God Loves not the Wrongdoers (ẓālimūn): Formulaic Repetition as a Rhetorical Strategy in the Qur'an.Published in:Journal of Qur'anic Studies, 2020, v. 22, n. 1, p. 92, doi. 10.3366/jqs.2020.0413By:Christiansen, Johanne LouisePublication type:Article
CICERO, PRO ARCHIA 28: AD PERFICIENDUM †ADORTAVI.Published in:Classical Quarterly, 2010, v. 60, n. 1, p. 254, doi. 10.1017/S0009838809990590By:Olszaniec, WlodzimierzPublication type:Article
Polyphony in Medieval Paris: The Art of Composing with Plainchant. By Catherine A. Bradley.Published in:2019By:Payne, Thomas BPublication type:Book Review
THE EARLIEST SOURCE OF NOTRE-DAME POLYPHONY? A NEWCONDUCTUS FRAGMENT FROM THE EARLY THIRTEENTH CENTURY.Published in:Music & Letters, 2016, v. 97, n. 1, p. 1, doi. 10.1093/ml/gcw008By:BEVILACQUA, GREGORIOPublication type:Article
New Texts for Old Music: Three Early Thirteenth-Century Latin Motets.Published in:2012By:Bradley, Catherine A.Publication type:Case Study
Comparing Compositional Process in Two Thirteenth-Century Motets: Pre-existent Materials in Deus omnium/ REGNAT and Ne m'oubliez mie/ DOMINO.Published in:Music Analysis, 2014, v. 33, n. 3, p. 263, doi. 10.1111/musa.12029By:Bradley, Catherine A.Publication type:Article