The first class: Harold Lang and the beginnings of Stanislavskian teaching in the British conservatoire.Published in:Theatre, Dance & Performance Training, 2020, v. 11, n. 1, p. 60, doi. 10.1080/19443927.2019.1636856By:Mirodan, VladimirPublication type:Article
To be or not to be: the impact of widening participation practice and research in drama.Published in:Widening Participation & Lifelong Learning, 2010, v. 12, p. 60, doi. 10.5456/WPLL.12.S.60By:Harrison, RichardPublication type:Article
'It's a Ghost': The uncanny in rural Welsh identity.Published in:Studies in Theatre & Performance, 2013, v. 33, n. 1, p. 29, doi. 10.1386/stap.33.1.29_1By:Ames, MargaretPublication type:Article