KEYNOTE: Cannibals, colonial scholars and performance as postcolonial Caribbean knowledge production.Published in:Caribbean Quarterly, 2007, v. 53, n. 1/2, p. 8, doi. 10.1080/00086495.2007.11672302By:Ford-Smith, HonorPublication type:Article
Pan Africanism, Myth and History in African and Caribbean Drama.Published in:Journal of Pan African Studies, 2012, v. 5, n. 8, p. 190By:Oloruntoba-Oju, OmotayoPublication type:Article
TO BE DUB, FEMALE, AND BLACK: TOWARDS A WOMBAN-CENTRED AFRO-CARIBBEAN DIASPORIC PERFORMANCE AESTHETIC IN TORONTO.Published in:2012By:KNOWLES, RICPublication type:Essay
The Pervasive Force of Music in African, Caribbean, and African American Drama.Published in:2003By:Morales, Donald M.Publication type:Literary Criticism
History and the Poetics of Relation: The Early Plays of Anguilla's Colonel Harrigan.Published in:Modern Drama, 2018, v. 61, n. 1, p. 62, doi. 10.3138/md.0858rBy:Saraceni, RaymondPublication type:Article
The Experimental Caribbean: Creating Knowledge and Healing in the Early Modern Atlantic.Published in:2017By:Mulcahy, MatthewPublication type:Book Review