Why No War in French Comics? The Trente Glorieuses and Redrawing of the Second Thirty Years War.Published in:Contemporary French & Francophone Studies, 2025, v. 29, n. 2, p. 215, doi. 10.1080/17409292.2025.2488614By:Michallat, WendyPublication type:Article
REPRESENTING AND REPETITION: VICTOR GOLLANCZ'S IN DARKEST GERMANY AND THE METONYMY OF SHOES.Published in:German Life & Letters, 2016, v. 69, n. 4, p. 468, doi. 10.1111/glal.12131By:Medhurst, JessicaPublication type:Article
WORLD WAR II 'VON UNTEN': CHILDHOOD AND YOUTH IN LISA TETZNER'S IST PAUL SCHULDIG? (1945).Published in:German Life & Letters, 2016, v. 69, n. 4, p. 485, doi. 10.1111/glal.12132By:Pinfold, DebbiePublication type:Article
FROM ALLUSIVE METAPHYSICAL SILENCE TO OVERT SOCIAL CRITIQUE: THE WAR CHILD IN PROSE TEXTS BY INGEBORG BACHMANN.Published in:2016By:Pizer, JohnPublication type:Literary Criticism
Girl at War: a Conversation with Sara Novic.Published in:2017By:HARRINGTON, KATHLEENPublication type:Interview
'Better Times Are Coming Now': Wartime Dreams and Disenchantment in Rufus M.Published in:Children's Literature in Education, 2017, v. 48, n. 2, p. 103, doi. 10.1007/s10583-016-9288-0By:Mills, ClaudiaPublication type:Article