‘In grembo a Citherea’: the representation of ingenium and ars in Claudio Monteverdi’s Tempro la cetra.Published in:Early Music, 2011, v. 39, n. 4, p. 503, doi. 10.1093/em/car103By:Haramaki, GordonPublication type:Article
Dancing at a wedding: some thoughts on performance issues in Monteverdi's 'Lasciate i monti' (Orfeo, 1607).Published in:Early Music, 2008, v. 36, n. 4, p. 533, doi. 10.1093/em/can126By:Lamothe, Virginia ChristyPublication type:Article
"To drive away all cloudy thoughts": Heinrich Kröller's and Richard Strauss's 1923 Ballettsoirée and Interwar Viennese Cultural Politics.Published in:Musical Quarterly, 2005, v. 88, n. 4, p. 594, doi. 10.1093/musqtl/gdk001By:Heisler Jr., WaynePublication type:Article
The Old French Ballette: Oxford, Bodleian Library, MS Douce 308.Published in:2007By:Leach, Elizabeth EvaPublication type:Book Review
Pills to Purge Melancholy: The Evolution of the English Ballett.Published in:2006By:Kendall, G. YvonnePublication type:Book Review