Film/Television Criticism
Naturalism, Determinism and Fate in Joel Coen's The Tragedy of Macbeth.
- Published in:
- 2022
- By:
- Publication type:
- Film/Television Criticism
Hail, Caesar!
- Published in:
- Religious Studies Review, 2016, v. 42, n. 2, p. 99, doi. 10.1111/rsr.12394
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- Publication type:
- Article
Exploring the Political Dimensions of Information Literacy through Popular Film.
- Published in:
- Portal: Libraries & the Academy, 2010, v. 10, n. 3, p. 265, doi. 10.1353/pla.0.0110
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- Publication type:
- Article
Homeric Heroes in Ethan and Joel Coen's The Hudsucker Proxy (1994), The Big Lebowski (1998) and No Country for Old Men (2007).
- Published in:
- Journal of Religion & Film, 2013, v. 17, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.17.01.40
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- Publication type:
- Article
A Serious Man.
- Published in:
- 2011
- By:
- Publication type:
- Film/Television Criticism
Job of Suburbia? A Serious Man and Viewer Perceptions of the Biblical.
- Published in:
- Journal of Religion & Film, 2011, v. 15, n. 2, p. 1, doi. 10.32873/uno.dc.jrf.15.02.07
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- Publication type:
- Article
That "Barton Fink Feeling" and the Fiery Furnace: The Book of Daniel and Joel and Ethan Coen's Barton Fink.
- Published in:
- Journal of Religion & Film, 2008, v. 12, n. 1, p. 36, doi. 10.32873/uno.dc.jrf.12.01.01
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- Publication type:
- Article
No Country for Old Men.
- Published in:
- 2007
- By:
- Publication type:
- Film Review
A Serious Man.
- Published in:
- 2010
- By:
- Publication type:
- Film Review
Up Close and Distant: The Coen Brothers' Sense of Place.
- Published in:
- Journal of the American Studies Association of Texas, 2007, v. 38, p. 31
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- Publication type:
- Article