The Italian Cantata in Vienna: Entertainment in the Age of Absolutism.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
Works matching DE "CANTATAS -- History %26 criticism"
Results: 20
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'DIE HAUPTSACHE IST, PLUMP DENKEN LERNEN': BRECHT'S HERRNBURGER BERICHT AS A GDR LEARNING PLAY.
- Published in:
- German Life & Letters, 2017, v. 70, n. 3, p. 356, doi. 10.1111/glal.12159
- By:
- Publication type:
- Article
3
THE CONGRESS OF VIENNA, 1814–1815: DIPLOMACY, POLITICAL CULTURE, AND SOCIABILITY.
- Published in:
- 2017
- By:
- Publication type:
- Bibliography
4
The Twentieth-Century Suite Poem: Its Morphology and Evolution.
- Published in:
- 2009
- By:
- Publication type:
- Essay
5
Kompositionsprojekt „Poetische Kommentare zu Bach-Kantaten".
- Published in:
- 2013
- By:
- Publication type:
- Book Review
6
Johann Schelles Choralkantate „Nun danket alle Gott"--.
- Published in:
- Forum Kirchenmusik, 2012, v. 63, n. 2, p. 19
- By:
- Publication type:
- Article
7
Wilhelm Friedemann Bach und die protestantische Kirchenkantate nach 1750.
- Published in:
- 2011
- Publication type:
- Proceeding
8
PILLAGING POPE: RECYCLING POETRY FOR NEW CANTATA TEXTS.
- Published in:
- Notes & Queries, 2007, v. 54, n. 1, p. 68, doi. 10.1093/notesj/gjm025
- By:
- Publication type:
- Article
9
A Minor Mendelssohnian Mystery: The Curious Case of the Credo and the Nachspiel.
- Published in:
- Journal of Musicological Research, 2010, v. 29, n. 2-3, p. 148, doi. 10.1080/01411896.2010.482502
- By:
- Publication type:
- Article
10
"ATLÀNTIDA". UNIVERSO MUSICAL Y CULTURAL DE DON MANUEL DE FALLA.
- Published in:
- Humanitas (07172168), 2010, v. 15, n. 59, p. 620
- By:
- Publication type:
- Article
11
Rehearsal for the opera—remarks on a lost composition by Johann Kuhnau from 1683.
- Published in:
- Early Music, 2014, v. 42, n. 3, p. 1, doi. 10.1093/em/cau064
- By:
- Publication type:
- Article
12
Inequality in Alessandro Scarlatti and Handel: a sequel.
- Published in:
- Early Music, 2012, v. 40, n. 1, p. 91, doi. 10.1093/em/cas018
- By:
- Publication type:
- Article
13
The diversity of the Italian cantata.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
14
DIE KANTATE 92.
- Published in:
- Gottesdienst und Kirchenmusik, 2010, v. 10, n. 4, p. 14
- By:
- Publication type:
- Article
15
CLORI: THE ARCHIVE OF THE ITALIAN CANTATA.
- Published in:
- Fontes Artis Musicae, 2011, v. 58, n. 2, p. 137
- By:
- Publication type:
- Article
16
GIVE ME ALADDIN'S LAMP - A POSSIBLE PERSPECTIVE OF MODERNISM.
- Published in:
- Musicology Papers, 2011, v. 26, n. 2, p. 24
- By:
- Publication type:
- Article
17
Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata.
- Published in:
- Early Music, 2010, v. 38, n. 1, p. 73, doi. 10.1093/em/caq004
- By:
- Publication type:
- Article
18
Bach to the Lituus.
- Published in:
- American Scholar, 2009, v. 78, n. 4, p. 12
- By:
- Publication type:
- Article
19
J. S. BACH'S MEINE SEEL'ERHEBT DEN HERREN (BWV 10) AS CHORALE CANTATA AND MAGNIFICAT PARAPHRASE.
- Published in:
- Bach: Journal of the Riemenschneider Bach Institute, 2012, v. 43, n. 1, p. 29, doi. 10.1353/bach.2012.a820286
- By:
- Publication type:
- Article
20
Heroism in Defeat: Alberti's Cantata de los heroes y la fraternidad de los pueblos and Cercas's Soldados de Salamma.
- Published in:
- Bulletin of Hispanic Studies (1475-3839), 2006, v. 83, n. 4, p. 349, doi. 10.3828/bhs.83.4.4
- By:
- Publication type:
- Article