Kinski/Herzog y Ullmann/Bergman: el autor y el actor en el cine autobiográfico.
- Published in:
- Comunicación y Sociedad, 2001, v. 14, n. 2, p. 93
- Publication type:
- Article
Works matching DE "AUTEUR theory (Motion pictures)"
Results: 156
1
2
Auteurism and game localization -- revisiting translational approaches.
- Published in:
- Translation Spaces, 2015, v. 4, n. 2, p. 268, doi. 10.1075/ts.4.2.05pet
- By:
- Publication type:
- Article
3
“It’s just art”: <italic>auteur</italic> apologism in the post-Weinstein era.
- Published in:
- Feminist Media Studies, 2018, v. 18, n. 3, p. 491, doi. 10.1080/14680777.2018.1456158
- By:
- Publication type:
- Article
4
A new model for Spanish cinema. Authorship and globalization: the films of Javier Rebollo.
- Published in:
- Journal of Spanish Cultural Studies, 2015, v. 16, n. 1, p. 29, doi. 10.1080/14636204.2015.1042323
- By:
- Publication type:
- Article
5
AUTEURISM: TRUE OR FAUX?
- Published in:
- 2008
- By:
- Publication type:
- Book Review
6
Re-conceptualizing Ingmar Bergman's status as auteur du cinema.
- Published in:
- European Journal of Cultural Studies, 2019, v. 22, n. 1, p. 3, doi. 10.1177/1367549417718211
- By:
- Publication type:
- Article
7
Packaging House of Cards and The Knick : How talent intermediaries manage the indie-auteur brand to sell premium television.
- Published in:
- Critical Studies in Television, 2020, v. 15, n. 2, p. 129, doi. 10.1177/1749602020906392
- By:
- Publication type:
- Article
8
Certain Tendencies in Contemporary Auteurist Film Practice in Africa.
- Published in:
- Cinema Journal, 2015, v. 54, n. 2, p. 140, doi. 10.1353/cj.2015.0011
- By:
- Publication type:
- Article
9
Cinema of Failed Revolt: Brian De Palma and the Death(s) of the Left.
- Published in:
- Cinema Journal, 2012, v. 51, n. 3, p. 1, doi. 10.1353/cj.2012.0034
- By:
- Publication type:
- Article
10
The New Wave Meets the Tradition of Quality: Jacques Demy's The Umbrellas of Cherbourg.
- Published in:
- Cinema Journal, 2008, v. 48, n. 1, p. 27, doi. 10.1353/cj.0.0062
- By:
- Publication type:
- Article
11
Hard Hats and Movie Brats: Auteurism and the Class Politics of the New Hollywood.
- Published in:
- Cinema Journal, 2004, v. 43, n. 3, p. 18, doi. 10.1353/cj.2004.0022
- By:
- Publication type:
- Article
12
Guattari TV, By Kafka.
- Published in:
- Deleuze Studies, 2012, v. 6, n. 2, p. 210, doi. 10.3366/dls.2012.0058
- By:
- Publication type:
- Article
13
Bringing into focus narrative text and subtext in Moroccan film: Marock's Hors-Champ.
- Published in:
- Journal of North African Studies, 2010, v. 15, n. 3, p. 289, doi. 10.1080/13629380902833649
- By:
- Publication type:
- Article
14
Herzog, Martel, and Auteurism.
- Published in:
- 2021
- By:
- Publication type:
- Editorial
15
The Pursuit of Subjectivity: An Interview with Tom Tykwer.
- Published in:
- 2010
- By:
- Publication type:
- Interview
16
“The Most Terrific Sandbox”: Music Video Directors, Style, and the Question of the Auteur.
- Published in:
- Quarterly Review of Film & Video, 2008, v. 25, n. 5, p. 404, doi. 10.1080/10509200601093330
- By:
- Publication type:
- Article
17
Explicit Ambiguity: Sexual Identity, Hitchcockian Criticism, and the Films of François Ozon.
- Published in:
- Quarterly Review of Film & Video, 2007, v. 24, n. 3, p. 277, doi. 10.1080/10509200500486387
- By:
- Publication type:
- Article
18
Alfred Hitchcock's Rereleased Films: Part Two.
- Published in:
- Quarterly Review of Film & Video, 1989, v. 11, n. 2, p. 101, doi. 10.1080/10509208909361304
- By:
- Publication type:
- Article
19
Alfred Hitchcock's Rereleased Films: Part One.
- Published in:
- 1989
- By:
- Publication type:
- Book Review
20
Philosophy: history and theory.
- Published in:
- Studies in East European Thought, 2016, v. 68, n. 2/3, p. 107, doi. 10.1007/s11212-016-9251-z
- By:
- Publication type:
- Article
21
Cine de autor peruano en tiempos de globalización: entre la transgresión y la marginación.
- Published in:
- Revista de Comunicación, 2020, v. 19, n. 2, p. 215, doi. 10.26441/RC19.2-2020-A12
- By:
- Publication type:
- Article
22
Auteurs Gone Wild: Why the director's cut often turns into an ax murder.
- Published in:
- American Scholar, 2010, v. 79, n. 2, p. 96
- By:
- Publication type:
- Article
23
What Price Hollywood?
- Published in:
- 2018
- By:
- Publication type:
- Book Review
24
No Quarterly Can Be Too Personal: How Sequence Provided a Pragmatic Alternative to the Politique des Auteurs.
- Published in:
- Journal of British Cinema & Television, 2013, v. 10, n. 2, p. 340, doi. 10.3366/jbctv.2013.0138
- By:
- Publication type:
- Article
25
Romance and Hitchcock? Viewing master of suspense as master of romance.
- Published in:
- Studies in European Cinema, 2025, v. 22, n. 1, p. 78, doi. 10.1080/17411548.2024.2319850
- By:
- Publication type:
- Article
26
'What's your dream?' The films of femme auteur Andrea Arnold.
- Published in:
- Studies in European Cinema, 2024, v. 21, n. 1, p. 63, doi. 10.1080/17411548.2022.2064159
- By:
- Publication type:
- Article
27
AUTEURISM ON TRIAL: MORAL RIGHTS AND FILMS ON TELEVISION.
- Published in:
- Wisconsin Law Review, 2011, v. 2011, n. 2, p. 273
- By:
- Publication type:
- Article
28
'GHOSTS, SCARS AND GODS': BRINGING THE ITALIAN SPECTATOR INTO VIEW.
- Published in:
- Italianist, 2014, v. 34, n. 2, p. 265, doi. 10.1179/0261434014Z.00000000082
- By:
- Publication type:
- Article
29
COMPARISON OF EDITING FEATURES IN KAZAKHSTAN AUTHOR'S AND COMMERCIAL CINEMA.
- Published in:
- Central Asian Journal of Art Studies, 2024, v. 9, n. 4, p. 193, doi. 10.47940/cajas.v9i4.937
- By:
- Publication type:
- Article
30
Sam Peckinpah's West: New Perspectives.
- Published in:
- 2006
- By:
- Publication type:
- Book Review
31
Remembrance and Canadian national cinema: Incorporating classic themes.
- Published in:
- Short Film Studies, 2020, v. 10, n. 1, p. 73, doi. 10.1386/sfs.10.1.73_1
- By:
- Publication type:
- Article
32
B & C Circuit.
- Published in:
- Bioscope: South Asian Screen Studies, 2021, v. 12, n. 1-2, p. 31, doi. 10.1177/09749276211026140
- By:
- Publication type:
- Article
33
David Cronenberg: The Secular Auteur as Critic of Religion.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
34
Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang.
- Published in:
- Journal of Chinese Cinemas, 2007, v. 1, n. 3, p. 223, doi. 10.1386/jcc.1.3.223_7
- By:
- Publication type:
- Article
35
Absurd Avatars, Transcultural Relations: Elia Suleiman, Franco-Palestinian Filmmaking and Beyond.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
36
The Gentrification of John Waters.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
37
Understanding Tony Scott: Authorship and Post-Classical Hollywood.
- Published in:
- Film Criticism, 2015, v. 39, n. 3, p. 48
- By:
- Publication type:
- Article
38
The Lost Art of Keeping a Secret: Jacques Rivette's Film Criticism for Arts.
- Published in:
- Film Criticism, 2014, v. 39, n. 1, p. 51
- By:
- Publication type:
- Article
39
The Politics and Aesthetics of the "politique des auteurs".
- Published in:
- Film Criticism, 2014, v. 39, n. 1, p. 33
- By:
- Publication type:
- Article
40
The Evolving 'Temp Score' in Animation.
- Published in:
- Music, Sound & the Moving Image, 2011, v. 5, n. 1, p. 1, doi. 10.3828/msmi.2011.1
- By:
- Publication type:
- Article
41
The Death of Dark Animation in Europe: Priit Pärn's Hotel E.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
42
The Author's Conceptualising Presence in Film: A Stylistic Analysis of Sulev Keedus's Georgica.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
43
blog comments on workshops & keynotes from the conference.
- Published in:
- 2014
- By:
- Publication type:
- Proceeding
44
Creative resistance: Noah Baumbach's literary filmography.
- Published in:
- Textual Practice, 2021, v. 35, n. 10, p. 1629, doi. 10.1080/0950236X.2021.1965293
- By:
- Publication type:
- Article
45
SLOVENE FILM, NATIONAL IDENTITY AND THE CELLULOID HEGEMONY OF THE MYTHICAL POST-INDEPENDENCE TIME.
- Published in:
- Cultural Studies, 2010, v. 24, n. 5, p. 662, doi. 10.1080/09502380903546935
- By:
- Publication type:
- Article
46
The Cinematic Practice of a “cinéaste ordinaire”: Abdellatif Kechiche and French Political Cinema.
- Published in:
- 2012
- By:
- Publication type:
- Essay
47
People fever: on the popular passions of Peter Watkins's La Commune (Paris, 1871).
- Published in:
- 2016
- By:
- Publication type:
- Essay
48
Auterism and commerce in contemporary Spanish cinema: directores mediáticos.
- Published in:
- 2008
- By:
- Publication type:
- Essay
49
www.auteur.com?
- Published in:
- Screen, 2000, v. 41, n. 1, p. 101, doi. 10.1093/screen/41.1.101
- By:
- Publication type:
- Article
50
Rupture, continuity and diversification: Cahiers du cinéma in the 1980s.
- Published in:
- Screen, 1993, v. 34, n. 4, p. 362, doi. 10.1093/screen/34.4.362
- By:
- Publication type:
- Article