HEAR LIES ANDREW BAKER: AN EPITOME ON FIGURES OF SPEECH.Published in:Sewanee Review, 2018, v. 126, n. 1, p. 162, doi. 10.1353/sew.2018.0019By:MANNING, MAURICEPublication type:Article
THE CHURCH ELEGY: RECUPERATING ANGLICAN MEMORY IN POST-WAR ENGLISH POETRY.Published in:2018By:Gardner, KevinPublication type:Poetry Review
"Here's the Church, Here's the Steeple": Robert Morgan, Philip Larkin, and the Emptiness of Sacred Space.Published in:2010By:West, RobertPublication type:Literary Criticism
RATHER SAD; HAVE BLOOD: How Philip Larkin Almost Ruined Me for Contemporary Poetry.Published in:Confrontation, 2020, n. 124, p. 203By:Milburn, MichaelPublication type:Article
Textual Variants in Philip Larkin’s ‘Church Going’.Published in:Notes & Queries, 2014, v. 61, n. 4, p. 610, doi. 10.1093/notesj/gju164By:Mackenzie, CraigPublication type:Article
'One of those old-type natural fouled-up guys': The belated Englishman in Philip Larkin's poetry.Published in:2009By:Gopinath, PraseedaPublication type:Poetry Review
MODERNISM: A STUDY OF PHILIP LARKIN'S SELECTED POEMS.Published in:2016By:Jamir, SentimenlaPublication type:Poetry Review
Philip Larkin's Vision of the Future in CHURCH GOING: What the Manuscripts Can Tell Us.Published in:2016By:MacKenzie, CraigPublication type:Poetry Review