A Darwinian Love Story: Max Mon Amour and the Zoocentric Perspective in Film.Published in:Continuum: Journal of Media & Cultural Studies, 2006, v. 20, n. 1, p. 45, doi. 10.1080/10304310500475756By:Creed, BarbaraPublication type:Article
The Rwandan genocide and the bestiality of representation in 100 Days (2001) and Shooting Dogs (2005).Published in:Journal of African Cinemas, 2010, v. 2, n. 1, p. 49, doi. 10.1386/jac.2.1.49_1By:Cieplak, Piotr A.Publication type:Article