DARING TO PLAY: A BRECHT COMPANION.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
Works matching DE "BRECHT, Bertolt, 1898-1956"
Results: 764
1
2
"Wochenend und Sonnenschein": In the Blind Spots of Censorship at the GDR's Cultural Authorities and the Berliner Ensemble.
- Published in:
- Theatre Journal, 2009, v. 61, n. 3, p. 363, doi. 10.1353/tj.0.0234
- By:
- Publication type:
- Article
3
THE CAMBRIDGE COMPANION TO BRECHT.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
4
DIE DREIGROSCHENOPER (THE THREE-PENNY OPERA)/THE MASQUE OF THE RED DEATH.
- Published in:
- 2008
- By:
- Publication type:
- Arts/Entertainment Review
5
Mother Courage and Her Children.
- Published in:
- 2007
- By:
- Publication type:
- Arts/Entertainment Review
6
MUTTER COURAGE UND IHRE KINDER/DIE MUTTER (Theatrical Production).
- Published in:
- 2004
- By:
- Publication type:
- Arts/Entertainment Review
7
"Cultivating the Art of Living": The Pleasures of Bertolt Brecht's Philosophising Theatre Pedagogy.
- Published in:
- Studies in Philosophy & Education, 2022, v. 41, n. 6, p. 653, doi. 10.1007/s11217-022-09852-6
- By:
- Publication type:
- Article
8
Brecht in Algeria: On the Question of Influence in Kateb Yacine's Late Theater.
- Published in:
- 2013
- By:
- Publication type:
- Essay
9
"African Brecht.".
- Published in:
- 2009
- By:
- Publication type:
- Essay
10
The Starling's Tale: A Performative Ethnography Showing Deaf Children's Schooling in the Republic of Ireland.
- Published in:
- Qualitative Inquiry, 2019, v. 25, n. 1, p. 69, doi. 10.1177/1077800418787458
- By:
- Publication type:
- Article
11
“Some People Are Born Strange”.
- Published in:
- Qualitative Inquiry, 2017, v. 23, n. 3, p. 228, doi. 10.1177/1077800416643995
- By:
- Publication type:
- Article
12
BRECHT'S KUHLE WAMPE: An Expression of Communism in the Weimar Republic.
- Published in:
- Film & History (03603695), 1972, v. 2, n. 2, p. 11
- By:
- Publication type:
- Article
13
"When I'd reported to the couple, thus".
- Published in:
- 2014
- By:
- Publication type:
- Poem
14
On the Term of Exile.
- Published in:
- 2011
- By:
- Publication type:
- Poem
15
Hollywood Elegies.
- Published in:
- 2011
- By:
- Publication type:
- Poem
16
Brecht's Anti-Theatricality? Reflections on Brecht's Place in Michael Fried's Conceptual Framework.
- Published in:
- Journal of Visual Culture, 2017, v. 16, n. 1, p. 28, doi. 10.1177/1470412917694514
- By:
- Publication type:
- Article
17
Drawing a Picture of Our Literal Speed.
- Published in:
- Journal of Visual Culture, 2010, v. 9, n. 2, p. 241, doi. 10.1177/14704129100090020504
- By:
- Publication type:
- Article
18
"The Point Is, You Don't Seem to Have Learnt Anything": Reimagining J.B. Priestley's An Inspector Calls as a Brechtian Lehrstück for the Middle Classes.
- Published in:
- Modern Drama, 2022, v. 65, n. 3, p. 381, doi. 10.3138/md-65-3-1217
- By:
- Publication type:
- Article
19
Post-Auschwitz Dramaturgy: Toward the Later Edward Bond.
- Published in:
- Modern Drama, 2022, v. 65, n. 3, p. 429, doi. 10.3138/md-65-3-1121
- By:
- Publication type:
- Article
20
Między Celanowskim milczeniem a Brechtowską precyzją. Przekłady poezji Bertolta Brechta w twórczości Ryszarda Krynickiego.
- Published in:
- 2023
- By:
- Publication type:
- Poetry Review
21
Wittgenstein, Brecht and (the Philosophy of) Politics.
- Published in:
- Cosmos + Taxis, 2023, v. 11, n. 3/4, p. 22
- By:
- Publication type:
- Article
22
Editorial.
- Published in:
- Studies in Theatre & Performance, 2017, v. 37, n. 3, p. 299, doi. 10.1080/14682761.2017.1388947
- By:
- Publication type:
- Article
23
Brecht’s hail Caesar: Roman history and its players reconsidered.
- Published in:
- Studies in Theatre & Performance, 2017, v. 37, n. 3, p. 316, doi. 10.1080/14682761.2016.1217459
- By:
- Publication type:
- Article
24
Performing Baal.
- Published in:
- Studies in Theatre & Performance, 2015, v. 35, n. 3, p. 189, doi. 10.1080/14682761.2015.1080421
- By:
- Publication type:
- Article
25
'History Repeating Itself?': Text and image, theatre and performance: Howard Brenton and David Edgar's appropriation of the historical drama.
- Published in:
- Studies in Theatre & Performance, 2013, v. 33, n. 2, p. 169, doi. 10.1386/stap.33.2.169_1
- By:
- Publication type:
- Article
26
Eighteenth-century Brechtians.
- Published in:
- Studies in Theatre & Performance, 2013, v. 33, n. 2, p. 187, doi. 10.1386/stap.33.2.187_1
- By:
- Publication type:
- Article
27
Quarrelling with Brecht: Understanding Bond's post-structuralist political aesthetic.
- Published in:
- Studies in Theatre & Performance, 2008, v. 28, n. 3, p. 237, doi. 10.1386/stap.28.3.237_1
- By:
- Publication type:
- Article
28
Brecht and the disembodied actor.
- Published in:
- Studies in Theatre & Performance, 2008, v. 28, n. 2, p. 91, doi. 10.1386/stap.28.2.91_1
- By:
- Publication type:
- Article
29
Revisiting Brecht: preparing Galileo for production.
- Published in:
- Studies in Theatre & Performance, 2002, v. 22, n. 3, p. 145
- By:
- Publication type:
- Article
30
Brecht's interpretation of the performance style of the traditional Chinese theatre.
- Published in:
- Studies in Theatre & Performance, 2002, v. 22, n. 2, p. 118, doi. 10.1386/stap.22.2.118
- By:
- Publication type:
- Article
31
Dismantling the Gesamtkunstwerk: Weill, Neher and Brecht in Collaboration.
- Published in:
- Studies in Theatre & Performance, 2002, v. 22, n. 1, p. 30, doi. 10.1386/stap.22.1.30
- By:
- Publication type:
- Article
32
Brecht's Criticisms of Aristotle's Aesthetics of Tragedy.
- Published in:
- 2001
- By:
- Publication type:
- Literary Criticism
33
The Holocaust Theatre in Romania (1941-1958).
- Published in:
- Holocaust. Study & Research / Holocaust. Studii şi Cercetări, 2019, n. 2019, p. 175
- By:
- Publication type:
- Article
34
Actors/Agents: Bertolt Brecht and the Politics of Secrecy.
- Published in:
- Grey Room, 2006, v. 24, p. 38, doi. 10.1162/grey.2006.1.24.38
- By:
- Publication type:
- Article
35
'good building': Bertolt Brecht's Utopian Historical Optimism at the End of World War II.
- Published in:
- Cultural Studies Review, 2008, v. 14, n. 1, p. 137
- By:
- Publication type:
- Article
36
O TEATRO DO OPRIMIDO COMO RECURSO A UMA PRAXIS CIDADÃ.
- Published in:
- HOLOS, 2019, v. 4, p. 1, doi. 10.15628/holos.2019.6948
- By:
- Publication type:
- Article
37
Editorial.
- Published in:
- 2020
- By:
- Publication type:
- Editorial
38
Die Vorgeschichte der 'Brecht-Lukács-Debatte'.
- Published in:
- Internationales Archiv für Sozialgeschichte der deutschen Literatur, 2014, v. 39, n. 1, p. 89, doi. 10.1515/iasl-2014-0005
- By:
- Publication type:
- Article
39
Die Öffnung des ästhetischen Feldes.
- Published in:
- Internationales Archiv für Sozialgeschichte der deutschen Literatur, 2009, v. 34, n. 2, p. 228, doi. 10.1515/iasl.2009.025
- By:
- Publication type:
- Article
40
Bertolt Brecht's 'Me-Ti': Book of Interventions in the Flow of Things.
- Published in:
- 2017
- Publication type:
- Book Review
41
Mumford, Meg. Bertolt Brecht. London & New York: Routledge (Routledge Performance Practitioners), 2009. 208 pp. £60.00 (hardback)/£16.99 (paperback). ISBN 978–0–415–37508–5/37509–2.
- Published in:
- Forum for Modern Language Studies, 2011, v. 47, n. 1, p. 114, doi. 10.1093/fmls/cqq057
- Publication type:
- Article
42
BRECHT'S ORIGINALITY THE PROBLEM OF INFLUENCES.
- Published in:
- Forum for Modern Language Studies, 2003, v. 39, n. 1, p. 53, doi. 10.1093/fmls/39.1.53
- By:
- Publication type:
- Article
43
On the Limits of Empathy.
- Published in:
- Art Bulletin, 2006, v. 88, n. 1, p. 139, doi. 10.1080/00043079.2006.10786282
- By:
- Publication type:
- Article
44
Brecht and Method (Book Review).
- Published in:
- 2001
- Publication type:
- Book Review
45
Tiyatroda Bretch Etkisi ve Arturo Ui'nin Önlenebilir Yükselişi Adlı Oyununda Politik ve Epik Unsurlar.
- Published in:
- Gaziantep University Journal of Social Sciences, 2022, v. 21, n. 1, p. 502, doi. 10.21547/jss.943404
- By:
- Publication type:
- Article
46
Propeller's Staging of Rose Rage.
- Published in:
- 2005
- By:
- Publication type:
- Literary Criticism
47
A Man's a Man, but What about Woman? Widow Leocadia Begbick in Bertolt Brecht's Play (1926-2006).
- Published in:
- 2008
- By:
- Publication type:
- Literary Criticism
48
Neil Dowden at The Threepenny Opera at the National Theatre (Olivier).
- Published in:
- 2016
- Publication type:
- Performance Review
49
Israel.
- Published in:
- 2015
- By:
- Publication type:
- Performance Review
50
Israel.
- Published in:
- 2015
- By:
- Publication type:
- Performance Review