Throwing the Voice, Catching the Body: Opera and ventriloquism in Philip Glass/ Jean Cocteau's 'La Belle et la Bête'.Published in:2011By:Novak, JelenaPublication type:Film/TV Criticism and Review
Queer Margins: Cocteau, La Belle et la bête, and the Jewish dirrerend.Published in:1998By:Fischlin, DanielPublication type:Literary Criticism
Philip Glass's Cocteau Trilogy, or the Multiple Ways of Adapting Film into Opera.Published in:Opera Quarterly, 2022, v. 38, n. 1-4, p. 24, doi. 10.1093/oq/kbae003By:Vincent, DelphinePublication type:Article
Wuthering Heights and its 'Spirit.'Published in:Literature Film Quarterly, 1987, v. 15, n. 2, p. 116By:Popkin, MichaelPublication type:Article
A Sense of Magic: Reality and Illusion in Cocteau's Beauty and the Beast.Published in:Literature Film Quarterly, 1984, v. 12, n. 2, p. 96By:Galef, DavidPublication type:Article
Cocteau's Beauty and the Beast: The Poet as Monster.Published in:Literature Film Quarterly, 1982, v. 10, n. 2, p. 100By:Popkin, MichaelPublication type:Article