The Salting Down of Gertrude: Transgression and Preservation in Three Early German Carnival Plays.Published in:Early Theatre, 2017, v. 20, n. 2, p. 11, doi. 10.12745/et.20.2.3013By:WRIGHT, STEPHEN K.Publication type:Article
Uncomfortable Metaphors: Philology, Obscenity and the Nuremberg Fastnachtspiele.Published in:1998By:Erb, James R.Publication type:Literary Criticism
When the Devil Knocks: The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama.Published in:2015Publication type:Book Review
Fastnachtspiele als Medien des kollektiven Gedächtnisses.Published in:Neophilologus, 2014, v. 98, n. 2, p. 287, doi. 10.1007/s11061-014-9382-8By:Zobenica, NikolinaPublication type:Article
AGAINST ALL ODDS: EMBEDDING NEW KNOWLEDGE FOR EVENT CONTINUITY AND COMMUNITY WELL-BEING.Published in:Event Management, 2018, v. 22, n. 1, p. 25, doi. 10.3727/152599517X15111988553964By:AZARA, IRIDE;WILTSHIER, PETER;GREATOREX, JAMIEPublication type:Article
With Respect to Califé: Carnival, Theater, and Dominican Blackness.Published in:Meridional: Revista Chilena de Estudios Latinoamericanos, 2018, n. 10, p. 105By:Chetty, Raj GopalPublication type:Article
Shaftesbury and Monmouth as Lords of Misrule: Dryden and Menippean Transformations.Published in:2004By:Combe, KirkPublication type:Literary Criticism