The Purist Focus.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2011, v. 16, n. 1, p. 161, doi. 10.1080/0969725X.2011.564371
- By:
- Publication type:
- Article
Works matching DE "CLOSE-up (Cinematography)"
Results: 21
1
2
What The Clerk Saw: Face To Face With The Wrong Man.
- Published in:
- Framework: The Journal of Cinema & Media, 2007, v. 48, n. 2, p. 111, doi. 10.1353/frm.2007.0017
- By:
- Publication type:
- Article
3
Appendix.
- Published in:
- 2010
- Publication type:
- Abstract
4
Abbas Kiarostami's Shirin and the Aesthetics of Ethical Intimacy.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
5
Disaffection-images: Bruno Dumont and the sullen atheists of art cinema.
- Published in:
- Screen, 2023, v. 64, n. 3, p. 306, doi. 10.1093/screen/hjad032
- By:
- Publication type:
- Article
6
On lip-sync: Three audio-visual vignettes from the 1970s.
- Published in:
- Soundtrack, 2011, v. 4, n. 2, p. 153, doi. 10.1386/st.4.2.153_1
- By:
- Publication type:
- Article
7
Shot Durations, Shot Classes, and the Increased Pace of Popular Movies.
- Published in:
- Projections: The Journal for Movies & Mind, 2015, v. 9, n. 2, p. 40, doi. 10.3167/proj.2015.090204
- By:
- Publication type:
- Article
8
Joachim Trier's close-ups and autonomous moments.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
9
The withdrawal of touch in close encounter: The tactility of facial close-ups in Ingmar Bergman's films.
- Published in:
- Journal of Scandinavian Cinema, 2014, v. 4, n. 1, p. 15, doi. 10.1386/jsca.4.1.15_1
- By:
- Publication type:
- Article
10
In Opera, the Close-up Is the Aria.
- Published in:
- Opera Quarterly, 2022, v. 38, n. 1-4, p. 109, doi. 10.1093/oq/kbae009
- By:
- Publication type:
- Article
11
Postcolonial Filmmaking in French-speaking Countries.
- Published in:
- Black Camera: The New Series, 2013, v. 5, n. 1, p. 3, doi. 10.2979/blackcamera.5.1.3
- By:
- Publication type:
- Article
12
Introduction: Toward a Close-Up on Teza.
- Published in:
- Black Camera: The New Series, 2013, v. 4, n. 2, p. 38, doi. 10.2979/blackcamera.4.2.38
- By:
- Publication type:
- Article
13
Fiction Film and the Varieties of Empathic Engagement.
- Published in:
- Midwest Studies In Philosophy (Wiley-Blackwell), 2010, v. 34, n. 1, p. 158, doi. 10.1111/j.1475-4975.2010.00200.x
- By:
- Publication type:
- Article
14
Auto-Motivations: Digital Cinema and Kiarostami's Relational Aesthetics.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2010, n. 66, p. 26, doi. 10.1353/vlt.2010.0006
- By:
- Publication type:
- Article
15
Square-jawed strength: Gender and resilience in the female astronaut film.
- Published in:
- Science Fiction Film & Television, 2019, v. 12, n. 1, p. 53, doi. 10.3828/sfftv.2019.04
- By:
- Publication type:
- Article
16
Contrapuntal Close-up: The Cinema of John Cassavetes and the Agitation of Sense.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
17
SEEING WITH THREE EYES design for recorded performance film, television and video games.
- Published in:
- Theatre Design & Technology (TD&T), 2008, v. 44, n. 4, p. 10
- By:
- Publication type:
- Article
18
Unmasking the Face Notes on the Look at the Camera in Ingmar Bergman.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
19
We Are Like a Circus The Magic Ring in Theatre and Cinema.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
20
SCHOOLED AT HOLMAN: What 10 Prisoners Taught Me About Shakespeare.
- Published in:
- Southern Theatre, 2010, v. 51, n. 2, p. 24
- By:
- Publication type:
- Article
21
Photogénie as 'the Other' of the semiotics of cinema: On Yuri Lotman's concept of 'the mythological'.
- Published in:
- Semiotica, 2015, v. 2015, n. 207, p. 395, doi. 10.1515/sem-2015-0050
- By:
- Publication type:
- Article