The Politics of Recognition and Constructing Socialist Subjectivity: reexamining the national minority film (1949–1966).
- Published in:
- 2014
- By:
- Publication type:
- Essay
Works matching DE "CHINESE films -- History %26 criticism"
Results: 24
1
2
Censoring the Silk Screen: China's Precarious Balance Between State Regulation and a Global Film Market.
- Published in:
- Journal of International Media & Entertainment Law, 2016, v. 6, n. 2, p. 123
- By:
- Publication type:
- Article
3
The Korean Valentino: Jin Yan (Kim Yŏm), Sino-Korean Unity, and Shanghai Films of the 1930s.
- Published in:
- Korean Studies, 2013, v. 37, p. 150, doi. 10.1353/ks.2013.0004
- By:
- Publication type:
- Article
4
Chinese film history and historiography.
- Published in:
- Journal of Chinese Cinemas, 2016, v. 10, n. 1, p. 38, doi. 10.1080/17508061.2016.1139802
- By:
- Publication type:
- Article
5
Villain stardom in socialist China: Chen Qiang and the cultural politics of affect.
- Published in:
- Journal of Chinese Cinemas, 2015, v. 9, n. 3, p. 223, doi. 10.1080/17508061.2015.1040287
- By:
- Publication type:
- Article
6
Violence, wuxia , migrants: Jia Zhangke's cinematic discontent in A Touch of Sin.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
7
New takes on film historiography. Republican cinema redux, an introduction.
- Published in:
- Journal of Chinese Cinemas, 2015, v. 9, n. 1, p. 1, doi. 10.1080/17508061.2015.1005931
- By:
- Publication type:
- Article
8
Colour and utopia: The filmic portrayal of harvest in late Cultural Revolution narrative films.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 3, p. 263, doi. 10.1386/jcc.6.3.263_1
- By:
- Publication type:
- Article
9
Discoloured vestiges of history: Black and white in the age of colour cinema.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 3, p. 247, doi. 10.1386/jcc.6.3.247_1
- By:
- Publication type:
- Article
10
Every colour red? Colour in the films of the Cultural Revolution model stage works.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 3, p. 233, doi. 10.1386/jcc.6.3.233_1
- By:
- Publication type:
- Article
11
Star endorsement and Hong Kong cinema: The social mobility of Chow Yun-fat 1986-1995.
- Published in:
- 2011
- By:
- Publication type:
- Case Study
12
The cinema of Sun Yu: Ice cream for the eye … but with a homo sacer.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
13
Translating 'montage': The discreet attractions of Soviet montage for Chinese revolutionary cinema.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
14
Book review: Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
15
Genre storytelling and glocalization in Mainland Chinese cinema at the turn of the century: The Missing Gun as a case study.
- Published in:
- Asian Cinema, 2017, v. 28, n. 2, p. 161, doi. 10.1386/ac.28.2.161_1
- By:
- Publication type:
- Article
16
Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
17
Directory of World Cinema. Vol. 12, China.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
18
Shakespeare's Taming of the Shrew and the Tradition of Screwball Comedy.
- Published in:
- 2004
- By:
- Publication type:
- Film/TV Criticism and Review
19
TSUI HARK'S PEKING OPERA BLUES.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
20
"An Archivist's Fantasy Gone Mad": The Age of Exhibition in Cao Fei's Posthuman Trilogy.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
21
Personal camera as public intervention: remembering the Cultural Revolution in Chinese independent documentary films.
- Published in:
- Studies in Documentary Film, 2015, v. 9, n. 2, p. 143, doi. 10.1080/17503280.2015.1031570
- By:
- Publication type:
- Article
22
Camera activism in contemporary People's Republic of China: provocative documentation, first person confrontation, and collective force in Ai Weiwei's Lao Ma Ti Hua.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
23
Fiery Cinema: The Emergence of an Affective Medium in China, 1915-1945.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
24
Red Aesthetics, Intermediality and the Use of Posters in Chinese Cinema after 1949.
- Published in:
- 2014
- By:
- Publication type:
- Essay