CROSS-GENDER PLAYING TECHNIQUES: ACTRESSES AND INNOVATION IN THE PORTRAYAL OF FEMALE JINGJU (BEIJING/PEKING OPERA) ROLES.
- Published in:
- Australasian Drama Studies, 2019, n. 75, p. 233
- By:
- Publication type:
- Article
Works matching DE "CHINESE operas"
Results: 129
1
2
When Marco Leaves the Building: Intercultural Performances and Other Audiences.
- Published in:
- Modernism/Modernity, 2012, v. 19, n. 4, p. 677, doi. 10.1353/mod.2012.0099
- By:
- Publication type:
- Article
3
In the name of Shakespeare: Cross-cultural adaptation in Taiwan’s Beijing Opera.
- Published in:
- Journal of Asian Pacific Communication (John Benjamins Publishing Co.), 2011, v. 21, n. 2, p. 319
- By:
- Publication type:
- Article
4
DONG-KING! DONG-KING! DONG! GAYLORD CHAN AND CHU HING WAH.
- Published in:
- 2012
- By:
- Publication type:
- Interview
5
M+ Bamboo Theatre Exhibition.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
6
Tragic hero and hero tragedy: reimagining Oedipus the King as Jingju (Peking opera) for the Chinese stage.
- Published in:
- Classical Receptions Journal, 2019, v. 11, n. 1, p. 1, doi. 10.1093/crj/cly006
- By:
- Publication type:
- Article
7
THE BUTTERFLY DREAM ----- NARRATING WOMEN, SEX, AND MORALITY IN CHINESE THEATER.
- Published in:
- Chinese Historical Review, 2009, v. 16, n. 2, p. 125, doi. 10.1179/tcr.2009.16.2.125
- By:
- Publication type:
- Article
8
從唐小說「傳奇」到明戲曲「傳奇」 ---一個同名移轉文學史現象的觀照.
- Published in:
- Tsing Hua Journal of Chinese Studies, 2020, v. 50, n. 4, p. 657, doi. 10.6503/THJCS.202012_50(4).0004
- By:
- Publication type:
- Article
9
The theatrical imagining of diasporic modernity in Shih-I Hsiung's Lady Precious Stream.
- Published in:
- Journal of Postcolonial Writing, 2020, v. 56, n. 6, p. 845, doi. 10.1080/17449855.2020.1762709
- By:
- Publication type:
- Article
10
The Expressivity of Chinese Instrumental Music.
- Published in:
- Chinese Literature & Culture, 2018, v. 13, p. 170
- By:
- Publication type:
- Article
11
Theatrical Femininities: A Comparison of Mei Lanfang's and Ouyang Yuqian's Honglou meng Plays.
- Published in:
- Southeast Review of Asian Studies, 2012, v. 34, p. 60
- By:
- Publication type:
- Article
12
Monkey magic.
- Published in:
- 2008
- Publication type:
- Arts/Entertainment Review
13
Repertoire Is Technique: Programming Transmission at a Xiqu Festival.
- Published in:
- 2016
- By:
- Publication type:
- Essay
14
The Stage in the Temple: Ritual Opera in Village Shanxi.
- Published in:
- 2025
- By:
- Publication type:
- Book Review
15
Traditional oral training in the transmission of Cantonese Opera.
- Published in:
- Theatre, Dance & Performance Training, 2025, v. 16, n. 1, p. 32, doi. 10.1080/19443927.2024.2440414
- By:
- Publication type:
- Article
16
Lines of flight: intersubjective training across intercultures as the basis for a comparison between Japanese nô and Chinese jingju (‘Beijing opera’).
- Published in:
- Theatre, Dance & Performance Training, 2018, v. 9, n. 1, p. 81, doi. 10.1080/19443927.2017.1386231
- By:
- Publication type:
- Article
17
‘Traditional’ opera in a ‘modern’ society: institutional change in Taiwanese xiqu education.
- Published in:
- Theatre, Dance & Performance Training, 2017, v. 8, n. 1, p. 76, doi. 10.1080/19443927.2016.1240100
- By:
- Publication type:
- Article
18
Stepping out of the frame: contemporary jingju actor training in Taiwan.
- Published in:
- Theatre, Dance & Performance Training, 2016, v. 7, n. 3, p. 389, doi. 10.1080/19443927.2016.1217263
- By:
- Publication type:
- Article
19
Editorial.
- Published in:
- Theatre, Dance & Performance Training, 2012, v. 3, n. 1, p. 1, doi. 10.1080/19443927.2012.667604
- By:
- Publication type:
- Article
20
Singing, speaking, dance-acting, and combat; mouth, hands, eyes, body, and steps – from training to performance in Beijing Opera ( Jingju ).
- Published in:
- Theatre, Dance & Performance Training, 2012, v. 3, n. 1, p. 4, doi. 10.1080/19443927.2011.646293
- By:
- Publication type:
- Article
21
BRAIN TEXT CONVERSION AND CROSS-CULTURAL INTEGRATION: The Theatrical Adaptation and Performance of Shakespeare's Comedies in China.
- Published in:
- Kritika Kultura, 2022, n. 39, p. 163, doi. 10.13185/kk2022.003907
- By:
- Publication type:
- Article
22
Affect, folklore and Cantonese opera film.
- Published in:
- Journal of Chinese Cinemas, 2014, v. 8, n. 3, p. 226, doi. 10.1080/17508061.2014.949155
- By:
- Publication type:
- Article
23
Chinese Opera and the International Market.
- Published in:
- International Journal of Arts Management, 2018, v. 20, n. 3, p. 75
- By:
- Publication type:
- Article
24
On dramas in Yuan Dynasty and Buddhism.
- Published in:
- Frontiers of Literary Studies in China, 2007, v. 1, n. 3, p. 410, doi. 10.1007/s11702-007-0019-1
- By:
- Publication type:
- Article
25
Chinatown Opera Theater in North America by Nancy Yunhwa Rao (review).
- Published in:
- 2020
- By:
- Publication type:
- Book Review
26
Mostly Young Women with Quite Traditional Tastes: Empirical Evidence for National Contemporary Audiences of Xiqu.
- Published in:
- Theatre Journal, 2017, v. 69, n. 1, p. 43, doi. 10.1353/tj.2017.0019
- By:
- Publication type:
- Article
27
Editorial Comment.
- Published in:
- Theatre Journal, 2017, v. 69, n. 1, p. vii, doi. 10.1353/tj.2017.0000
- By:
- Publication type:
- Article
28
Interruption, Intervention, Interculturalism: Robert Wilson's HIT Productions in Taiwan.
- Published in:
- 2011
- By:
- Publication type:
- Essay
29
THE SOUL OF BEIJING OPERA: THEATER CAL CREATIVITY AND CONTINUITY IN THE CHANGING WORLD.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
30
Shakespeare in Traditional Chinese Operas.
- Published in:
- 1988
- By:
- Publication type:
- Arts/Entertainment Review
31
ETHNIC IDENTITIES AND CULTURAL CAPITAL: AN ETHNOGRAPHY OF CHINESE OPERA IN SINGAPORE.
- Published in:
- Identities, 2006, v. 13, n. 2, p. 283, doi. 10.1080/10702890600698702
- By:
- Publication type:
- Article
32
Translating western musicals into Chinese: Adapting to the reception.
- Published in:
- Journal of Adaptation in Film & Performance, 2010, v. 3, n. 2, p. 185, doi. 10.1386/jafp.3.2.185_1
- By:
- Publication type:
- Article
33
MARTIAL-ACROBATIC ARTS IN PEKING OPERA.
- Published in:
- Journal of Asian Martial Arts, 2001, v. 10, n. 1, p. 18
- By:
- Publication type:
- Article
34
Cultural-based visual expression: emotional analysis of human face via Peking Opera Painted Faces (POPF).
- Published in:
- Multimedia Tools & Applications, 2016, v. 75, n. 19, p. 11865, doi. 10.1007/s11042-015-2665-7
- By:
- Publication type:
- Article
35
Special Focus Introduction: Chinese American Music.
- Published in:
- Chinese America: History & Perspectives, 2015, p. 1
- By:
- Publication type:
- Article
36
Transmission of Cantonese opera in the conservatory tradition: two case studies in South China and Hong Kong.
- Published in:
- Music Education Research, 2015, v. 17, n. 4, p. 480, doi. 10.1080/14613808.2014.986081
- By:
- Publication type:
- Article
37
The Construction of the "Zhengyu" Theory in Zhongyuan yin yun.
- Published in:
- Humanitas Taiwanica, 2014, v. 80, p. 43, doi. 10.6258/bcla.2014.80.02
- By:
- Publication type:
- Article
38
The Stage as a Medium of Propaganda in Communist China.
- Published in:
- Public Opinion Quarterly, 1959, v. 23, n. 2, p. 223, doi. 10.1086/266867
- By:
- Publication type:
- Article
39
The Modernization of Traditional Chinese Opera and a Local Perspective of Local Operas: A Case Study of the Research on the Yisu Art Troupe by Li Youjun and Guo Hongjun.
- Published in:
- Contemporary Social Sciences, 2023, n. 6, p. 141, doi. 10.19873/j.cnki.2096-0212.2023.06.008
- By:
- Publication type:
- Article
40
Power & Elegance: The Collection of Cantonese Opera Records at the Canadian Museum of History.
- Published in:
- 2016
- By:
- Publication type:
- Music Review
41
Performance and the politics of gender: transgender performance in contemporary Chinese films.
- Published in:
- Gender, Place & Culture: A Journal of Feminist Geography, 2014, v. 21, n. 5, p. 622, doi. 10.1080/0966369X.2013.810595
- By:
- Publication type:
- Article
42
A study on utilizing 3D motion-capture analysis to assist in Chinese opera teaching.
- Published in:
- Research in Dance Education, 2022, v. 23, n. 2, p. 194, doi. 10.1080/14647893.2020.1812559
- By:
- Publication type:
- Article
43
On Explorative Drama's Inheritance of Traditional Chinese Opera.
- Published in:
- Qingdao Daxue Shifanxueyuan Xuebao/Journal of Teachers College Qingdao University, 2012, v. 29, n. 2, p. 97
- By:
- Publication type:
- Article
44
Poetry Moralization and Opera Moralization: the Tradition and Characteristics of Aesthetic Education of Traditional Chinese Opera.
- Published in:
- Qingdao Daxue Shifanxueyuan Xuebao/Journal of Teachers College Qingdao University, 2012, v. 29, n. 2, p. 70
- By:
- Publication type:
- Article
45
Tan Dun and Zhang Yimou between Film and Opera.
- Published in:
- Journal of Musicological Research, 2010, v. 29, n. 1, p. 1, doi. 10.1080/01411890903475957
- By:
- Publication type:
- Article
46
A Reassessment of the Relationship between Text, Speech Tone, Melody, and Aria Structure in...
- Published in:
- Journal of Musicological Research, 1999, v. 18, n. 3, p. 183, doi. 10.1080/01411899908574757
- By:
- Publication type:
- Article
47
Opera, Society, and Politics in Modern China by Hsiao-t'i Li (review).
- Published in:
- 2017
- By:
- Publication type:
- Book Review
48
Drama Kings: Players and Publics in the Re-creation of Peking Opera 1870-1937.
- Published in:
- 2007
- By:
- Publication type:
- Book Review
49
The Resignation of Wang An-Chi, the Artistic Director of Taiwan's GuoGuang Opera Company: A Debate from Two Versions of Phaedra (2019, 2021).
- Published in:
- Asian Theatre Journal, 2022, v. 39, n. 2, p. 1, doi. 10.1353/atj.2022.0022
- By:
- Publication type:
- Article
50
Staging Revolution: Artistry and Aesthetics in Model Beijing Opera During the Cultural Revolution by Xing Fan (review).
- Published in:
- 2020
- By:
- Publication type:
- Book Review