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Between Half and Perfect Cadences: The Modulating Antecedent in Dvořák's Parallel Periods.
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- Music Theory Online, 2023, v. 29, n. 1, p. 138, doi. 10.30535/mto.29.1.5
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- Article
Willaert’s Elusive Counterpoint Explained.
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- Music Theory Online, 2022, v. 28, n. 4, p. 135, doi. 10.30535/mto.28.4.0
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Reassessing the Plagal Cadence in Byrd and Morley.
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- Music Theory Online, 2022, v. 28, n. 3, p. 1
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Cadential Melodies: Form-Functional Taxonomy and the Role of the Upper Voice.
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- Music Theory Online, 2022, v. 28, n. 2, p. 73, doi. 10.30535/mto.28.2.4
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the Organist’s toolkit: An Introduction to Improvisation.
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- Organists' Review, 2022, p. 61
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- Article
A Glorious All-Saints' Motet of Tomás Luis de Victoria: O quam gloriosum: The reworking of typical cadential ?gures contributes to the magni?cently dramatic structure of this motet.
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- Sacred Music, 2021, v. 148, n. 4, p. 53
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Poetry Discussion Groups in the Secondary English Classroom.
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- English Journal, 2021, v. 110, n. 5, p. 66, doi. 10.58680/ej202131229
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A SYMPHONY OF LANGUAGES.
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- ETC: A Review of General Semantics, 2020, v. 77, n. 3, p. 300
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Learning California Bird Sounds, 4th edition/Learning MORE California Bird Songs, Learning (Western) Mountain Bird Songs, and Learning Desert Bird Sounds.
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- Western Birds, 2020, v. 51, n. 2, p. 157
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- Article
Using Music-Based Cadence Entrainment to Manipulate Walking Intensity.
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- Journal of Physical Activity & Health, 2019, v. 16, n. 11, p. 1039, doi. 10.1123/jpah.2019-0097
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Jacobus Gallus (Jacob Handl)—Ecce quomodo moritur justus.
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- Sacred Music, 2019, v. 146, n. 3, p. 42
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Subjects and Phrase Boundaries in Two Keyboard Fugues by J. S. Bach.
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- Music Theory Spectrum, 2019, v. 41, n. 1, p. 48, doi. 10.1093/mts/mty029
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Order within disorder: what kinds of tonal plans exist in Gesualdo's Tenebrae Responsories?
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- Early Music, 2018, v. 46, n. 3, p. 465, doi. 10.1093/em/cay021
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- Article
Form and Repetition: Deleuze, Guillaume and Sonata Theory.
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- Music Analysis, 2018, v. 37, n. 2, p. 150, doi. 10.1111/musa.12098
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Handel's Saul: The Apotheosis of Baroque Music-Theatre.
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- Choral Journal, 2018, v. 58, n. 9, p. 6
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Human-Human Interaction Forces and Interlimb Coordination During Side-by-Side Walking With Hand Contact.
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- Frontiers in Physiology, 2018, p. 1, doi. 10.3389/fphys.2018.00179
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Beyond the Classical Cadence: Thematic Closure in Early Romantic Music.
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- Music Theory Spectrum, 2018, v. 40, n. 1, p. 1, doi. 10.1093/mts/mty002
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A Model of Triadic Post-Tonality for a Neoconservative Postmodern String Quartet by Sky Macklay.
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- Atoms (2218-2004), 2017, v. 5, n. 4, p. 15, doi. 10.3390/arts6040015
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The Poetics of Silence in the Spiritual Canticle of St John of the Cross.
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- Concilium (00105236), 2017, n. 5, p. 35
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THE SIX-FOUR AS TONIC HARMONY, TONAL EMISSARY, AND STRUCTURAL CUE.
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- Integral, 2017, n. 31, p. 1
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Exploring the Impact of Final Ritardandi on Evaluative Responses to Cadential Closure.
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- Psychomusicology: Music, Mind & Brain, 2016, v. 26, n. 4, p. 346, doi. 10.1037/pmu0000159
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The Grammar and Rhetoric of Gregorian Chant: Gregorian melodies reflect technical characteristics of their texts.
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- Sacred Music, 2016, v. 143, n. 4, p. 29
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On the Fluidity of Consonance and Dissonance: The Influence of Musical Context.
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- Psychomusicology: Music, Mind & Brain, 2016, v. 26, n. 1, p. 1, doi. 10.1037/pmu0000102
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Functional Nature of the Cadential Six-Four.
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- Musicological Annual / Muzikoloski Zbornik, 2016, v. 52, n. 1, p. 73, doi. 10.4312/mz.52.1.73-96
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Probability and Style in the Chorales of J. S. Bach.
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- Empirical Musicology Review, 2015, v. 10, n. 3, p. 207, doi. 10.18061/emr.v10i3.4861
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Marpurg's Galant Cadence in Mozart: Theoretical Perspectives, Formal Implications and Voice Leading.
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- Res Musica, 2015, n. 7, p. 116
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The Half Cadence and Other Such Slippery Events.
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- Music Theory Spectrum, 2014, v. 36, n. 2, p. 203, doi. 10.1093/mts/mtu010
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Deferral of a Cadentially Confirmed Tonic and Play with Changing Conventions in the First Movement of Haydn's F♯ Minor Piano Trio (Hob. XV:26).
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- Music Theory Spectrum, 2014, v. 36, n. 2, p. 228, doi. 10.1093/mts/mtu018
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MUSICAL KEY PERCEPTION IN RELATION TO COLOR.
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- Psychological Reports, 2014, v. 115, n. 3, p. 748, doi. 10.2466/03.49.PR0.115c30z3
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THE INFLUENCE OF SERGEI PROKOFIEV'S NEOCLASSICISM ON THE HARMONIC LANGUAGE OF MILAN JELIČANIN'S TWO TOCCATAS.
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- Music in Society, 2014, p. 151
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- Article
The Half Cadence and Other Such Slippery Events.
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- Music Theory Spectrum, 2014, v. 36, n. 2, p. 203, doi. 10.1093/mts/mtu010
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- Publication type:
- Article
Deferral of a Cadentially Confirmed Tonic and Play with Changing Conventions in the First Movement of Haydn's F Minor Piano Trio (Hob. XV:26).
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- Music Theory Spectrum, 2014, v. 36, n. 2, p. 228, doi. 10.1093/mts/mtu018
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- Article
Timeless Reflections: Form, Cadence and Tonal Structure in the Scherzo and Finale of Schubert's String Quintet.
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- Music Analysis, 2014, v. 33, n. 2, p. 168, doi. 10.1111/musa.12028
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Unpacking the Box in Frescobaldi's Ricercari of 1615.
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- Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.3
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AGENTS OF FORM IN THE THIRD MOVEMENT OF NED ROREM'S SINFONIA FOR 15 WIND INSTRUMENTS.
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- Journal of Band Research, 2014, v. 49, n. 2, p. 41
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Hollywood Cadences: Music and the Structure of Cinematic Expectation.
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- Music Theory Online, 2013, v. 19, n. 4, p. 1, doi. 10.30535/mto.19.4.2
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Corticostriatal Contributions to Musical Expectancy Perception.
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- Journal of Cognitive Neuroscience, 2013, v. 25, n. 7, p. 1062, doi. 10.1162/jocn_a_00371
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Estendendo o conceito de cadência para o repertório pós-tonal.
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- PER MUSI: Revista Academica de Musica, 2012, n. 26, p. 31
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GILLES APAP AND ENTERTAINMENT INCLUDED IN ACADEMIC MUSIC.
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- REVART: Specialized Review of Theory & Critique of Arts, 2012, n. 1, p. 54
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U nearthing the P ast: T heory and A rchaeology in R obert G jerdingen' s M usic in the G alant S tyle.
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- Music Analysis, 2012, v. 31, n. 1, p. 112, doi. 10.1111/j.1468-2249.2012.00348.x
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THE THEORY AND PRACTICE OF INTEGRATING INVERTIBLE COUNTERPOINT INTO CLASSICAL THEME-TYPES.
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- Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique, 2012, v. 32, n. 1/2, p. 167, doi. 10.7202/1018583ar
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PERFORMANCE STRATEGIES IN THREE RECORDINGS OF BACH'S INVENTION NO. 1 IN C MAJOR: A COMPARATIVE STUDY.
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- Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique, 2011, v. 31, n. 2, p. 43, doi. 10.7202/1013213ar
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K eeping U p with the W ords: E xpressive P hrase O verlapping in the L ate I talian M adrigal.
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- Music Analysis, 2011, v. 30, n. 2/3, p. 152, doi. 10.1111/j.1468-2249.2011.00303.x
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- Article
Effects of Music Stepping Cadence on 3-min Step Test Performance in Hong Kong Females.
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- Asian Journal of Physical Education & Recreation, 2011, v. 17, n. 1, p. 65
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- Article
H aydn' s M issing M iddles.
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- Music Analysis, 2011, v. 30, n. 1, p. 37, doi. 10.1111/j.1468-2249.2011.00309.x
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CLOSURE IN CLASSICAL THEMES: THE ROLE OF MELODY AND TEXTURE IN CA DENCES, CLOSURAL FUNCTION, AND THE SEPARATED CA DENCE.
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- Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique, 2010, v. 31, n. 1, p. 25, doi. 10.7202/1009283ar
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TWO-PART TRANSITION OR TWO-PART SUBORDINATE THEME?
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- Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique, 2010, v. 31, n. 1, p. 46, doi. 10.7202/1009284ar
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Inadequate Sample Sizes in Studies of Athletic Performance at the 2012 ACSM Annual Meeting.
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- Sportscience, 2010, v. 14, p. 1
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A Case for Interruption at Scale Degree 3.
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- Theory & Practice, 2010, v. 35, p. 1
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Walking with Music Is a Safe and Viable Tool for Gait Training in Parkinson's Disease: The Effect of a 13-Week Feasibility Study on Single and Dual Task Walking.
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- Parkinson's Disease (20420080), 2010, p. 1, doi. 10.4061/2010/483530
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- Article